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  Partner: UNT College of Visual Arts + Design
 Country: India
Badami: Cave 4
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In this view a relief carving of Suparshvanatha with his symbol, the cobra, is shown. digital.library.unt.edu/ark:/67531/metadc44243/
Badami: Cave 4
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This close detail view shows two pillars and the carved figural element depicting Bahubali. digital.library.unt.edu/ark:/67531/metadc44244/
Badami: Cave 4
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This close detail view of a pillar shows Bahubali, a Jain saint. digital.library.unt.edu/ark:/67531/metadc44245/
Badami: Cave 4
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This close detail view shows a relief carving of Mahavira. digital.library.unt.edu/ark:/67531/metadc44246/
Badami Caves and Surroundings
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Outer view of Hindu cave temple. The raised layered platform leads to the temple entrance with its four pillars. Some tourists are visible in this scene. digital.library.unt.edu/ark:/67531/metadc44237/
Badami Caves and Surroundings
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This view of the temple shows the raised layered platform of stairs leading to the entrance. digital.library.unt.edu/ark:/67531/metadc44238/
Belly Dancer's Costume - Banjara Peoples of India
Belly Dancer's Costume - Banjara Peoples of India A) Choli (top) - Sleeved, backless top. Deep V-neckline. Short sleeves. Patchwork, using various types, colors, and patterns of fabric. Panels at sides, bottom, and upper breasts/lower front shoulders of rows of various sized mirrors framed in different color stitching. Ties in back. Lined in various fabrics. B) Ghaghra (skirt) - Ankle-length skirt made of horizontal bands of various fabrics. From top: Green waistband; Yellow band with red stitched "X" forms; Wide band of three rows of small circular mirrors framed in various colors of cloth, the bands divided by a blue and an orange stripe of cloth with stitched "X" forms; Thin green band with red stitches; Very thin white strip; Pink stripe with center band of yellow/green running across it; Narrow band of various-colored fabric in slightly wavy profile; Black band with center band of various color stitching; White crenelated band; purple band; Wide green section with center wide red stripe with yellow borders; Wide hem with various embroidered bands and stitching. Lined in red fabric with light yellow printed paisley design. Slit at side, tie at waistband. C) Necklace. Yarn/cord necklace. Ball/loop closure at back. Back part of necklace covered with tightly wound spiral of tiny red/purple beads. Necklace has 7 pendants of graduated sizes composed of silver-colored coins with attached loops and with attached hanging loops from which are suspended small silver spheres. Between each coin pendant is a tubular silver spacer bead. Coins are from India, of several denominations, one dated 1984, one dated 1985, others with dates obscured. No maker's marks or hallmarks visible. Measurements: 21 3/4" long D) Necklace. Long, narrow corded/twined black necklace with central openwork beaded "zig-zag" line of tiny beads in groups of red, yellow, green, red, blue, green, and orange, with white beads at the "points" of the zig zags. Attached to lower edge of necklace is a "fringe" of various coins mounted with silver rectangular bars. Coins are from Afghanistan (20th century), Pakistan (dated 1981 and 1982), and Iran (reign of Shah Muhammad Reza Pahlavi, from 1970's). No maker's marks or hallmarks visible. Measurements: 21 3/4" long Not shown in photographs are: E) Upper-arm band of maroon cotton/linen. Rectangular, with pink, green, and gold embroidery and 4 large circular mirror appliques with orange, green, and yellow borders along length, and two small circular mirrors with orange borders at one end. 7 large cast silver-colored metal pendant beads along lower edge. Cloth tie at each corner. 3 1/4" wide x 12 3/4" long. No labels or tags. F) Upper-arm band of maroon cotton/linen. Rectangular, with pink, green, and gold embroidery and 4 large circular mirror appliques with orange, green, and yellow borders along length, and two small circular mirrors with orange borders at one end. 7 large cast silver-colored metal openwork triangular pendants along lower edge. Cloth tie at each corner. 3 1/4" wide x 12 3/4" long. No labels or tags. digital.library.unt.edu/ark:/67531/metadc277035/
Belly Dancer's Costume - Banjara Peoples of India
Bustier of a belly dancer's costume from the Banjara peoples of India. The bra-top of black cotton is embellished at front with silver coins and trimmed in multicolored cross stitch embroidery, mirror work, and Kangura patchwork appliqué. Plain black straps extend over shoulders and around back to tie. digital.library.unt.edu/ark:/67531/metadc277154/
Bull Temple
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This close detail view shows the figure of a nude goddess. digital.library.unt.edu/ark:/67531/metadc51061/
