You limited your search to:

  Partner: UNT College of Visual Arts + Design
 Decade: 1990-1999
 Year: 1999
AA 99-6
Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27148/
AC 99-8
The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors. digital.library.unt.edu/ark:/67531/metadc27149/
Acoustic / Electric Guitar (Chrysalis Model)
Access: Use of this item is restricted to the UNT Community.
The main front view of the guitar is visible with its red body. digital.library.unt.edu/ark:/67531/metadc41415/
Action Pattern, Number 2
The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102405/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes. digital.library.unt.edu/ark:/67531/metadc27152/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
Architect's Handkerchief
Access: Use of this item is restricted to the UNT Community.
The white handkerchief detail shows the smooth texture of the sculpture. digital.library.unt.edu/ark:/67531/metadc40921/
Architect's Handkerchief
Access: Use of this item is restricted to the UNT Community.
The sculpture depicts a white handkerchief on a black pedestal and is situated outdoors. The handkerchief is extremely over-sized. digital.library.unt.edu/ark:/67531/metadc40920/
Bean Tree Pod Rockets Measured and Marked
The drawing consists of a grid drawn in graphite with each corner marked by cross marks. Foiling this pattern is a series of marks created from bean pods that had been dipped in ink and slapped across the surface of the paper. digital.library.unt.edu/ark:/67531/metadc102407/
Column
A column emerges from a halved seed pod shape. Near the top of the column several buds emerge and begin to open. digital.library.unt.edu/ark:/67531/metadc129774/
Column
This is the back side view of the piece. The texture on the lower portion can be seen in this view. digital.library.unt.edu/ark:/67531/metadc129775/
Experience Music Project (EMP)
Access: Use of this item is restricted to the UNT Community.
The view is of the red and silver portions of the facade. digital.library.unt.edu/ark:/67531/metadc40652/
Form with Clamps
The sculptural piece consists of a large seed pod shape that appears to burst from the shell but is held closed with five metal ties terminating in flower bud shapes. digital.library.unt.edu/ark:/67531/metadc129776/
God Number 2
The drawing consists of a grid pattern drawn in graphite and India ink squirted and splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102416/
Limb
The sculptural piece is vertical and begins with a large bulbous, teardrop shape as its base. Emerging vertically is a column from which spring nine flower bud shapes that are attached mechanically with pins and cotter pins to the column or stem. digital.library.unt.edu/ark:/67531/metadc129779/
V 99-1
Painting consists of black, white, and beige brushstrokes scraped and blended in equal quantities. On the far right edge of the canvas, a gradation from white to black is painted in long horizontal bands. digital.library.unt.edu/ark:/67531/metadc27154/
W 99-2
Brushstrokes of black, white, and beige are smeared and scraped together creating a patterned background upon which, in the center, is a white to black gradation of horizontal brushstrokes. digital.library.unt.edu/ark:/67531/metadc27155/
Whisk
Access: Use of this item is restricted to the UNT Community.
Painting of peach, brown and gray female portrait; 3/4ths view. Raised gray triangle shapes throughout clothing. digital.library.unt.edu/ark:/67531/metadc8737/
X 99-3
Black, white and beige brushstrokes create a patterned background upon which several white to black gradation motifs float. digital.library.unt.edu/ark:/67531/metadc27156/
Y 99-4
Black, beige, and white brushstrokes are scattered evenly on the background of the painting creating a patterned surface upon which a large white to black gradation floats in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27157/
Z 99-5
The abstract painting consists of shades of tan, white, black and gray with two bars of gradations floating on the surface, one lower edge and one center right. digital.library.unt.edu/ark:/67531/metadc27158/