This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.
Cocktail dress of black silk chiffon with two tiers of black ostrich feathers and lightly beaded chiffon at hemline. V-shaped neckline is trimmed with hanging black beads. Adjustable spaghetti strap shoulders. Knee length. Center back zipper closure. Lined in black polyester.
Evening gown of green silk and wool, brush stroke floral brocade with black cotton embroidered tulle overlay, patterned in floral fanning vines at bodice and bottom of skirt; strapless; straight fit, fanning out at bottom; slightly longer length in back. Underskirt of green silk with black polyester tulle skirt attached at bottom with extra tulle pieces at back. Lined in silk; boning in bodice.
This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Pillow of gold shantung with embroidered peacock framed in blue paisley and gold floral ribbons. Back of pillow is silver peacock feather embroidered design on teal background. Pillow is bordered in green and beige thread fringe.
Top of blue, green, orange, and brown accordion-pleated polyester with varying geometric shape print; some blocks of color contain Japanese characters, check print, coat hangers, and numbers.
Pumps of silk printed with ikat inspired gold, saffron orange, dove grey, and dark brown gathered over the round toe and back of abstract, painterly green, pink and white. Stiletto 3" heel covered in silk matching back of shoe with pewter lower heel; taupe rubber heel lifts. Dark brown leather soles and brown leather insoles. Stamped on interior: "9414 38".
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