You limited your search to:

  Partner: UNT College of Visual Arts + Design
 Country: United States
 Decade: 1990-1999
311 South Wacker
Access: Use of this item is restricted to the UNT Community.
The view of the skyscraper at 311 South Wacker street in Chicago is shown near the Sears Tower. All 65 stories of the building are visible. digital.library.unt.edu/ark:/67531/metadc40627/
311 South Wacker
Access: Use of this item is restricted to the UNT Community.
The upper half of the skyscraper is shown in this view. The building is light in color and composed of several vertical elements. digital.library.unt.edu/ark:/67531/metadc40628/
311 South Wacker
Access: Use of this item is restricted to the UNT Community.
The aerial view shows the building in its setting as well as the cylindrical elements atop the skyscraper. digital.library.unt.edu/ark:/67531/metadc40629/
Coat
Coat of black wool. The hip-length coat is constructed of black felted wool with yellow, red, green, brown, blue, and orange bands of grosgrain ribbon woven in and out of the wool, forming a grid or trellis pattern over the entire garment. The coat has a notched collar and long sleeves, and has a center-front closure with three circular silver colored metal buttons. It is fully lined with black silk. Designer's label sewn inside at back collar: "Todd Oldham". From Oldham's Fall 1996 collection. digital.library.unt.edu/ark:/67531/metadc30296/
Coat
Coat of printed satin. The floor-length coat has a rounded neckline and a center-front opening that extends the entire length of the garment and is secured with a single cloth-covered circular button at the throat. It has long sleeves and is fully lined in a salmon damask silk woven with a floral-foliate design. The entire garment is photo-printed with scenes of room interiors in various styles. Designer's label sewn inside at back collar: "Todd Oldham". From Oldham's Spring 1997 collection. digital.library.unt.edu/ark:/67531/metadc30294/
Dress
Dress of red chiffon, sequins and beading. The bodice of the dress is of draped red chiffon with deep V-neckline at front and shawl collar with deep drape at back. The long, full sleeves gather into tight cuffs, each having four red chiffon covered domed buttons and red fabric loops. At the natural waist of the dress is a horizontally ruched band which gives the effect of a sash of the same material, with simulated bow and trailing ends. The bodice simulates a wrap dress, with one side of the collar ends becoming part of the bow of the sash, and the other securing inside with a snap. The bow conceals three hook-and-eye closures and the top of the zipper closure. The short skirt is completely covered with sequins and beads. Black sequins run in horizontal and vertical bands forming a grid/trellis pattern. The vertical rectangular spaces within the grid are filled with rectangles of sequins in green, black, white and orange/red, or with tubular beads in white/iridescent, gray and yellow. There are also scattered irregular patches of orange white or green sequins on the black sequin grid. The skirt is lined in black fabric. Designer's label sewn inside at right neckline: "Arnold Scaasi"; pinned-in label at hem with hand-written notation: "5019" From Scaasi's Fall 1990 collection. digital.library.unt.edu/ark:/67531/metadc38119/
Dress
Dress of photo-printed knit. The sheath-style dress is of a polyester/lycra blend sueded knit. Full-length, the dress has a "crew neck" rounded neckline with slight standing collar and short cap sleeves. The dress widens at the hips and tapers to the hem, and has a back vent slit at center back from hem up 47.5cm. The entire garment is photo-printed with images of "travel scenes" of the west - roads, lakes, cacti, cows on farms, rock formations, etc. Designer's label inside at back collar: "Todd / Oldham" Three tags inside near hem: Size: "M" Care: "Dry Clean / Only / Made / In U.S.A." Content: "85% Polyester / 15% Lycra". From Oldham's Spring 1996 collection. digital.library.unt.edu/ark:/67531/metadc30299/
Dress
Dress of striped cotton broadcloth. The "house dress" style garment is street-length, in various patterns of woven striped cotton broadcloth. It has a center front opening that extends the length of the dress and secures with 7 gold-colored metal buttons set with colored rhinestones and on hidden hook-and-eye closure at waist. The wide collar is primarily in yellow with very narrow stripes of orange and blue. The bodice is of vertical stripes of reds, purples, pinks, etc. The skirt, which gathers into the natural waist, is in vertical stripes of blues with thin maroon and green accent stripes. The short sleeves are in stripes of blues, red, yellow and white, and have french cuffs secured with metal rhinestone-set cuff-links. The dress is unlined. The accompanying belt/sash is of the same fabric as the sleeves, and is finished at the ends as cuffs with sewn-on cuff-links matching the sleeves. Designer's label sewn inside at back collar: "Todd / Oldham". Four labels sewn inside skirt at side seam: Content: "100% / Cotton" Care: "Dry Clean / Only" Size: "S" Origin: "Made / In U.S.A." From Oldham's Spring 1994 collection. digital.library.unt.edu/ark:/67531/metadc30298/
Ensemble - Jacket, Skirt, Blouse and Scarf
