UNT College of Visual Arts and Design - 548 Matching Results
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- Beachwear Ensemble - Bikini and Coverup
- Beach ensemble consisting of bikini and coverup. The bikini top and bottom are of jersey printed with a modern art design of greens, pink and red stripes. Top has ties that go up and behind neck, and bands that reach around to back and secure with metal clasp. At front, between the cups along top edge is a non-functional tie made of piping made from the jersey material. Bikini bottom is low-cut. The coverup is of light chiffon, possibly silk, with swirling stripes in the same pattern as bikini. It is sleeveless, has a boat neckline, and rounded hemline. The pieces of the ensemble have various tags: In bikini top: "12" In bikini bottom: "Emilio Schuberth / Roma / Fabricato in Italia"; Made in Italy / Exclusively for / Neiman-Marcus"; "Made in Italy"; "12"; Helanca / Filanca / Marche Int. Dep." Stamped near hem of coverup: "Enzo Mari Per / Fio / Rio"; Sewn in tags: "Fio / Rio"; "Emilio Schuberth / Roma / Fabricato in Italia". Pattern designed by Enzo Mari (b. Novara, Italy, 1932). From the original Carrie Marcus Neiman Foundation collection assembled by Stanley and Edward Marcus.
- Tunic
- Tunic of gold brocade. Knee-length A-line tunic with open rounded neckline and 3/4-length sleeves. The neckline, cuffs and hem are embellished with applied bands of gold, silver, topaz and rose-colored bugle beads, sequins and rhinestones. Center back zipper closure with four hook-and-eye closures at the neckline.
- Ensemble - Dress and Coat
- Ensemble. A) Brown sheath dress of lace with floral motif, heavily hand beaded with tiny brown beads. Mid-length, scooped neckline, deeper in back. Sleeveless, with narrow straps. Slightly shaped hem. Inner brown satin lining sheath. Design house's label inside: "Mingolini Gugenheim / Piazza di Spagna 9-91- Roma" B) Brown sheer organza coat, mid-length, shawl collar, center front opening fastened by belt. mid-length sleeves. Leather belt built into waistline, covered with organza, the hook buckles covered in brown beading as dress.
- Skirt Suit
- Skirt suit of brown wool. A) Jacket, Lower-hip length, collarless, and with 3 button-and-loop closures at center-front. Long sleeves with slit and single button closure at wrists. Welt pockets at hips, and princess seams. Inner shoulder pads, and brown polyester lining. B) Matching short skirt, with 1” waistband. Button tab and side zip closure. Waistband is lined with grosgrain ribbon, and the skirt is lined in brown polyester. Designer's label: "Giorgio Armani / A Milano Borgonuovo 21"
- Orvieto Cathedral, Orvieto, Italy
- The facade features a three-gabled design and rich with sculptural decoration and details.
- Dress
- Dress of violet paisley silk crepe with black, cream, and teal accents; crepe is gathered at neckline and attached to a brass metal neck adornment with open-front; V-neckline bodice wraps around at front into wide waistband; side-zip closure under left arm; large, loose bracelet-length sleeves are gathered at the wrists into a ½” cuff with a single button closure; knee-length skirt is heavily gathered into waistband and has an attached slip of red crepe. Designer's label: "Etro"
- Farnese Hercules from the Baths of Carcalla
- The frontal view of this nude muscular figure leans on a wooden post which is draped with the pelt of a lion. The man has curly hair and his head is bent slightly forward. He has a full beard.
- Farnese Hercules from the Baths of Carcalla
- The rear view of the statue shows that Hercules is holding fruit in his right hand.
- Farnese Hercules from the Baths of Carcalla
- The view of the statue is from the right front and shows the figure from the knees up. The figure's head is seen in profile and his right arm held behind his back. His head is bent downward and the lion pelt is visible underneath the statue's left arm.
