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  Access Rights: Public
  Partner: UNT College of Visual Arts + Design
 Decade: 1990-1999
[12 panel handmade paper and silk artwork]
The artwork consists of twelve panels in varying hues of pinks, blues, browns with some angular textured lines resembling furrows and some blue lines resembling water run through and across the panels. digital.library.unt.edu/ark:/67531/metadc27050/
90-208, Voyager
Light shades of pinkish grays create the background juxtaposed with linear pattern and layered with small multi-hued geometric shapes and a linear drawing of a ship and silhouettes of two figures. digital.library.unt.edu/ark:/67531/metadc27123/
92-204
The background of this painting consists of gradations of red, orange, pink and gray hues layered with lines created by many dots of paint. Overlayed are images of running dogs and small geometric shapes. digital.library.unt.edu/ark:/67531/metadc27124/
93-4/94-1
Black background with linear patterns created by many small dots of paint. Many small, multi-hued circles float across the surface and dotted lines follow the background linear zigzag pattern. digital.library.unt.edu/ark:/67531/metadc27125/
94-2
Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes. digital.library.unt.edu/ark:/67531/metadc27126/
94-3
Light gray painting with linear pattern with many small gray circles spread across the surface. digital.library.unt.edu/ark:/67531/metadc27130/
94-203
Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface. digital.library.unt.edu/ark:/67531/metadc27127/
94-204
Vertical black painting with linear pattern and many gray circles floating across the surface. digital.library.unt.edu/ark:/67531/metadc27128/
94-207
Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface. digital.library.unt.edu/ark:/67531/metadc27129/
95-3
This vertical painting consists of a highly detailed patterned background across which are scattered various sized circles. digital.library.unt.edu/ark:/67531/metadc27131/
95-6
Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles. digital.library.unt.edu/ark:/67531/metadc27132/
95-7
Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag. digital.library.unt.edu/ark:/67531/metadc27133/
A 97-1
Large black brushstrokes fill background with small, multi-colored circles floating on surface. digital.library.unt.edu/ark:/67531/metadc27137/
E 97-5
Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting. digital.library.unt.edu/ark:/67531/metadc27139/
L 97-12
Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes. digital.library.unt.edu/ark:/67531/metadc27143/
S 98-7
Loose brown, white and black brushstrokes scraped and smeared with a gradation from white to black motif floating in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27147/
AA 99-6
Painting consists of white, black, and tan brushstrokes, smeared and scraped. Two gradation motifs float vertically in the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27148/
AC 99-8
The majority of the abstract painting consists of black and white brushstrokes, smeared and scraped. Across the uppermost center edge of the canvas is a color strip of nine different colors. digital.library.unt.edu/ark:/67531/metadc27149/
Action Pattern, Number 2
The drawing consists of a grid pattern drawn in graphite and India ink splattered across the surface. digital.library.unt.edu/ark:/67531/metadc102405/
AE 99-10
Large white, black, and tan brushstrokes run vertically while a small red and blue/brown horizontal brushstrokes highlight the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27150/
AG 99-12
Predominately black brushstrokes with some white and beige streaks vertically placed on the canvas with a color strip of red, beige, and white runs horizontally along the uppermost edge of the canvas. digital.library.unt.edu/ark:/67531/metadc27151/
AH 99-13
Vertical black brushstrokes are predominate with some streaks of white. Flanking the right and left edges of the canvas are gradations of blue and red strips of color painted in short horizontal strokes. digital.library.unt.edu/ark:/67531/metadc27152/
AI 99-14
Painting consists of mostly black vertical brushstrokes with some white streaks. Bits of red and orange are blended in some small spots. There are three narrow, vertical, color strips, strokes painted horizontally, scattered around the center of the canvas. digital.library.unt.edu/ark:/67531/metadc27153/
Arjuna's Bell
Half of the bowl is decorated in yellow while the other half consists of many closely spaced dark blue rectangular hash marks. On the yellow half of the bowl are many hieroglyphic type marks. digital.library.unt.edu/ark:/67531/metadc102325/