Churchgate Terminus
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The facade of the railway station building is mostly visible behind a few trees. The building's style is a compilation of styles from Britain and India. digital.library.unt.edu/ark:/67531/metadc49864/
Ciborium, Chapel of Holy Sacrament, Basilica of Bom Jesus
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The ciborium includes elaborately turned and decorated columns and finials with a richly carved surface. Atop the ciborium is a large crucifix. digital.library.unt.edu/ark:/67531/metadc48509/
Durga Temple
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This detail view shows several pillars of the east and south sides of the temple. digital.library.unt.edu/ark:/67531/metadc44269/
Durga Temple
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1 carved complex : sandstone digital.library.unt.edu/ark:/67531/metadc44270/
Five Pandava Temples
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The view includes the south side of Dharmaraja Ratha which includes some relief carvings and a figurative deep relief carving. digital.library.unt.edu/ark:/67531/metadc44297/
Five Pandava Temples: Shore Temple
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The granite stone masonry consists of a larger and a smaller tower with relief imagery of seated lions and finials. digital.library.unt.edu/ark:/67531/metadc44298/
Fortification Around Taj Mahal Complex
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The fortification includes a watch tower and arcade. digital.library.unt.edu/ark:/67531/metadc48421/
Great Stupa
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This view shows a close detail of the gate of the Great Stupa. This north gateway's central section and bottom architrave is seen from the inside. The carving depicts a scene with many figures, animals and other items. digital.library.unt.edu/ark:/67531/metadc43258/
Kandariya Mahadeva Temple
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This view shows the close detail of the south facade which includes carved in high relief erotic couples and their attendants. digital.library.unt.edu/ark:/67531/metadc44293/
Kandariya Mahadeva Temple
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1 carved complex : sandstone digital.library.unt.edu/ark:/67531/metadc44291/
Kandariya Mahadeva Temple
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This detail view of this Shiva temple includes ascending clusters of towers. The surfaces are covered with intricate patterns carved into the sandstone with each tower topped with a finial. digital.library.unt.edu/ark:/67531/metadc44290/
Kandariya Mahadeva Temple
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This view of the Shiva temple shows the many high-relief figures encircling the columns. digital.library.unt.edu/ark:/67531/metadc44292/
Lakshmana Temple Complex
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Dancing nymph & snake goddess are depicted in this view. This view is of the south facade and depicts a nymph and a snake goddess. Smaller groups of figures are placed above these. digital.library.unt.edu/ark:/67531/metadc44286/
Lakshmana Temple Complex
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This very close detail of celestial beauty applying henna to her feet and an attendant are shown in this view. They are carved in high relief. digital.library.unt.edu/ark:/67531/metadc44287/
Lakshmana Temple Complex
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This close detail of the temple shows a seated male figure on the far right reaching out in gesture of teaching or guidance to a line of figures in front of him. digital.library.unt.edu/ark:/67531/metadc44288/
Lakshmana Temple Complex
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This detail view shows a sculpture in the form of a lion with a man much smaller in proportion on the grounds of the Lakshmana Temple dedicated to lord Vishnu. Some portion of the facade of the temple is visible as well as another temple in the upper right corner of this view. digital.library.unt.edu/ark:/67531/metadc44278/
Lakshmana Temple Complex
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The front view of the temple is shown in its entirety including the stairs and platform. To the left another temple is shown. digital.library.unt.edu/ark:/67531/metadc44277/
Lakshmana Temple Complex
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This very close detail of the temple's south facade shows elephants lined up closely and ridden by people. digital.library.unt.edu/ark:/67531/metadc44289/
Lakshmana Temple Complex
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This view shows a very close detail of the northeastern subsidiary shrine. Brahma can be seen at the left of this view and Vishnu at the right. digital.library.unt.edu/ark:/67531/metadc44282/
Lakshmana Temple Complex
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This west, southwest view of the main temple shows the upper portion. digital.library.unt.edu/ark:/67531/metadc44283/
