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  Access Rights: Public
  Partner: UNT College of Visual Arts + Design
 Decade: 2000-2009
AL 00-3
This abstract painting is mostly black with some white vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27160/
AZ 01-14
This abstract painting is predominately white with green, pink and gray vertical strokes broken by an implied horizontal line. digital.library.unt.edu/ark:/67531/metadc27167/
AJ 00-1
This oil painting on canvas is predominately black and includes some white vertical scrapes starting and stopping horizontally in the center. digital.library.unt.edu/ark:/67531/metadc27159/
The Alchemist's Wedding Band
The small scale sculpture, according to the artist, represents an alchemical allegory of marriage. It is symmetrical with two bulbous shapes emerging from a third round piece which is balanced on a crescent shape. The work is topped with a funnel shape holding some shapes made of lead. digital.library.unt.edu/ark:/67531/metadc129771/
AQ 01-5
This painting is mostly black with some vertical white scrapes. digital.library.unt.edu/ark:/67531/metadc27161/
Asteroids and Asterisks Warped and Trapped by Red Yellow and Gray Gestures
The horizontal painting consists of two red backgrounds that have been decorated with a scratched into the surface grid pattern. Dancing across the surface are seven vertical gray swaths and two thick yellow paint drips running from the top edge of the painting. digital.library.unt.edu/ark:/67531/metadc102404/
AT 01-8
This painting is predominately black with some vertical white and pink scrapes. digital.library.unt.edu/ark:/67531/metadc27162/
AU 01-9
This painting is predominately white with pink and black vertical scrapes. digital.library.unt.edu/ark:/67531/metadc27163/
AV 01-10
This oil painting is predominately pink with vertical scrapes of black and white. digital.library.unt.edu/ark:/67531/metadc27164/
AW 01-11
This oil painting is predominately green with vertical marks and lines of black and white broken by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27165/
AX 01-12
This abstract painting is predominately white with black, gray and green vertical marks interrupted by some horizontal implied lines. digital.library.unt.edu/ark:/67531/metadc27166/
BA 01-15
This abstract painting consists of pink and gray vertical strokes with some green and black smaller vertical strokes. digital.library.unt.edu/ark:/67531/metadc27168/
Backward N Come Together Edges
The square blue painting's surface is covered with a scratched into the surface grid pattern and across the uppermost surface is a backward N shape in a bright orange color. digital.library.unt.edu/ark:/67531/metadc102406/
BE 02-4
Predominately orange painting includes many parallel vertical wavy black lines with horizontal texture. digital.library.unt.edu/ark:/67531/metadc27171/
BH 02-7
The bright orange painting also contains many vertical parallel wavy black lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27172/
BI 02-8
This predominately yellow painting includes vertical curved and wavy orange lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27173/
BJ 02-9
This predominately orange/red painting contains lined texture at various horizontal angles and contains curved vertical yellow parallel lines. digital.library.unt.edu/ark:/67531/metadc27174/
BM 03-1
This predominately black painting also contains curved and wavy parallel vertical orange lines and lined texture perpendicular to orange lines. digital.library.unt.edu/ark:/67531/metadc27175/
BS 03-7
Light green painting contains many vertical wavy parallel black lines contrasted with perpendicular lined texture. digital.library.unt.edu/ark:/67531/metadc27176/
Bush and McCain
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece. digital.library.unt.edu/ark:/67531/metadc275001/
Bush Meets Pope
The painting depicts George W. Bush meeting the Pope, Pope Benedict XVI. The colors are solid and flat with black outlines. digital.library.unt.edu/ark:/67531/metadc275000/
BV 03-10
Predominately white painting contains vertical curvy and wavy parallel black and gray lines with horizontal lined texture. digital.library.unt.edu/ark:/67531/metadc27177/
CA 04-2
This mostly white painting includes vertical wavy parallel black and gray lines and lined horizontal texture. digital.library.unt.edu/ark:/67531/metadc27187/
CD 04-5
This predominately yellow oil painting also has many vertical wavy black lines and linear horizontal texture. digital.library.unt.edu/ark:/67531/metadc27188/
CE 04-6
This predominately blue oil painting contains many parallel wavy vertical black lines, a few red and yellow vertical lines as well with horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27189/
CF 04-7
This predominately blue painting includes vertical black wavy lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27190/
CG 04-8
This predominately white painting also includes vertical multi-colored parallel wavy lines with linear texture. In this photograph of the painting, the studio floor of the artist is visible. digital.library.unt.edu/ark:/67531/metadc27191/
CH 04-9
This predominately red/orange painting has darker vertical wavy parallel lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27192/
CI 04-10
This yellow painting includes curved and wavy lines with perpendicular linear texture. digital.library.unt.edu/ark:/67531/metadc27193/
CJ 05-1
This painting has a white background and many vertical curved and parallel multi-colored lines with a horizontal linear texture. digital.library.unt.edu/ark:/67531/metadc27194/
CK 05-2
This painting's background is predominately white and has many vertical wavy parallel multi-colored lines. digital.library.unt.edu/ark:/67531/metadc27195/
CL 05-3
Painting has white background and many multi-colored horizontal wavy lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27196/
CO 06-1
This painting consists of a white background with many curved multi-colored lines and heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27199/