B 97-2
Vertical painting with large gray brushstrokes. Several gradation motifs float on the surface. digital.library.unt.edu/ark:/67531/metadc27136/
Bean Tree Pod Rockets Measured and Marked
The drawing consists of a grid drawn in graphite with each corner marked by cross marks. Foiling this pattern is a series of marks created from bean pods that had been dipped in ink and slapped across the surface of the paper. digital.library.unt.edu/ark:/67531/metadc102407/
[blue and green waves layered amongst gray and brown frames]
Waves depicted in greens and blues within and without several framing devices of shades of gray and edged in brown. digital.library.unt.edu/ark:/67531/metadc27031/
C 97-3
Red, blue, and brown brushstrokes covered by a black mesh consisting of forty-nine openings arranged seven by seven through which the reds, blues and browns appear. digital.library.unt.edu/ark:/67531/metadc27138/
L'Chaim
A brown mound shape decorated with incised curlicues is the base upon which sits a small house. The pieces disassemble revealing a hidden cup. digital.library.unt.edu/ark:/67531/metadc102322/
L'Chaim
A brown mound shape decorated with incised curlicues is the base upon which sits a small house. The pieces disassemble revealing a hidden cup. digital.library.unt.edu/ark:/67531/metadc102321/
[circles, squares, and horizontal lines floating]
The horizontal predominately blue and muted gray fabric artwork includes shiny circles, squares with horizons, and groups of parallel lines that float through the space of the artwork. digital.library.unt.edu/ark:/67531/metadc27044/
Clouds in the Evening Glow
Wavy ribbons recede into the distance which is encased in a framed gradation of color and in the background a circular opening through which the ribbons reach. digital.library.unt.edu/ark:/67531/metadc27034/
Coat
Coat of printed satin. The floor-length coat has a rounded neckline and a center-front opening that extends the entire length of the garment and is secured with a single cloth-covered circular button at the throat. It has long sleeves and is fully lined in a salmon damask silk woven with a floral-foliate design. The entire garment is photo-printed with scenes of room interiors in various styles. Designer's label sewn inside at back collar: "Todd Oldham". From Oldham's Spring 1997 collection. digital.library.unt.edu/ark:/67531/metadc30294/
Coat
Coat of black wool. The hip-length coat is constructed of black felted wool with yellow, red, green, brown, blue, and orange bands of grosgrain ribbon woven in and out of the wool, forming a grid or trellis pattern over the entire garment. The coat has a notched collar and long sleeves, and has a center-front closure with three circular silver colored metal buttons. It is fully lined with black silk. Designer's label sewn inside at back collar: "Todd Oldham". From Oldham's Fall 1996 collection. digital.library.unt.edu/ark:/67531/metadc30296/
Column
A column emerges from a halved seed pod shape. Near the top of the column several buds emerge and begin to open. digital.library.unt.edu/ark:/67531/metadc129774/
Column
This is the back side view of the piece. The texture on the lower portion can be seen in this view. digital.library.unt.edu/ark:/67531/metadc129775/
Dancing Between the Hunt and the Hearth
The large vertical painting consists of a nearly black ground with words and numbers in a light colors. Along the bottom edge is a highly textured surface with the words, beauty and duty, repeated across the bottom edge. Arrows and calculations appear across the dark field. In the upper right is a gold square and some gold splashes of color and texture. digital.library.unt.edu/ark:/67531/metadc129819/
[dark blue silk yardage]
The yardage of dyed silk includes vertical blue and brown stripes with circular shapes that resemble eyes or wood knots covering the yardage. digital.library.unt.edu/ark:/67531/metadc27041/
Dress
Dress of striped cotton broadcloth. The "house dress" style garment is street-length, in various patterns of woven striped cotton broadcloth. It has a center front opening that extends the length of the dress and secures with 7 gold-colored metal buttons set with colored rhinestones and on hidden hook-and-eye closure at waist. The wide collar is primarily in yellow with very narrow stripes of orange and blue. The bodice is of vertical stripes of reds, purples, pinks, etc. The skirt, which gathers into the natural waist, is in vertical stripes of blues with thin maroon and green accent stripes. The short sleeves are in stripes of blues, red, yellow and white, and have french cuffs secured with metal rhinestone-set cuff-links. The dress is unlined. The accompanying belt/sash is of the same fabric as the sleeves, and is finished at the ends as cuffs with sewn-on cuff-links matching the sleeves. Designer's label sewn inside at back collar: "Todd / Oldham". Four labels sewn inside skirt at side seam: Content: "100% / Cotton" Care: "Dry Clean / Only" Size: "S" Origin: "Made / In U.S.A." From Oldham's Spring 1994 collection. digital.library.unt.edu/ark:/67531/metadc30298/