Ensemble of teal silk Ottoman. The suit consists of a jacket and skirt, blouse, and scarf. The jacket is of horizontally ribbed teal silk, banded on the bias, has a rounded neckline, is long sleeved, and has princess seaming for a tailored fit. The sleeves have soft pleating at the shoulders, and there are 3 circular gold buttons set with rhinestones at each cuff. There is a center front closure with 4 large buttons matching the style of sleeve buttons and one hidden snap at top. The buttonholes are hidden in the seam of the opening. The jacket is lined in black silk. The jacket has designer's label sewn inside at back of neck: "Richard Brooks". The matching skirt is of the same silk Ottoman, below-knee length, with soft pleats at front and darts at back from waistband down 5 1/2". Small slit at center back from hem upwards. The sides are cut on straight vertical stripe. The waistband has hook and two eyes, and there is a center back zipper closure. The skirt is lined in teal silk. There are no labels in the skirt. The blouse is of a thin teal green and metallic gold jacquard, woven with an ornate all-over paisley pattern. There is a banded collar and slight pleating/gathering on front at yoke, and at top of the long sleeves. Center back zipper closure extends from collar almost to hem, and has two hook-and-eyes at collar. The blouse has attached shoulder pads. There is no label in the blouse. An accompanying scarf is of iridescent teal silk chiffon, edged with the same jacquard materials the blouse is made from. There is no label on the scarf. Designed for Texas Governor Ann Richards. The silk is from Abraham Fabric. digital.library.unt.edu/ark:/67531/metadc30305/
Ensemble - Jacket, Skirts and Blouse
Ensemble of rose silk. The suit consists of a jacket, two skirts and a blouse. The jacket is made from a 1930's sari of pale pink silk embroidered with gold and silver threads, beads, and pink sequins in designs of vines, flowers and abstract line patterns. Jacket has a floating yoke and full leg-o-mutton sleeves with long narrow cuffs that have zipper closures. The jacket itself has a center front opening with no closure. The neckline, edges of closure, hem, and cuffs are edged in heavily beaded bands added by the designer. Designer's label sewn inside back at neck: "Richard Brooks". The blouse is of heavy pink silk, collarless, with round neckline. It is short-sleeved, with pleating at the shoulder. Vertical seaming on front and back for structure. There is a concealed center-back closure with snap at top and 5 clear plastic circular buttons down the length. The blouse is lined in a dark, dusty pink silk and has sewn-in shoulder pads. Designer's label is sewn inside back to the left of the opening: "Richard Brooks". The two skirts are are both of identical pink silk, matching the blouse, of identical construction. One is knee-length, and the other is full-length. Both are lined in the same pink silk as the jacket. The short skirt has designer's label sewn in at waistband: "Richard Brooks". Worn by Governor Ann Richards when she spoke at the Gridiron Club in Washington, 1992. digital.library.unt.edu/ark:/67531/metadc30304/
Evening Dress
Evening dress of gold and multicolored printed hounds tooth patern satin. The full-length gown is designed with a wide "bateau" neckline with almost off-the-shoulder short puffed sleeves, a long waist into which is gathered the full skirt. The gown has an all-over pattern of horizontal bands of hounds tooth in various colors and gold: purple, orange, green and yellow. digital.library.unt.edu/ark:/67531/metadc283726/
Evening Dress and Jacket Ensemble
Evening ensemble. A) Evening dress of white crocheted silk floral lace over ivory chiffon. The full-length strapless sheath dress has a body-skimming silhouette and a straight-line upper edge at bust trimmed with a band of ivory satin. Hemline dips at back, and creates a very slight train effect. Size 8 B) Jacket of double faced ivory silk satin with open-front and shawl collar which extends to waist-length hem. Long dolman sleeves extend to hem with gauntlet cuff with 2 ½” slit. Size 6 Designer's label: "Pamela Dennis / New York" digital.library.unt.edu/ark:/67531/metadc286884/
Evening Ensemble
Evening ensemble. A) Bustier bodice of white lace. Cropped. Black organza lower "skirt" to bodice. Wide band of lace at top, attached in four places (perhaps for arms or shoulders). Center back zipper closure. Designer's label: "Oscar de la Renta" and "Made in USA" tag; Size label: "6" B) Skirt of ruffled black net. Full length. Inner full organza skirt with wide hem band of horsehair stiffener. Outer full skirt of black net with 21 (?) layers of ruffled black dotted net. C) Belt of black leather, covered in black fabric. Black fabric covered square buckle. Stamped on reverse: "4 Oscar de la Renta 717" digital.library.unt.edu/ark:/67531/metadc30267/
Evening Gown
Evening dress of black velvet and fuchsia satin. The dress has an empire-length bodice of black velvet, with a scoop neckline and long fitted sleeves which have hidden zipper closures. The Empire waistline is accented with a horizontal band of fuchsia satin with bow at center front. Extending down from the waistband is the full fuchsia satin skirt. The full-length skirt has vertical inverted pleats edged with bands of black velvet that extend from the waistband to just below the hips. At center back is a zipper closure. The bodice is lined in black silk, and has a black grosgrain ribbon inner waistband which secures with hook-and-eyes. The skirt has an inner slip lining of fuchsia fabric with a wide fuchsia satin hem matching the skirt. Designer label stitched into garment at right center-back, beside the zipper "Oscar de la Renta" with second label "Made in U.S.A." sewn below. Hand written on the designer label is notation "5638 F-92". digital.library.unt.edu/ark:/67531/metadc30270/
Experience Music Project (EMP)
Access: Use of this item is restricted to the UNT Community.
