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  Partner: UNT College of Visual Arts + Design
 Resource Type: Artwork
 Decade: 1940-1949
A brief note about your search: All of the results matching your search query require you to be a member of the UNT Community (you must be on campus or login with university credentials for access).
Abe Lincoln the Great Emancipator
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Painting of five male subjects in warm and cool hues of burnt-orange, dark blue, gray and black. Abraham Lincoln is depicted wearing his signature black top hat and black knee-length overcoat. The subject to the left of Abraham Lincoln appears to be in decorated military attire. The two subjects on the far right are also in military attire. digital.library.unt.edu/ark:/67531/metadc8643/
The Balcony
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Painting of a man and a woman seated on a balcony overlooking the sea. digital.library.unt.edu/ark:/67531/metadc8152/
The Beautiful Bird Revealing the Unknown to a Pair of Lovers,
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No Description digital.library.unt.edu/ark:/67531/metadc8324/
Beech Trunks
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Tree trunks begin at the front left edge of the composition and move at an angle to the right side. The trunks in the foreground are blue and the ones in the background are white. A small leafless sapling is also in the foreground. digital.library.unt.edu/ark:/67531/metadc52018/
Billiard Table
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A still life painting of a billiard table. digital.library.unt.edu/ark:/67531/metadc7826/
Billiard Table No.1
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A still life painting of a billiard table and a potted plant. digital.library.unt.edu/ark:/67531/metadc7843/
Black Fish
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A still life of two fish and other foods on a table. digital.library.unt.edu/ark:/67531/metadc7775/
Circus, from ''Jazz''
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No Description digital.library.unt.edu/ark:/67531/metadc8186/
City Square
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No Description digital.library.unt.edu/ark:/67531/metadc8618/
The City Square
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No Description digital.library.unt.edu/ark:/67531/metadc8403/
The Cock
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The cock is seen from a back view with scroll-like trellises seen to the right and left of the cock. There is a grouping of pink flowers to the left of the cock. The painting is in hues of red, yellow, blue, pink, and purple. digital.library.unt.edu/ark:/67531/metadc8382/
Collage 256
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No Description digital.library.unt.edu/ark:/67531/metadc8434/
Cottonwood III
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No Description digital.library.unt.edu/ark:/67531/metadc8298/
Crucifix
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No Description digital.library.unt.edu/ark:/67531/metadc8802/
Demonstration
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No Description digital.library.unt.edu/ark:/67531/metadc8105/
Dive Bomber and Tank
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No Description digital.library.unt.edu/ark:/67531/metadc8984/
The Divers II
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No Description digital.library.unt.edu/ark:/67531/metadc8680/
Family Group
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No Description digital.library.unt.edu/ark:/67531/metadc8571/
Figure in Rain
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No Description digital.library.unt.edu/ark:/67531/metadc8683/
First Theme,
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No Description digital.library.unt.edu/ark:/67531/metadc8921/
Garden at Sochi,
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No Description digital.library.unt.edu/ark:/67531/metadc8595/
Girl with Leaves
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No Description digital.library.unt.edu/ark:/67531/metadc8740/
Hanging Mobile: Snow Flurry I
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No Description digital.library.unt.edu/ark:/67531/metadc8188/
Head of the Monserrat II
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No Description digital.library.unt.edu/ark:/67531/metadc8791/
The High Sign
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A linear figure raises her hands. A blue circle in the upper right corner is silhouetted against the white background. The flat figure stands on red ground and an extra large hand is in the upper left portion of the painting. digital.library.unt.edu/ark:/67531/metadc8173/
Horse and Rider
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No Description digital.library.unt.edu/ark:/67531/metadc8449/
Inspection of the Streets
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No Description digital.library.unt.edu/ark:/67531/metadc8093/
Interior with Etruscan Vase
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Painting depicting interior with Etruscan vase. digital.library.unt.edu/ark:/67531/metadc50343/
Joƫ Bosquet in Bed
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No Description digital.library.unt.edu/ark:/67531/metadc8949/
Landscape with Wild Horses
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A landscape painting with trees, a river, and wild horses. digital.library.unt.edu/ark:/67531/metadc8137/
The Leaf of the Artichoke is an Owl
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No Description digital.library.unt.edu/ark:/67531/metadc8580/
Liquor Store Window
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No Description digital.library.unt.edu/ark:/67531/metadc8457/
Little Spanish Prison
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This oil painting has twelve vertical stripes in alternating hues of yellow and grey with one red horizontal stripe crossing three horizontal stripes on the upper left area of the painting. digital.library.unt.edu/ark:/67531/metadc8767/
Man Pointing
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No Description digital.library.unt.edu/ark:/67531/metadc8602/
Men at War
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No Description digital.library.unt.edu/ark:/67531/metadc8482/
Movement: Sky and Grey Sea
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No Description digital.library.unt.edu/ark:/67531/metadc8164/
Musical Squash
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The painting is an abstract of a cut open acorn squash in hues of green and gold against a brown background with a black, musical staff and two clef symbols in the upper right of the canvas. The lower right has abstract shapes in red, green, blue, and brown. digital.library.unt.edu/ark:/67531/metadc8445/
Nelikon
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No Description digital.library.unt.edu/ark:/67531/metadc8917/
The New Rich
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Painting of red, yellow, blue, green, white and gray featuring ten figures performing various tasks such as cooking. digital.library.unt.edu/ark:/67531/metadc8897/
Number 02: The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home.
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No Description digital.library.unt.edu/ark:/67531/metadc8525/
Number 04: The Negro was the largest source of labor to be found after all others had been exhausted.
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No Description digital.library.unt.edu/ark:/67531/metadc8974/
Number 06: And the migrants kept coming.
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No Description digital.library.unt.edu/ark:/67531/metadc8524/
Number 08: They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops.
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No Description digital.library.unt.edu/ark:/67531/metadc8523/
Number 10: They were very poor.
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No Description digital.library.unt.edu/ark:/67531/metadc8891/
Number 12: The railroad stations were at times so overpacked with people leaving that special guards had to be called to keep order.
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No Description digital.library.unt.edu/ark:/67531/metadc8894/
Number 14: Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.
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No Description digital.library.unt.edu/ark:/67531/metadc8522/
Number 16: Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occured.
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No Description digital.library.unt.edu/ark:/67531/metadc8973/
Number 18: The migration gained in momentum.
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No Description digital.library.unt.edu/ark:/67531/metadc8886/
Number 20: In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement.
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No Description digital.library.unt.edu/ark:/67531/metadc8366/
Number 22: Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night...
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No Description digital.library.unt.edu/ark:/67531/metadc8964/
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