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  Partner: UNT College of Visual Arts + Design
 Decade: 1990-1999
 Collection: UNT Scholarly Works
[12 panel handmade paper and silk artwork]
The artwork consists of twelve panels in varying hues of pinks, blues, browns with some angular textured lines resembling furrows and some blue lines resembling water run through and across the panels. digital.library.unt.edu/ark:/67531/metadc27050/
90-208, Voyager
Light shades of pinkish grays create the background juxtaposed with linear pattern and layered with small multi-hued geometric shapes and a linear drawing of a ship and silhouettes of two figures. digital.library.unt.edu/ark:/67531/metadc27123/
92-204
The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes. digital.library.unt.edu/ark:/67531/metadc27124/
93-4/94-1
Black background with linear patterns created by many small dots of paint. Many small, multi-hued circles float across the surface and dotted lines follow the background linear zigzag pattern. digital.library.unt.edu/ark:/67531/metadc27125/
94-2
Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes. digital.library.unt.edu/ark:/67531/metadc27126/
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface. digital.library.unt.edu/ark:/67531/metadc27130/
94-203
Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface. digital.library.unt.edu/ark:/67531/metadc27127/
94-204
Vertical black painting with linear pattern and many gray circles floating across the surface. digital.library.unt.edu/ark:/67531/metadc27128/
94-207
Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface. digital.library.unt.edu/ark:/67531/metadc27129/
95-3
This vertical painting consists of a highly detailed patterned background across which are scattered various sized circles. digital.library.unt.edu/ark:/67531/metadc27131/
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles. digital.library.unt.edu/ark:/67531/metadc27132/
95-7
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag. digital.library.unt.edu/ark:/67531/metadc27133/
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface. digital.library.unt.edu/ark:/67531/metadc27137/
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27139/
L 97-12
Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes. digital.library.unt.edu/ark:/67531/metadc27143/
S 98-7
Loose brown, white and black brushstrokes scraped and smeared with a gradation from white to black motif floating in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27147/
AA 99-6
Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27148/
AC 99-8
The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors. digital.library.unt.edu/ark:/67531/metadc27149/
Action Pattern, Number 2
The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102405/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes. digital.library.unt.edu/ark:/67531/metadc27152/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
Arjuna's Bell
Half of the bowl is decorated in yellow while the other half consists of many closely spaced dark blue rectangular hash marks. On the yellow half of the bowl are many hieroglyphic type marks. digital.library.unt.edu/ark:/67531/metadc102325/
B 97-2
Vertical painting with large gray brushstrokes. Several gradation motifs float on the surface. digital.library.unt.edu/ark:/67531/metadc27136/
Bean Tree Pod Rockets Measured and Marked
The drawing consists of a grid drawn in graphite with each corner marked by cross marks. Foiling this pattern is a series of marks created from bean pods that had been dipped in ink and slapped across the surface of the paper. digital.library.unt.edu/ark:/67531/metadc102407/
[blue and green waves layered amongst gray and brown frames]
Waves depicted in greens and blues within and without several framing devices of shades of gray and edged in brown. digital.library.unt.edu/ark:/67531/metadc27031/
C 97-3
Red, blue, and brown brushstrokes covered by a black mesh consisting of forty-nine openings arranged seven by seven through which the reds, blues and browns appear. digital.library.unt.edu/ark:/67531/metadc27138/
L'Chaim
A brown mound shape decorated with incised curlicues is the base upon which sits a small house. The pieces disassemble revealing a hidden cup. digital.library.unt.edu/ark:/67531/metadc102322/
L'Chaim
A brown mound shape decorated with incised curlicues is the base upon which sits a small house. The pieces disassemble revealing a hidden cup. digital.library.unt.edu/ark:/67531/metadc102321/
[circles, squares, and horizontal lines floating]
