UNT College of Visual Arts and Design - 3,514 Matching Results
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- 94-2
- Black painting with zigzag linear pattern created with many small dots of paint and layered with many gray circles of various patterns and sizes.
- 94-3
- Light gray painting with linear pattern with many small gray circles spread across the surface.
- 94-203
- Vertical gray painting with repeating linear white lines spreading from two centers, one in the upper half and one in the lower half of the painting. Many circles of various gray hues float across the surface.
- 94-204
- Vertical black painting with linear pattern and many gray circles floating across the surface.
- 94-207
- Vertical painting in gray shades with white linear pattern and circles of various shades of gray float across the surface.
- 95-3
- This vertical painting consists of a highly detailed patterned background across which are scattered various sized circles.
- 95-6
- Vertical painting consists of horizontal bands of black and reddish brown and floating on surface are red circles and half-circles.
- 95-7
- Dark painting with horizontal and vertical stripes create a plaid pattern of red, blue, and black. Multi-hued circles float on the surface and linear, thin, dark lines create another pattern of zigzag.
- A 97-1
- Large black brushstrokes fill background with small, multi-colored circles floating on surface.
- E 97-5
- Vertical painting with horizonal brown brushstrokes with four gradation motifs on the top half of the painting.
- L 97-12
- Vertical painting with vertical yellow and brown brushstrokes. Floating in the center of the painting a black to white gradation motif consists of horizontal brushstrokes.
- S 98-7
- Loose brown, white and black brushstrokes scraped and smeared with a gradation from white to black motif floating in the center of the canvas.
- 190 South La Salle
- View of the top of a skyscraper at 190 South La Salle Street in Chicago, Illinois.
- 311 South Wacker
- The view of the skyscraper at 311 South Wacker street in Chicago is shown near the Sears Tower. All 65 stories of the building are visible.
- 311 South Wacker
- The upper half of the skyscraper is shown in this view. The building is light in color and composed of several vertical elements.
- 311 South Wacker
- The aerial view shows the building in its setting as well as the cylindrical elements atop the skyscraper.
- [333 West Wacker Drive, Chicago, Illinois]
- View of the glass facade of the skyscraper at 333 West Wacker Drive in Chicago, Illinois.
- [333 West Wacker Drive, Chicago, Illinois]
- Southeast entrance to the building at 333 W. Wacker Drive in Chicago, Illinois. There are steps leading up to the entrance and two marble columns flank the doorway. The lower part of the building is made of stone with windows above.
- [333 West Wacker Drive, Chicago, Illinois]
- Detail view of the marble columns surrounding an entrance to the building at 333 West Wacker Drive in Chicago, Illinois.
- [333 West Wacker Drive, Chicago, Illinois]
- View of one corner of the skyscraper at 333 West Wacker Drive, in Chicago, Illinois.
- [333 West Wacker Drive, Chicago, Illinois]
- View of the glass facade of the building at 333 West Wacker Drive in Chicago, Illinois.
- 590 Madison Avenue
- The view is of the street level facade and includes the glassed atrium public space.
- 590 Madison Avenue
- The view is of the sidewalk adjoining the building.
- 650 Apartments
- The view is of the apartment building in the distance with some parked cars. The facade is comprised of square shapes for windows and the laminate siding. Some yellow siding detail is also visible.
- 650 Apartments
- The view is of the facade of one of the four apartment modules. The facade is a rich reddish brown and bright yellow with many square windows and balconies.
- 2490 Rubbing #1
- Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper.
- 2490 Rubbing #2
- Image of concentric circles drawn in graphite and centered on cream color rectangular piece of paper with lines also radiating from the center.
- 2490 Rubbing #3
- Image of artwork consisting of loosely drawn concentric circles centered on the cream color rectangular piece of paper.
- Abraham and Melchizedek
- No Description Available.
- Abstract necktie
- Man's necktie of silk in multicolored abstract painterly style resembling a printed "knit" pattern. Four-in-hand style. Tipped in navy silk; interlined. Maker's label: Gino Pompeii Content tag: 100% Silk / Imported from Italy / RN 43170
- Abstract patterned necktie
- Man's necktie of silk in red, blue and tan abstract triangular designs on a black background. Four-in-hand style. Tipped in dark purple; interlined. Maker's label: J. T. Beckett Content label: All Silk / Made in U.S.A. of / Imported / Fabric / RN 20485
- Abstract printed coat
- Coat of print and white oversize snakeskin print, likely polyester-silk gazaar. Round neckline, three-quarter length sleeves, center front opening without closures, oversize barrel line silhouette, lined in light pink silk. Label:
- "Access Bitch" face mask
- Non-medical face mask of peach cotton in pink "Access Bitch" print. Adjustable ear straps; lined in white cotton.