CP 06-2
This oil painting has a predominately white background and many circular multi-colored lines with heavy linear texture. digital.library.unt.edu/ark:/67531/metadc27200/
CU 08-2
This square painting has a predominately light peach background and includes many gray curved lines and linear texture. digital.library.unt.edu/ark:/67531/metadc27209/
Curved Edges and Grid
This square painting consists of two yellow sections with grid patterns and texture. Across the surface is a rough swath of purple which reveals the scratched and grid pattern texture of the underlying layer. digital.library.unt.edu/ark:/67531/metadc102408/
Cycling Round the Geometric Sky
The horizontal painting is divided into colorful geometric shapes. Across the bottom edge are five large and dark comma shapes and across the top edge are small similar marks. digital.library.unt.edu/ark:/67531/metadc102409/
Dialectics
The sculpture consists of a yellow head shape with a secondary face appearing in an oval shape on the surface. Protruding vertically out of the top of the head are three leaf like covered elongated shapes. digital.library.unt.edu/ark:/67531/metadc102329/
Different Orders, Number 4
The horizontal painting is divided into two large and one narrow sections. Each are decorated with grid patterns and connecting the two larger vertical sections is a large white X. digital.library.unt.edu/ark:/67531/metadc102410/
Different Orders, Number 6
The horizontal painting is divided into three basic geometric shapes. Each is decorated with a grid pattern and across the yellow section is a large black swath of paint in a vertical comma shape. digital.library.unt.edu/ark:/67531/metadc102411/
Different Orders, Number 8
The horizontal painting consists of several geometric shapes in blues and oranges. Across the surface is a large yellow green swath arcing across the canvas. digital.library.unt.edu/ark:/67531/metadc102412/
Dress
Tunic-style evening dress of royal blue hammered silk. Full-length, narrowing to hem and with a slit up the side. Dress has a round neckline with hook-and-eye closure at back and has wide, straight, bracelet-length sleeves. Hand-written notation on the designer label: "8634 #2" digital.library.unt.edu/ark:/67531/metadc30337/
Dress
Dress of black silk taffeta and black and white cotton; strapless; full-length; bodice of black silk taffeta has uneven horizontal tucks creating a ruching effect across the ribs; bow at CF neckline; full white cotton lawn skirt gathers into waistline; black cotton lawn floral applique covers skirt; CB zipper; 6" wide crinoline around inside of hem; first layer under skirt is sheer white nylon with 6" wide crinoline around inside of hem; bottom layer of skirt is heavy white silk with 6" wide crinoline encased around hem. Designer's label: Oscar de la Renta Size: "8" Origin: "Made / in USA" digital.library.unt.edu/ark:/67531/metadc115026/
Dress
Dress of black lace and black silk chiffon laser cut floral fringe. Ankle length; bodice of black lace; round neck; sleeveless. Skirt of black lace with twelve tiers of laser cut floral fringe. Center back zipper and 6 hook and eye closures. Sixteen decorative lace covered button down back. Skirt lined in light brown; bodice partially lined in sheer black chiffon. With a sash of black satin. Designer's label at inside back zipper at top of brown lining: "Pierre Balmain" Style number tag on back of designer's label: "174 303" digital.library.unt.edu/ark:/67531/metadc87100/
Dress
Dress of dark red silk. Full length; empire waist; v-neck with detail stitching; darker red rough silk weave inserts at shoulders and extending from sides to back; sleeveless; low back has partially attached fabric drape; back has curved seams with triangular openings that reveal red iridescent silk taffeta lining; center back zipper. Designer's label inside: "Chado / Ralph Rucci" Content label inside: "100% / Silk" digital.library.unt.edu/ark:/67531/metadc87101/
Dress
Dress of black net with all over applique of strips of gold holographic foil and braided black netting. Calf length. Bodice top has a series of points. Three-quarter length sleeves of sheer black net. Skirt has five layers: appliqued over-skirt, three layers of black net and lining of light brown silk covered in black net. Center back zipper. Designer's label at side seam: "Pierre Balmain / Paris" Handwritten style number tag under designer's label: "172257" digital.library.unt.edu/ark:/67531/metadc283671/
Dress
Dress of green silk and hand beading. Bodice is green with netting ; V-neck; lace and beading detail on bodice. Strapless, with off-the-shoulder "cap sleeves" of black lace with green beaded floral motif; motif continues over full length skirt. Green sash attached to bodice. Side zipper closure. Designer's label: "Michael Faircloth" digital.library.unt.edu/ark:/67531/metadc286938/
Dress
No Description digital.library.unt.edu/ark:/67531/metadc30332/
Evening Gown
Evening gown of heavy-weight bronze silk with metallic gold, red, green and brown silk embroidery. Strapless sheath silhouette trimmed with brown velvet above bust, and embellished with heavy beading at the bodice. Train cascades from inside back of bodice; multiple hook and eye closures with zipper; lined with orange acetate. Designer's label: "Marta de Diego" digital.library.unt.edu/ark:/67531/metadc87102/
Evening Gown
Ballgown of olive/brown iridescent silk taffeta with all over Lesage embroidery of metallic thread, beads, small sequins, and green chenille yarn. Full length; round neck; long sleeves; center back zipper. Lined in copper colored organza. Designer's label: "Pierre Balmain / Paris" Style label under designer's label: "173666" Accompanying gown, but not shown: Stole of olive green silk; fringed ends. Petticoat for dress. Under layers of very stiff olive netting. Inner support bodice of copper brown silk; extends below waist to knee to form underskirt. Back zipper. digital.library.unt.edu/ark:/67531/metadc286947/
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