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  Partner: UNT College of Visual Arts + Design
 Decade: 1990-1999
 Year: 1994
94-2
Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes. digital.library.unt.edu/ark:/67531/metadc27126/
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface. digital.library.unt.edu/ark:/67531/metadc27130/
94-203
Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface. digital.library.unt.edu/ark:/67531/metadc27127/
94-204
Vertical black painting with linear pattern and many gray circles floating across the surface. digital.library.unt.edu/ark:/67531/metadc27128/
94-207
Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface. digital.library.unt.edu/ark:/67531/metadc27129/
Burj al Arab Hotel
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Two sets of black towers situated at entrance of bridge periodically emit flames. digital.library.unt.edu/ark:/67531/metadc51894/
Burj al Arab Hotel
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The view shows a close detail of the concrete armor units that are for mitigating the effects of the waves on the island. digital.library.unt.edu/ark:/67531/metadc51899/
Burj al Arab Hotel
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The view is of the man-made pilings to absorb wave action impact on the island. digital.library.unt.edu/ark:/67531/metadc51898/
Chlorosis
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No Description digital.library.unt.edu/ark:/67531/metadc8475/
Dress
Dress of striped cotton broadcloth. The "house dress" style garment is street-length, in various patterns of woven striped cotton broadcloth. It has a center front opening that extends the length of the dress and secures with 7 gold-colored metal buttons set with colored rhinestones and on hidden hook-and-eye closure at waist. The wide collar is primarily in yellow with very narrow stripes of orange and blue. The bodice is of vertical stripes of reds, purples, pinks, etc. The skirt, which gathers into the natural waist, is in vertical stripes of blues with thin maroon and green accent stripes. The short sleeves are in stripes of blues, red, yellow and white, and have french cuffs secured with metal rhinestone-set cuff-links. The dress is unlined. The accompanying belt/sash is of the same fabric as the sleeves, and is finished at the ends as cuffs with sewn-on cuff-links matching the sleeves. Designer's label sewn inside at back collar: "Todd / Oldham". Four labels sewn inside skirt at side seam: Content: "100% / Cotton" Care: "Dry Clean / Only" Size: "S" Origin: "Made / In U.S.A." From Oldham's Spring 1994 collection. digital.library.unt.edu/ark:/67531/metadc30298/
[framed masked face floating above wavy landscape receding into distance]
Depth is achieved by the diminishing scale of purple wavy lines atop green straight verticals. Floating to the right is a multi-shade brown frame, again with the illusion of depth and inside is a masked face. digital.library.unt.edu/ark:/67531/metadc27029/
A Frontal Passage
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The space is filled with a red light creating an environment. digital.library.unt.edu/ark:/67531/metadc7765/
[Graffiti, Venice Beach, California]
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The side of a building is painted with graffiti. The colors are predominately blues and there is some English text. digital.library.unt.edu/ark:/67531/metadc40895/
[Graffiti, Venice Beach, California]
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This detail of the painted wall shows the face from the lower right section. digital.library.unt.edu/ark:/67531/metadc40897/
[Graffiti, Venice Beach, California]
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The main portion of the north wall is shown. There is some text and two faces. digital.library.unt.edu/ark:/67531/metadc40898/
[Graffiti, Venice Beach, California]
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A close view of a person's face is depicted in this image. digital.library.unt.edu/ark:/67531/metadc40899/
[Graffiti, Venice Beach, California]
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The detail shows a portion of the wall that has been covered with a graffiti mural. digital.library.unt.edu/ark:/67531/metadc40896/
[Graffiti, Venice Beach, California]
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A close detail view of the artist's signature is included in this image. digital.library.unt.edu/ark:/67531/metadc40903/
[Graffiti, Venice Beach, California]
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A close view of the wall includes the texture underneath the paint and a detail of some of the text. digital.library.unt.edu/ark:/67531/metadc40902/
[Graffiti, Venice Beach, California]
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A close view of some of the text is shown. digital.library.unt.edu/ark:/67531/metadc40901/
[Graffiti, Venice Beach, California]
Access: Use of this item is restricted to the UNT Community.
A portion of the north wall includes a face and parts of some text. digital.library.unt.edu/ark:/67531/metadc40900/
I'll Tumble For You
The vertically oriented painting consists of many textures, colors and motifs. The dark ground is richly textured and covered with words, numbers and calculations sometimes partially obliterated. Two large heart shapes face each other, one in the bottom half of the canvas and the other in the top half. They are also richly covered in texture with letters and numbers. About a dozen forks are attached across the surface of the painting; they tumble from the top to the bottom. Flanking the top and bottom edges are some large X marks with thick top and bottom bars. digital.library.unt.edu/ark:/67531/metadc129821/
Male Model
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No Description digital.library.unt.edu/ark:/67531/metadc8733/
Mechanical Music
The large vertical painting consists of a dark ground. In the lower portion, five wooden spoons are attached. Along the upper edge is an impression of a hand and a plus and minus sign flank the right and left edges in the upper portion of the canvas. At a diagonal in the lower portion appears a long spatula or spoon shape nestled in a sandy brown area. The surface of the work is complex with numbers, letters and calculations barely visible. digital.library.unt.edu/ark:/67531/metadc129820/
Memorial II
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Painting of white, beige and black near abstract circle and oval shapes scattered throughout. digital.library.unt.edu/ark:/67531/metadc8806/
Sandals
Sandals of silver leather. The shoes have an open, square toe, and wide strap which wraps around ankle and buckles around lower ankle with a large silver-tone buckle. 2 1/2" heel, 1" wide, 1 1/2" deep. Label: "abstracts" digital.library.unt.edu/ark:/67531/metadc115020/
Wedding Dress
Wedding ensemble. The dress is of creme satin styled as a sleeveless A-line dress, with wide shoulder straps. The neckline of the bodice is embellished with rows of satin cording forming a cross-over design. The skirt has a high waistline, and is formed of a lattice of groups of four vertical and four horizontal rows of satin cording, with a backing of creme gauze. Label sewn into inside back of dress: "Victor Costa / Bridal" With veil of silk tulle with satin binding, not shown in photograph. digital.library.unt.edu/ark:/67531/metadc30279/
White Number 19
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The painting, White #19, is entirely made out of text. It's a painting made with oil stick, and it was done by stenciling the text of a paragraph from an essay onto the canvas with oil paint, and the more you stencil, the darker and denser the painting becomes. digital.library.unt.edu/ark:/67531/metadc8502/