- Activewear ensemble
- Activewear ensemble of jacket, shirt, training shorts, and leg sleeves in floral prints.
- The Adoration of the Magi
- No Description Available.
- Advance Fashion News, August 1949
- Advance Fashion News pamphlet with illustrations of various women's and children's designs illustrated in black, white, and blue tones.
- Afternoon Dress
- Afternoon ensemble of heavy black silk faille and lace. A) Bodice. Fitted; 3/4 length sleeves are split to show ice blue faille insets covered in black lace and are piped and scalloped with black embroidery and braid medallions. The lace on the sleeve insets extends from the elbow to the wrist with gathers in the lace at the back of the wrist. High standing collars with the front of the collar covered in matching blue faille covered in black lace; collar has hook & eye closure. Center front opening of 16 self-covered buttons and barred buttonholes. Center front opening is scalloped and piped to match sleeves and is trimmed with matching embroidered medallions. Boned with white moire silk grosgrain petersham which secures with two hook & eyes. Center back of petersham has three irregular pentagonal shaped tabs of black faille with barred buttonholes for securing bodice to skirt. B) Skirt. Full skirt is asymmetrical with blue faille panels inserted at front right side of skirt and two narrow inserts on left side. Left side inserts are partly covered by black faille pleating which forms folds at the left side waist. Front inserted panel is covered in black lace in floral motifs with diagonal striping. Hemline of front inserted panel is scalloped and piped in black faille with matching black embroidered medallions. Right side of skirt has an inserted panel of matching black faille that is piped and scalloped to match the bodice and is trimmed with matching embroidered medallions. Underskirt of black faille has a box pleated ruffle of self around the hemline. Center back hook & eye closure with three mother-of-pearl button on black grosgrain waistband for securing skirt to bodice. All blue insert faille panels have faded to white.
- Afternoon Dress
- Afternoon Dress. Green wool bodice (A) and skirt (B) ensemble with red velvet accents and red edging.
- The Age of Bronze
- A nude male statue.
- AI, Arts & Design: Questioning Learning Machines
- Article is an introduction to Artnodes issue No. 26, “AI, Arts & Design: Questioning Learning Machines" which addresses the question: Does generative and machine creativity in the arts and design represent an evolution of “artistic intelligence,” or is it a metamorphosis of creative practice yielding fundamentally distinct forms and modes of authorship?
- "Alarm Clock" ensemble
- "Alarm Clock ensemble" of coat, skirt, and bracelet (a-c) a&b stored together, c stored separately a) "Alarm Clock" coat shirt of duchess silk satin, hand painted with oversized alarm clock on back in black, white, and blue on a black and white striped surface coming from back to front with a red mottled backdrop, round low scoop neckline with center front pin closure with hand painted clock pin, very high front hemline with low scoop back hem. Painting designed by Rodolfo Contreras, coat designed and made by Nicola Contreras b) Skirt of deep blue silk grosgrain, very narrow profile, with deep box pleat at center back, pockets, lined in silk. Designed and made by Nicola Contreras c) Bracelet with hand painted alarm clock motif coordinated with coat, made of wood, round oversized profile. Designed and painted by Rodolfo Contreras
- Alcatraz Island
- The administration building's crest is shown in this close detail.
- Alcatraz Island
- This view is of a sign indicating Alcatraz Island.
- Alfred, Lord Tennyson
- An early photographic print of a man.
- All Human Forms (The End of the Song of Jerusalem)
- A man with a halo emanating from his head and a woman embrace in the center of this composition with the text above.
- All Tarnation at the Chain-Link Gathering
- Work of art sample video by artist Sean Lopez as part of a 2021 MFA Exhibition, entitled "The Always Girls and Forever Boys” at Sweet Pass Sculpture Park in Dallas, TX on April 17-18, 2021.
- All Tarnation at the Chain-link Gathering
- Work of art in Acrylic and Marker on Fabric by artist Sean Lopez as part of a 2021 MFA Exhibition, entitled "The Always Girls and Forever Boys” at Sweet Pass Sculpture Park in Dallas, TX on April 17-18, 2021.
- All Tarnation at the Chain-link Gathering
- Work of art, Video Still Image of superposition elements in the video artworks, combining drawing, performance, video, and projection, by artist Sean Lopez as part of a 2021 MFA Exhibition, entitled "The Always Girls and Forever Boys” at Sweet Pass Sculpture Park in Dallas, TX on April 17-18, 2021.
- Allaying Terror: Domesticating Vietnamese Refugee Artisans as Subjects of American Diplomacy
- This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.
- Alligator pumps
- Pumps of black alligator. Rounded toe box, full vamp, short heel. Measurements L: 24 cm W: 7.5 cm H: 13 cm Heel: 7 cm, 3 inches