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  Partner: UNT College of Visual Arts + Design
 Resource Type: Physical Object
 Decade: 1900-1909
Abraham Lincoln Center
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The building is clad in red brick, flat topped and unadorned. digital.library.unt.edu/ark:/67531/metadc36472/
Beaded Bag
Handbag. Rectangular bronze frame chased with scrolling floral forms. Ball/snap closure and bronze chain. Body of purse of off-white woven cloth covered in beaded design of red, pink, green, black, and white in an American Indian or possibly Caucasian motifs. Originally lined in pink silk. Frame is marked "Germany". digital.library.unt.edu/ark:/67531/metadc30073/
The Black Friar Public House
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The exterior view shows the building's setting in London. digital.library.unt.edu/ark:/67531/metadc41440/
Bonnet
Infant's bonnet of white cotton, possibly as part of a christening set. Lace inset and tucking near brim. Gathered shell. Ties of self. digital.library.unt.edu/ark:/67531/metadc87048/
Bonnet
Child's sunbonnet of white cotton. Channel-stitched. Corded brim that also stiffens and shapes bonnet. Long curtain of same. digital.library.unt.edu/ark:/67531/metadc87054/
Bonnet
Child's poke-type bonnet of white silk. Completely shirred and trimmed with white satin ribbon, outlined with lace. High crown to which circular shirred flange has been added. Label inside crown mostly illegible; last word is "Chicago". digital.library.unt.edu/ark:/67531/metadc277051/
Boots
Pair of lady's boots of black leather and wool broadcloth. The "high button shoes" are designed with pointed toes gently rounded at tips. The lower part, including vamp, are of black leather. The upper part is of black wool broadcloth edged at scalloped top with black leather, and with black leather accent band running from heel partly up the back of the boot. The boots lace up along the front with 20 holes. Lined at top with reddish/orange fabric, the body of the shoe lined in white fabric. High heels are rounded at sides and back, flaring slightly to base, and curved at front. Black leather soles. Stamped notation inside: "3 1/2 B R251" digital.library.unt.edu/ark:/67531/metadc39009/
Boots
Pair of boots or "High Button Shoes" of black leather. The shoes, designed with rounded pointed toes, lace closed along center front with laces 16 holes high. The low, stacked heels are rounded at sides and back, and are curved at front. The sole is of black leather. Shoes are lined in black leather and off-white cloth. The base of the heel is of black rubber(?) with molded grips. Manufacturer's mark molded into heel: "[Image of a walking man] / Healthway / USA". Stamped into sole: "Combination / Last" Handwritten notation on lining: "4/1/6 18261* / 51|23" digital.library.unt.edu/ark:/67531/metadc39027/
Boots
Pair of lady's boots or "High Button Shoes" of light blue leather and yellow suede. The lower section of the shoes, designed with pointed toes, are of pale blue polished leather. The upper sections, of yellow suede, close along sides with small mother of pearl(?) buttons, 12 buttons high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Thin silver-colored metal edge/band just above cap of heel. Sole of tan leather. Handwritten inside: "242 / G3064" digital.library.unt.edu/ark:/67531/metadc38983/
Boots
Pair of boots or "High Button Shoes" of gray/silver lamé cloth. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 18 holes high. The high heels are rounded at sides and back, tapering to center and flaring back out at base, and are curved at front. They are covered with the lamé fabric on the back and sides. The sole is of tan and brown leather, as is the cap on the heel. Shoes are lined in off-white cloth. Hand-written notation on inside lining, partly illegible: "37 / .... / 911" digital.library.unt.edu/ark:/67531/metadc39017/
Boots
Pair of lady's boots or "High Button Shoes" of black and tan leather. The lower section of the shoes, designed with pointed toes, are of black leather. The upper sections, of tan leather, close along center front with laces, 17 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Sole of black and tan leather. Stamped on sole: "TEDCO / Trade Mark" Stamped on lining: "435 72307 4" and "Tedco" digital.library.unt.edu/ark:/67531/metadc39018/
Boots
Pair of lady's boots or "High Button Shoes" of tan leather. The shoes, designed with pointed toes, are of tan leather which close along center front with laces, 19 holes high. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Heels covered with matching leather. Sole of tan leather. Stamped on lining: "H.Seligmann / Seguin, Tex." and "356 10146" Stamped on sole is a wreath containing an image of a shoe and label "Duchess". digital.library.unt.edu/ark:/67531/metadc39019/
Boots
Pair of lady's boots or "High Button Shoes" of white kidskin leather. The shoes, designed with pointed toes close along center front with laces, 17 holes high. Embellished at top with band of small holes along edge of boot. Medium/high heels styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and with curved front section. Heels covered with matching leather. Sole of tan leather. Stamped on lining: "Neiman-Marcus / Dallas" and "28D 23949" digital.library.unt.edu/ark:/67531/metadc39024/
Boots
Pair of boots or "High Button Shoes" of brown leather. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 16 holes high. The medium height, stacked heels are rounded at sides and back, and are curved at front, tapering slightly to ground. The sole is of tan leather. The shoes are lined in off-white cloth. The base of the heel is of brown rubber(?) with molded marks. Maker's mark in sole: "Hamilton-Brown / Makers / [illeg] Molded into heel: "Cushion Comfort Heel 2" Stamped in lining: "450 24512H" digital.library.unt.edu/ark:/67531/metadc39014/
Boots