The horizontal predominately blue and muted gray fabric artwork includes shiny circles, squares with horizons, and groups of parallel lines that float through the space of the artwork. digital.library.unt.edu/ark:/67531/metadc27044/
Clouds in the Evening Glow
Wavy ribbons recede into the distance which is encased in a framed gradation of color and in the background a circular opening through which the ribbons reach. digital.library.unt.edu/ark:/67531/metadc27034/
Column
A column emerges from a halved seed pod shape. Near the top of the column several buds emerge and begin to open. digital.library.unt.edu/ark:/67531/metadc129774/
Column
This is the back side view of the piece. The texture on the lower portion can be seen in this view. digital.library.unt.edu/ark:/67531/metadc129775/
Dancing Between the Hunt and the Hearth
The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture. digital.library.unt.edu/ark:/67531/metadc129819/
[dark blue silk yardage]
The yardage of dyed silk includes vertical blue and brown stripes with circular shapes that resemble eyes or wood knots covering the yardage. digital.library.unt.edu/ark:/67531/metadc27041/
[dyed silk with horizontal washes of color in blues, greens, and pinks]
Silk yardage dyed in horizontal wash patterns in blues, pinks, and greens. digital.library.unt.edu/ark:/67531/metadc27042/
[dyed silk yardage]
Silk yardage dyed in vertical linear patterns of oranges, greens, reds, and browns spotted with circular shapes resembling eyes or knots in wood. digital.library.unt.edu/ark:/67531/metadc27040/
[dyed silk yardage]
Dyed silk yardage in dark blues with horizontal yellow and blue wave patterns are broken with intervals of vertical lines. digital.library.unt.edu/ark:/67531/metadc27039/
Edo Brocade
The bowl shaped vessel sits atop a matching cushion shaped stand. Both bowl and stand are highly textured with grooved lines as well as amoeba shapes within which curved lines are carved. The colors are pale yellow, pale pink and a dark blue black. digital.library.unt.edu/ark:/67531/metadc102327/
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat. digital.library.unt.edu/ark:/67531/metadc274996/
Excuse Me
A male figure in the foreground looks at something on a woman's desk. She is seated and holds a telephone receiver. Behind her is a man looking closely at a painting on the wall. The woman states, "Excuse me, these are private papers." The painting on the wall consists of squares of different colors. The man in the foreground is painted in a dark pinkish red tone. digital.library.unt.edu/ark:/67531/metadc274998/
Form with Clamps
The sculptural piece consists of a large seed pod shape that appears to burst from the shell but is held closed with five metal ties terminating in flower bud shapes. digital.library.unt.edu/ark:/67531/metadc129776/
[framed masked face floating above wavy landscape receding into distance]
Depth is achieved by the diminishing scale of purple wavy lines atop green straight verticals. Floating to the right is a multi-shade brown frame, again with the illusion of depth and inside is a masked face. digital.library.unt.edu/ark:/67531/metadc27029/
[frames, circles, and a beach chair]
Many layers of handmade papers create depth along with the horizontal frames and cloud formations in the sky. In the center of the artwork are two collaged depictions of a red beach chair. digital.library.unt.edu/ark:/67531/metadc27036/
God Number 2
The drawing consists of a grid pattern drawn in graphite and India ink squirted and splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102416/
Greetings
The large green head is shown from the nose above. Atop the textured head are several cactus shapes with small yellow flowers. digital.library.unt.edu/ark:/67531/metadc102319/
H 97-8
Vertical painting with several horizontal stripes of reddish brown and black with blue, red and orange gradation motifs floating on the surface. digital.library.unt.edu/ark:/67531/metadc27140/
Humble Origins
The platter's edge is a yellow crackled surface on that encloses a green crackle texture in the center. Six purple curved rectangular shapes begin at the outside edge and move to the center while yellow and orange coils fill one side of the interior of the platter. digital.library.unt.edu/ark:/67531/metadc102317/
Ice Station Florentine
The bowl shape sits atop a cushion shape. The white porcelain bowl is decorated with bold black curlicues and black squares. There is some pale yellow wash and fine linear marks. digital.library.unt.edu/ark:/67531/metadc102314/
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