Dress
Dress of photo-printed knit. The sheath-style dress is of a polyester/lycra blend sueded knit. Full-length, the dress has a "crew neck" rounded neckline with slight standing collar and short cap sleeves. The dress widens at the hips and tapers to the hem, and has a back vent slit at center back from hem up 47.5cm. The entire garment is photo-printed with images of "travel scenes" of the west - roads, lakes, cacti, cows on farms, rock formations, etc. Designer's label inside at back collar: "Todd / Oldham" Three tags inside near hem: Size: "M" Care: "Dry Clean / Only / Made / In U.S.A." Content: "85% Polyester / 15% Lycra". From Oldham's Spring 1996 collection. digital.library.unt.edu/ark:/67531/metadc30299/
Dress
Dress and belt. The dress has an empire-length bodice of white organdy with short sleeves, deep V-neckline in front and shallow boat neckline in back and is densely beaded with large and small white beads. From the lower edge of the beaded bodice a band of blue silk satin with a printed pattern of different sizes of white polka dots extends down to dropped waist length, covering the midriff. The full skirt, of the same polka dot material, is above-the-knee length, and has box pleats which start from the dropped waist level. The dress has a zipper closure along the left side seam of the midriff section, and the closure continues up along the lower part of the empire bust line seam to the base of the V-neckline with a series of alternating covered snaps and hook-and-eyes. The bodice section is lined with white organdy, the midriff section with blue silk, and the skirt is unlined. Designer's label is sewn inside bodice near right armhole: "Givenchy" "Made in France", with a second label sewn underneath with handwritten notation "80932". The dress has an accompanying belt covered with matching blue fabric with printed polka dots and backed with black leather. The buckle is also covered with blue polka dot fabric. The belt has no labels or marks. Not shown in photo are matching high-heeled pumps by Rene Mancini, Pairs, and matching envelope clutch handbag also by Mancini. From Givenchy's Spring 1992 Collection. digital.library.unt.edu/ark:/67531/metadc30252/
Dress
Dress of red chiffon, sequins and beading. The bodice of the dress is of draped red chiffon with deep V-neckline at front and shawl collar with deep drape at back. The long, full sleeves gather into tight cuffs, each having four red chiffon covered domed buttons and red fabric loops. At the natural waist of the dress is a horizontally ruched band which gives the effect of a sash of the same material, with simulated bow and trailing ends. The bodice simulates a wrap dress, with one side of the collar ends becoming part of the bow of the sash, and the other securing inside with a snap. The bow conceals three hook-and-eye closures and the top of the zipper closure. The short skirt is completely covered with sequins and beads. Black sequins run in horizontal and vertical bands forming a grid/trellis pattern. The vertical rectangular spaces within the grid are filled with rectangles of sequins in green, black, white and orange/red, or with tubular beads in white/iridescent, gray and yellow. There are also scattered irregular patches of orange white or green sequins on the black sequin grid. The skirt is lined in black fabric. Designer's label sewn inside at right neckline: "Arnold Scaasi"; pinned-in label at hem with hand-written notation: "5019" From Scaasi's Fall 1990 collection. digital.library.unt.edu/ark:/67531/metadc38119/
[dyed silk with horizontal washes of color in blues, greens, and pinks]
Silk yardage dyed in horizontal wash patterns in blues, pinks, and greens. digital.library.unt.edu/ark:/67531/metadc27042/
[dyed silk yardage]
Silk yardage dyed in vertical linear patterns of oranges, greens, reds, and browns spotted with circular shapes resembling eyes or knots in wood. digital.library.unt.edu/ark:/67531/metadc27040/
[dyed silk yardage]