- Men's Trench Coat
- Men's trench coat of brown glazed/polished cotton with stand-up collar which fastens with two buttons. Concealed button-down front, vertical welt pockets. Saddle sleeves with two buttons and tab at cuff. Belt of self with narrow, rectangular buckle covered in leather. Back has seam down center, ending in slit with two buttons. Designer's label at center back neckline: "Giorgio Armani / Made in Italy" Worn by Valerian Stux-Rybar; donated by Jean-Francois Daigre
- Jacket
- Jacket of black wavy, puckered, ribbed satin with notched collar and large, single button closure; long sleeves with single button closure at wrists; 2 faux slit pockets at hips; decorative attached belt at back of self-fabric; fully lined in black satin trimmed in black faille; fabric content: polyester, nylon, spandex, rayon.
- Pants Suit
- Pantsuit of dark green wool.
- Dinner dress
- Dinner dress of and green chiffon and net, and black crepe. Sleeveless bodice of green chiffon with wide low scoop neckline. Net overlay on bodice is heavily encrusted with beads and rhinestones. Ankle length narrow black crepe skirt attached at hip line. Harem overskirt of green chiffon has vertical folds/pleats, is open at front, and is lined in black crepe matching skirt. Overskirt can be turned up to form a cape, with armholes, and a single button closure at front throat. Designer's label: "Veneziani / Milano / Made in YTRU"
- "Ferro" Pants Ensemble
- Women's cotton pants ensemble in "Ferro" print with "Emilio" signature in print.
- "Air Strip" flight hostess uniforms
- 1) Suit jacket for flight attendant uniform of raspberry gaberdine. Waist length; long inset sleeves; stand-up collar; heavy metal zipper with a pull ring. Union label at back left seam of style used from 1964 to 1973. Suit skirt of raspberry gaberdine. Wrap around; left side open; side closure at waist. 2) Coat of lime green and apricot wool. A-line; raglan sleeves; padded, stand up collar; heavy metal zipper with ring pull front closure. Reversible. 3) Puccino serving dress of bright yellow and magenta. A-line body in yellow; side pockets; back zipper; pleat at base of zipper; mock tie across back that fastens on side; upper portion of dress is magenta raglan sleeves; faux pocket flaps on front.
- Print blouse
- Blouse of yellow, brown, white, coral silk printed in loose bands of color with curvilinear lines and print of old cars, bycicles, carriages, boats, etc on the borders.
- Ensemble
- Skirt and sweater ensemble.
- Blouse
- Women's silk blouse in blue, peach, grey and creme floral print.
- Day dress
- Silk jersey day dress in magenta, blue, peach, taupe and beige chevron and oval geometric print. "Emilio" signature in print.
- Theater of Marcellus
- General view from NE (1998) of the Theater of Marcellus. Begun by Julius Caesar, dedicated to Marcus Claudius Marcellus, his nephew and son-in-law. Converted to a fortress-palace in the Middle Ages, it was uncovered in 1926-32. From the Roman Imperial Period.
- Temple of Vesta
- From the Roman Imperial Period, located in the Piazza della Bocca della Verita.
- Temple of Vesta, Temple of Fortuna Virilis, and Baroque Fountain by Carlo Francesco Bizzaccheri and Francesco Moratti
- Located in the Piazza della Bocca della Verita, this architecture is from the Roman Republican Period. Overall view of structures in their setting.
- Basilica at Pompeii
- View into Basilica at SW corner of forum. From the Roman Imperial Period.
- Peristyle Garden, House of the Vettii, Pompeii
- Peristyle Garden, House of the Vettii, Pompeii. From the Roman Republican Period.
- Arch of Augustus
- From the Roman Imperial Period, total view from NW.
- Arch of Augustus
- From the Roman Imperial Perion, general view of the city side, view SE.
- Palace of Domitian by Rubirius
- From the Roman Imperial Period. Overall view from SW of the Palace of Domitian by Rubirius. 'Domus Augustana' (southern) portion. Originated in Palatine Hill.