The view is of the red and silver portions of the facade. digital.library.unt.edu/ark:/67531/metadc40652/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a figure pierced with arrows and knives. The artist refers to him as the "wound" man. In the foreground, are two leg splints with suspended latex tubing. digital.library.unt.edu/ark:/67531/metadc129686/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The paper tags that hang from the large dish structure are seen in close detail in this view. digital.library.unt.edu/ark:/67531/metadc129688/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. digital.library.unt.edu/ark:/67531/metadc129699/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the exhibition consists of a large vertical painting with a dark ground. digital.library.unt.edu/ark:/67531/metadc129685/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation has many elements. In the foreground is a black table with microscope and glass slides on it. In the background is a boxing ring with a gurney in the center on which is strapped down punching bag. Men's dress shirts and a mural of the "Stretchman" is on the rear wall. digital.library.unt.edu/ark:/67531/metadc129695/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows the directions and dialogue script written on the wall for the performers. A black dress hangs with a pair of white rubber boots beneath. A portion of the yellow vanity table is visible with one chair. digital.library.unt.edu/ark:/67531/metadc129693/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows a detail of the vanity table, its light bulbs, three chairs and the text, scripts for the performers, on the wall. digital.library.unt.edu/ark:/67531/metadc129692/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view of the installation includes a small room in which a vanity with two chairs has a crown painted on the wall above. Words, directions, are written on the wall for the performers to the right of the vanity table. digital.library.unt.edu/ark:/67531/metadc129691/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view is of the strapped down punching bag on the gurney. digital.library.unt.edu/ark:/67531/metadc129698/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Text in black covers the two walls shown in this view. Hanging from the ceiling is a two-part black form. Over the short wall, the chain link fence imagery can be seen. The wall text is titled, Queens. digital.library.unt.edu/ark:/67531/metadc129694/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view of the installation shows a small trampoline suspended from the ceiling. Strapped to the trampoline is a pillow. A tall structure holds a see-saw with a chair on each end. Behind this grouping is a chain link fence drawing on the wall. digital.library.unt.edu/ark:/67531/metadc129690/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The detail view shown here is an armature or a trampoline form folded in half and suspended from the ceiling. digital.library.unt.edu/ark:/67531/metadc129689/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The boxing ring contains a gurney on which is a strapped down punching bag. A television monitor playing found footage of alligator gardens and Esther Williams hangs high from the ceiling. digital.library.unt.edu/ark:/67531/metadc129696/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view is of the gurney with the strapped down punching bag and in the background can be seen two murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129697/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image shows the wall mural that depicts sperm, hand saw, bowling pin, float and netting. digital.library.unt.edu/ark:/67531/metadc129713/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation includes a frame in the shape of a satellite dish from which hangs many paper tags. The satellite dish shape is attached to a three tier stool. Behind the dish shape is chain-link fence type material. digital.library.unt.edu/ark:/67531/metadc129687/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The view in this image shows one of the "Stretchman" murals, the "Wound" man mural, two leg splints and two welded triangular frames. digital.library.unt.edu/ark:/67531/metadc129706/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view is of the entrance signage to the exhibition. digital.library.unt.edu/ark:/67531/metadc129704/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This image of the "Stretchman" was repeated several times within the exhibition. digital.library.unt.edu/ark:/67531/metadc129703/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This portion of the installation shows murals of the "Stretchman" as well as the rubber letters spelling, assimilate. In the foreground is a blue table with two bottles on it. digital.library.unt.edu/ark:/67531/metadc129707/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. Ears of corn and test tubes are seen in the detail view of the