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  Partner: UNT College of Visual Arts + Design
 Decade: 1910-1919
 Collection: Texas Fashion Collection
Purse

Purse

Date: 1910/1915
Creator: unknown
Description: Purse / Handbag for afternoon use. Rectangular plain polished gunmetal / steel frame with ball/snap closure and matching chain of elongated links. Body of purse formed of gunmetal / steel mesh, with linked chain latticework along bottom edge, terminating in small spheres. Purse of gunmetal mesh, suitable for afternoon use. Inside of frame is engraved "Bessie H. Brown" and "Dallas Texas 4205 Swiss Avenue"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1918
Creator: unknown
Description: Pair of woman's shoes of black leather and black suede. The black leather toe sections of the shoes are designed with gently rounded points. The back part of the shoes, and the single strap across the instep, are of black suede. Each of the straps secure with two circular iridescent black buttons. Shoes are lined in tan cloth inside toes, black leather insoles, and black fabric inside heels. Soles of black and tan leather. Medium heel of modified French style, with rounded sides and back, and slightly curving inner side. Stamped in gilt on insole: "Bench / Volk's / Made". Hand-written notation inside shoes: "6C / 18638 / 29"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1914
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of black leather. The shoes, designed with pointed toes, close along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Stamped on lining: "350 760 / 3027 [monogram]"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1914
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of black suede. The shoes, designed with pointed toes, are embellished with subtle rows of perforations and stitching. Each boot closes along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black leather. Hand-written notation inside on lining: "270 85434"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1917-1918
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of dark brown leather. The shoes, designed with pointed toes, lace closed along center front with laces 16 holes high. Embellished at toe with cut steel beads forming interlacing bands and lines. Medium height heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering to center and then flaring out again at base, and with curved front section. Sole of black leather. Lined in black leather and off-white fabric. Retailer's(?) stamp inside, partly illegible: "Famous / Paris, Tex." Hand-written notation on lining: "38-1 80364" Sold by Famous Shoe Store, Paris Texas (est. 1891). Worn by Kennie Holt Rucker in 1917-1918. Donated by Mary Helen Rucker to the Historical Collection (North Texas State University,Denton, Tex.). Transferred to the Texas Fashion Collection.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1910/1920
Creator: unknown
Description: Pair of lady's shoes of black silk. The shoes, designed as modified D'Orsay pumps with pointed toes, are of black silk with cut-away areas at sides. Toe-box with opening at vamp and "T"-strap extending from vamp to connect with strap across instep that extends from heel area. Instep strap secures on outer side of shoe with circular button. Tear-drop shaped cut-outs on either side near heel. Lined in black silk. Medium high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with very slightly curved front section. Heels covered with matching black silk on sides and back. Sole of tan leather. There are no marks or labels on the shoes.
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1914
Creator: unknown
Description: Pair of woman's white canvas shoes. Designed with slightly pointed toes and a rounded edge at the vamp, the shoes have a single strap across the instep secured with a circular glass button with steel(?) shank. Thick canvas-covered heel shaped as a modified Cuban heel, rounded at sides and back, curved at front, and tapering slightly to base. Sole of leather, originally white/pale, worn to brown. No designer's or retailer's labels. Stamped inside of each: "455 .199 59 [star] / D8083 82566"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1915
Creator: unknown
Description: Pair of black peau de soie heeled shoes. Slightly pointed rounded toe, with an oval openwork area at the throat of the vamp which simulates a buckle. These "buckles" are set with simulated black jet and cut steel beads. The 2 3/8" modified French heel is covered in black peau de soie. Marked on leather sole: "VOLK"; Stamped inside right shoe: "VOLK / DALLAS"; Notation inside each shoe: "172 / 5931 / 2355"
Contributing Partner: UNT College of Visual Arts + Design
Shoes

Shoes

Date: 1915/1920
Creator: unknown
Description: Pair of lady's boots or "High Button Shoes" of brown leather. The shoes, designed with pointed toes, have decorative band across toe cap with row of tiny holes along line of band. The boots close along center front with laces (laces lacking), 18 holes high. Medium/high stacked heels styled as a modified boulevard or Louis heel, with rounded sides and back, tapering slightly to base, and with curved front section. Sole of brown leather. Lined in off-white/tan canvas. Stamped on lining: "37 / 1 / 7395"
Contributing Partner: UNT College of Visual Arts + Design
Sunbonnet

Sunbonnet

Date: 1910
Creator: unknown
Description: Sunbonnet of blue cotton with white lace trim. The brim is slightly square-shaped and heavily starched. The top of the crown is stitched to the brim in a flat seam, with fullness created in the lower crown through a set of 3 snaps on each side which fasten the crown to the brim, giving the lower crown a crenelated shape. The bonnet has no tail, and has self-fabric chin ties of blue ribbon. The left tie is formed from two pieces of fabric pieced together, while the right tie is of a single length of fabric. The ties are narrow hemmed, except for one side of a lower section of left tie, which is cut along the selvage and left unfinished. There are no labels or marks in the piece. The fact that this bonnet does not have a tail probably indicates that this was a visiting bonnet rather than a field bonnet. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Contributing Partner: UNT College of Visual Arts + Design