- Palace of Domitian by Rubirius
- From the Roman Imperial Period. Close-up of elaborate marble cornice of Palace of Domitian by Rubirius. 'Domus Augustana' (southern) portion. Originated in Palatine Hill.
- Palace of Domitian by Rubirius
- From the Roman Imperial Period. Detail of masonry walls and arches from SE of the Palace of Domitian by Rubirius. 'Domus Flavia' (northern) portion. Originated in Palatine Hill.
- Palace of Domitian by Rubirius
- From the Roman Imperial Period. General view toward S of the Palace of Domitian by Rubirius. Gardens of the so-called Stadium. Originated in Palatine Hill.
- Palace of Domitian by Rubirius
- From the Roman Imperial Period. View of buildings on E side of the Palace of Domitian by Rubirius. Gardens of the so-called Stadium. Originated in Palatine Hill.
- Palace of Domitian by Rubirius
- From the Roman Imperial Period. Detail of arch order on W side of the Palace of Domitian by Rubirius. Gardens of the so-called Stadium. Originated in Palatine Hill.
- Temple of Castor and Pollux and Arch of Septimius Severus
- General view from above toward NW of the Temple of Castor and Pollux and Arch of Septimius Severus. From the Roman Imperial Period.
- Temple of Castor and Pollux, Curia, Temple of Vesta, Temple of Antoninus and Faustina
- General view from above toward N of teh Temple of Castor and Pollux, Curia, Temple of Vesta, Temple of Antoninus and Faustina. From the Roman Imperial Period.
- Tabularium
- View of stair, portal and Lapidarium of the Tabularium, N entrance. Originated in the Piazza del Campidoglio in the Roman Republican Period.
- Palace of Domitian by Rubirius
- From the Roman Imperial Period. Detail of masonry walls and arches from S of the Palace of Domitian by Rubirius. 'Domus Augustana' (southern) portion. Originated in Palatine Hill.
- House of Vestals, Temple of Antoninus and Faustine, Torre delle Milizie.
- View from above toward NE of the House of Vestals, Temple of Antoninus and Faustine, Torre delle Milizie. From the Roman Imperial Period.
- House of Vestals and Basilica of Maxentius
- View from above toward ENE of the House of Vestals and Basilica of Maxentius. From the Roman Imperial Period.
- Basilica of Maxentius
- View from above toward ENE of the Basilica of Maxentius. From the Roman Imperial Period.
- Atrium, House of the Vestals, with Female Statues
- Atrium, House of the Vestals, with Female Statues. View E toward church of S. Maria Nova, from the Roman Imperial Period.
- Forum Romanum
- Overall view looking E toward Rostrum and S. Maria Nova w. Temple of Vesta and Palatine substructures of the Forum Romanum. From the Roman Imperial Period.
- Temple of Vesta, Temple of Castor and Pollux, and Palatine Hill
- Architecture from the Roman Imperial Period. Overall view ESE from Basilica Julia.
- Temple of Castor and Pollux
- Overall view of three columns of the Temple of Castor and Pollux. From the Roman Imperial Period.
- Temple of Vesta and so-called Temple of Fortuna Virilis
- Architecture's origin Rome, Piazza Bocca della Verit. From the Roman Republican Period.
- Hadrian's Villa at Tivoli
- Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance). From the Roman Imperial Period.
- Hadrian's Villa at Tivoli
- Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance). From the Roman Imperial Period.
- Hadrian's Villa at Tivoli
- The Large Baths. General view from W of Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance). From the Roman Imperial Period.
- Hadrian's Villa at Tivoli
- General view from NW of The Large Baths in Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance). From the Roman Imperial Period.
- Hadrian's Villa at Tivoli
- The Large Baths with domed hall. View from W of Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance). From the Roman Imperial Period.
- Hadrian's Villa at Tivoli
- Hall of the Three Exedras. View from NW of Hadrian's Villa at Tivoli. Canopus (oval pool) and Serapeum (cave-temple in the distance). From the Roman Imperial Period.