Lakshmana Temple Complex
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The view is southwesterly with another temple visible at the left hand side in this view. digital.library.unt.edu/ark:/67531/metadc44279/
Lakshmana Temple Complex
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The Lakshmana Temple's subsidiary shrine is seen here, in detail, from the east. digital.library.unt.edu/ark:/67531/metadc44280/
Lakshmana Temple Complex
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Lavish and rich carved detail of the south facade interior corner is shown in this view. Both humans and animals, particularly elephants are depicted in high relief. digital.library.unt.edu/ark:/67531/metadc44284/
Lakshmana Temple Complex
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This view shows the south side of the temple and its carved figures including celestial beauties applying vermilion to the part in the hair. Vishnu, singing nymphs and an erotic couple are portrayed. digital.library.unt.edu/ark:/67531/metadc44285/
Lakshmana Temple Complex
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This view of the subsidiary shrine is shown in very close detail. This wall section consists of many friezes and molded plinths. Many figures carved in high relief and low relief patterns decorate the surface. digital.library.unt.edu/ark:/67531/metadc44281/
Pattadakal Temple Complex
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This close detail view shows the Virupaksha Temple's Bull Pavilion with its relief of a gatekeeper. digital.library.unt.edu/ark:/67531/metadc44276/
Pattadakal Temple Complex
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This view shows the Jambulinga and Galaganatha temples. The view is east, northeast. digital.library.unt.edu/ark:/67531/metadc44271/
Pattadakal Temple Complex
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This view shows the monolithic bull in profile. digital.library.unt.edu/ark:/67531/metadc44275/
Pattadakal Temple Complex
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No Description digital.library.unt.edu/ark:/67531/metadc44272/
Pattadakal Temple Complex
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This close detail shows the Mallikarjuna Temple's central facade with its tower. digital.library.unt.edu/ark:/67531/metadc44273/
Pattadakal Temple Complex
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1 carved complex : sandstone digital.library.unt.edu/ark:/67531/metadc44274/
Peerless Pool in Fatehpur Sikri Palace Complex
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The water feature is geometric and includes surrounding steps. Beyond the pools is a building with many compartments open to the exterior. digital.library.unt.edu/ark:/67531/metadc45466/
Prayer Hall
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The view rakes upward to show the carved details of the wall surface and the architectural detail. digital.library.unt.edu/ark:/67531/metadc43264/
Prayer Hall
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The view shows the foyer and a general lateral view with arch, beam and wall decorations including carved colossal elephants. digital.library.unt.edu/ark:/67531/metadc43260/
Prayer Hall
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The view moves from the exterior to the interior of the granite prayer hall. The entrance is topped with an arched panel above the lintel and a stupa can be seen through the opening which includes carved figures flanking the doorway. digital.library.unt.edu/ark:/67531/metadc43259/
Prayer Hall
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This view shows the richly carved surface of the foyer walls. digital.library.unt.edu/ark:/67531/metadc43261/
Prayer Hall, relief sculpture
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The relief sculpture detail in the foyer of the prayer hall is seen in this view. The figures are a standing man and a standing woman. The man's right hand is on the shoulder of the woman. digital.library.unt.edu/ark:/67531/metadc43262/
Prayer Hall, sculptures
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The interior of the prayer hall includes relief carvings and decorations with a sculpture of an elephant reaching out into the space in the round. In the far corner is a standing couple. digital.library.unt.edu/ark:/67531/metadc43263/
Pulpit, Basilica of Bom Jesus
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The base of the pulpit is decorated with figures and foliage and covered in gold leaf and pink paint. digital.library.unt.edu/ark:/67531/metadc48506/
Pulpit, Basilica of Bom Jesus
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The pulpit detail shows the intricate carving with its gold leaf and pale pink paint. digital.library.unt.edu/ark:/67531/metadc48507/
Rajarajeshvara Temple Complex
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The engaged columns of Rajarajeshvara temple depict various aspects of Shiva. Many human figures rest in carved windows. Several mythological animals decorate the pillars. digital.library.unt.edu/ark:/67531/metadc44302/