installation. digital.library.unt.edu/ark:/67531/metadc129700/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows one of the murals with the "Stretchman" with rubber letters beneath spelling replicate. Above the letters are many lab cages. On the table in front of the mural is a microscope. digital.library.unt.edu/ark:/67531/metadc129709/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view, there are two murals visible with the words eliminate and replicate spelled out with rubber letters. In the foreground is a platform with several chairs and in the background is a boxing ring with a gurney and a strapped down punching bag. digital.library.unt.edu/ark:/67531/metadc129710/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This room of the installation has a video projection on the rear wall and in the foreground a setting that includes netting hanging from ceiling with an inflated tube hanging above an iron, a striped marker, two coffee pots and various other items. digital.library.unt.edu/ark:/67531/metadc129712/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This detail view shows ears of corn and a microscope on a black rubber topped table. The glass slides contain miniaturized bio-ethical questions that can be read under the microscope. digital.library.unt.edu/ark:/67531/metadc129701/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. This view shows two murals of the "Stretchman" as well as the complexity of the building in which the exhibition took place. In the background, stairs, a second level and pillars of the building are visible. digital.library.unt.edu/ark:/67531/metadc129708/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The word replicate in rubber letters, lab cages are seen beneath one of the murals depicting a man's face stretched out and distorted. digital.library.unt.edu/ark:/67531/metadc129711/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. The entrance signage is visible and a portion of the first part of the exhibit with a found Dinosaur National Park entry sign, a piece of rooftop, and metallic highway tape. The installation included the entry, seen here, a Highway Room, Campground, Hallways that included the myths of Theseus, Ariadne, and the Minotaur written on the walls. Also included were the Communication Room, Boxing Room, Float Room, Dressing Room, Telephone Room, Waiting Room, Braille Book Room, and the Nest Room. digital.library.unt.edu/ark:/67531/metadc129705/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In this view can be seen the video projection on the rear wall of the swimmer Esther Williams. In the foreground, suspended from the ceiling is a tube raft and netting. digital.library.unt.edu/ark:/67531/metadc129717/
Pages from a Quiet Book: A Societal Labyrinth
Image of part of an art installation at the Salt Lake Art Center in Salt Lake City, Utah. In the foreground is a microscope and many glass slides containing miniaturized bio-ethical questions on a black rubber topped table. On the wall can be seen murals of the "Stretchman." digital.library.unt.edu/ark:/67531/metadc129702/
Sandals
Sandals of silver leather. The shoes have an open, square toe, and wide strap which wraps around ankle and buckles around lower ankle with a large silver-tone buckle. 2 1/2" heel, 1" wide, 1 1/2" deep. Label: "abstracts" digital.library.unt.edu/ark:/67531/metadc115020/
Sandals
Pair of ivory leather sandals. The heeled sandals are of ivory pebble textured leather simulating alligator. Open-toe design, with wide strap. Heels are in the form of a cut-out wedge, 2 3/4" high. Stamped in each shoe: "Uffizi". Stamped inside strap: "7 M / Leather Upper / Man Made Sole / Made in Brazil / 1130". Stamped on sole: "Uffizi". digital.library.unt.edu/ark:/67531/metadc39034/
Skirt
Skirt of open weave silk ribbons. The floor-length skirt is created of loosely woven silk ribbons of yellow, red, blue, green, pink, orange, brown, white, and black, forming a lattice or trellis. It gathers into the orange waistband, which has a single hook-and-eye closure, and is unlined. No labels in garment. Designed Fall 1996. Gift of the Todd Oldham Archives. Bodice in image is a modern wrap placed on form for display purposes. digital.library.unt.edu/ark:/67531/metadc30295/
Thank You Tree, Edgemar
Access: Use of this item is restricted to the UNT Community.
This decorative tree is assembled from metal shopping carts and large Christmas tree ornaments. It is about forty feet tall and is an annual tradition which began in 1996. The piece is presented in the Edgemar Complex, Santa Monica, California, courtyard during the Christmas season. digital.library.unt.edu/ark:/67531/metadc31273/
Wedding Dress
Wedding dress of hot pink net with shirred all-over appliques and rhinestones. Dress is a short sheath style with V-neck and long sleeves with full length train in back with pink satin bustle with pink silk flowers. Has a matching headpiece with hot pink net veil, not photographed. digital.library.unt.edu/ark:/67531/metadc286837/
FIRST PREV 1 2 NEXT LAST