Dyed silk yardage in dark blues with horizontal yellow and blue wave patterns are broken with intervals of vertical lines. digital.library.unt.edu/ark:/67531/metadc27039/
Edo Brocade
The bowl shaped vessel sits atop a matching cushion shaped stand. Both bowl and stand are highly textured with grooved lines as well as amoeba shapes within which curved lines are carved. The colors are pale yellow, pale pink and a dark blue black. digital.library.unt.edu/ark:/67531/metadc102327/
Ensemble - Jacket, Skirt, Blouse and Scarf
Ensemble of teal silk Ottoman. The suit consists of a jacket and skirt, blouse, and scarf. The jacket is of horizontally ribbed teal silk, banded on the bias, has a rounded neckline, is long sleeved, and has princess seaming for a tailored fit. The sleeves have soft pleating at the shoulders, and there are 3 circular gold buttons set with rhinestones at each cuff. There is a center front closure with 4 large buttons matching the style of sleeve buttons and one hidden snap at top. The buttonholes are hidden in the seam of the opening. The jacket is lined in black silk. The jacket has designer's label sewn inside at back of neck: "Richard Brooks". The matching skirt is of the same silk Ottoman, below-knee length, with soft pleats at front and darts at back from waistband down 5 1/2". Small slit at center back from hem upwards. The sides are cut on straight vertical stripe. The waistband has hook and two eyes, and there is a center back zipper closure. The skirt is lined in teal silk. There are no labels in the skirt. The blouse is of a thin teal green and metallic gold jacquard, woven with an ornate all-over paisley pattern. There is a banded collar and slight pleating/gathering on front at yoke, and at top of the long sleeves. Center back zipper closure extends from collar almost to hem, and has two hook-and-eyes at collar. The blouse has attached shoulder pads. There is no label in the blouse. An accompanying scarf is of iridescent teal silk chiffon, edged with the same jacquard materials the blouse is made from. There is no label on the scarf. Designed for Texas Governor Ann Richards. The silk is from Abraham Fabric. digital.library.unt.edu/ark:/67531/metadc30305/
Ensemble - Jacket, Skirts and Blouse
Ensemble of rose silk. The suit consists of a jacket, two skirts and a blouse. The jacket is made from a 1930's sari of pale pink silk embroidered with gold and silver threads, beads, and pink sequins in designs of vines, flowers and abstract line patterns. Jacket has a floating yoke and full leg-o-mutton sleeves with long narrow cuffs that have zipper closures. The jacket itself has a center front opening with no closure. The neckline, edges of closure, hem, and cuffs are edged in heavily beaded bands added by the designer. Designer's label sewn inside back at neck: "Richard Brooks". The blouse is of heavy pink silk, collarless, with round neckline. It is short-sleeved, with pleating at the shoulder. Vertical seaming on front and back for structure. There is a concealed center-back closure with snap at top and 5 clear plastic circular buttons down the length. The blouse is lined in a dark, dusty pink silk and has sewn-in shoulder pads. Designer's label is sewn inside back to the left of the opening: "Richard Brooks". The two skirts are are both of identical pink silk, matching the blouse, of identical construction. One is knee-length, and the other is full-length. Both are lined in the same pink silk as the jacket. The short skirt has designer's label sewn in at waistband: "Richard Brooks". Worn by Governor Ann Richards when she spoke at the Gridiron Club in Washington, 1992. digital.library.unt.edu/ark:/67531/metadc30304/
The Europeans
Two figures in the foreground, seen from the chest up, comment on European angst. A figure in silhouette exits by a set of stairs. Bright yellow light illuminates the exterior of the gallery in which the people in the foreground stand. Talk bubbles are used for the figures' comments. A poster on the wall depicts German Expressionism. The style is like that of cartoons and graphic novels. The colors are bright and flat. digital.library.unt.edu/ark:/67531/metadc274996/
Evening Dress
Evening dress of gold and multicolored printed hounds tooth patern satin. The full-length gown is designed with a wide "bateau" neckline with almost off-the-shoulder short puffed sleeves, a long waist into which is gathered the full skirt. The gown has an all-over pattern of horizontal bands of hounds tooth in various colors and gold: purple, orange, green and yellow. digital.library.unt.edu/ark:/67531/metadc283726/
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