Pair of boots or "High Button Shoes" of gray/very pale blue leather. The shoes, designed with pointed toes rounded at the tips, lace closed along center front with laces 16 holes high. The high heels are rounded at sides and back, tapering to center and flaring back out at base, and are curved at front. The sole is of tan leather. Shoes are lined in matching leather and off-white cloth. Retailer's stamp on lining: "Byrn's Boot Sh [partly illeg] / Kansas City" digital.library.unt.edu/ark:/67531/metadc39015/
Bull Temple
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This close detail view shows the figure of a nude goddess. digital.library.unt.edu/ark:/67531/metadc51061/
Capelet
Capelet of dark brown to black plush, possibly silk and cotton, resembling seal fur. Rounded roll collar trimmed in brown soutache braid stitched with a line of purple thread and black glass or jet beads. Center front opening with hook & eye at neck. Trimmed in light brown with purple soutache braid and hexagonal prism, black glass beads. Collar and center front opening bound by black braid (appears to have been added after the original garment was made). Fully lined in a printed polished cotton (not original) of black with looping rope design and repeated fan shapes of pale blue, red, and cream. digital.library.unt.edu/ark:/67531/metadc501335/
Champagne Glass
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The champagne glass is in the iridescent Favrile decorative technique developed by Tiffany. digital.library.unt.edu/ark:/67531/metadc8476/
Child's Dress
Child's "apron" dress of woven red and blue striped flannel with collar and one box pleat in front. Center front opening with snap at neckline. No belt - possibly missing. digital.library.unt.edu/ark:/67531/metadc501365/
Dress
Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons) digital.library.unt.edu/ark:/67531/metadc30076/
Drum
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The drum is held aloft by two sculpted figures. digital.library.unt.edu/ark:/67531/metadc47567/
A. E. G. Turbine Factory
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The view of the exterior detail of a steel structural hinge is visible from the sidewalk. digital.library.unt.edu/ark:/67531/metadc50877/
A. E. G. Turbine Factory
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The detail view shows the southeast corner with rounded stone edges and legs of the steel hinged arch. digital.library.unt.edu/ark:/67531/metadc50878/
A. E. G. Turbine Factory
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The exterior view shows a portion of the main entrance and a raking view of the long side exterior wall. The view is from the southeast and shows the steel hinged arches showing through the surface. digital.library.unt.edu/ark:/67531/metadc50874/
A. E. G. Turbine Factory
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The view is a close detail of the surface treatment of the stonework. digital.library.unt.edu/ark:/67531/metadc50879/
A. E. G. Turbine Factory
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The view is from the sidewalk and shows clearly the steel arched frame pieces. digital.library.unt.edu/ark:/67531/metadc50876/
Fan
No Description digital.library.unt.edu/ark:/67531/metadc38035/
Fan
No Description digital.library.unt.edu/ark:/67531/metadc38036/
Fan
Folding fan. Thin polished wood or bamboo guards lacquered a dark mahogany. The thin sticks are dyed purple. Paper leaf with hand-painted abstract design of flowers and foliage on a reddish ground. Metal bail. Reverse is unadorned. No visible labels or marks. Gift of Mrs. Arthur Kramer, Sr., from the original Dallas Musuem of Fashion collection. digital.library.unt.edu/ark:/67531/metadc38042/
Handbag
Handbag. Rectangular frame of cast openwork brass floral designs with traces of gilding. Ball and snap closure and gilt brass suspension chain. Bag is of dark purple crocheted silk, with three different types of beading. Area at frame is plain all-over beading of purple/bronze iridescent cut beads. Below this, and at bottom of bag is fringe of looped beading. The main body of the bag has vertical stripes of beads arranged in horizontal rows. Lined with bright purple silk, trimmed in gold cording. Contains a small gold kid leather purse embossed with a stylized thorn pattern. digital.library.unt.edu/ark:/67531/metadc30207/
Happi
Happi (Japanese traditional short coat) of indigo dyed heavy cotton or linen. Hip-length or slightly longer, with short sleeves. Center front opening with vertical bands on either side with starch paste resist design of Japanese characters. Back with large starch paste resist symbol at upper back, and linear maze-like design across main part of back, repeated at sides. digital.library.unt.edu/ark:/67531/metadc503810/
Hat
Hat of off-white silk over straw base. The crown slightly rounded at top, covered in off-white silk, with ruching and folds around side. Affixed to sides of crown at various points are artificial flowers of various colors of velvet. The medium-width brim is circular, of woven straw, originally covered with off-white silk, now mostly perished. The inside of the crown is lined in off-white muslin, partly shattered, and the underside of the brim was originally lined in white silk, now mostly perished. There are no labels or marks in the hat. digital.library.unt.edu/ark:/67531/metadc39060/
Hat
Hat of silk. The off-white silk crown is domed, with excess fabric forming a ruched band around the lower part of the crown. The front and sides of the crown are embellished with embroidery and needlework of large flowers and foliage in white. Around the base of the crown is a band of white grosgrain ribbon, with rosette and trailing ribbons at side. The medium-width oval brim is of white silk over stiffened mesh framework, with outer band formed by openwork stitching. The brim is set off-center to the crown, extending the farthest from side to side, and with more brim in front than at back. The underside of the brim is faced with black velvet. The hat is lined in white silk, now shattering. There are no labels or marks in the hat. digital.library.unt.edu/ark:/67531/metadc39059/
Hat
Hat of dull golden horsehair mesh over wire framework. Cylindrical crown widening to base of horsehair constructed in a spiral, on wire armature. Side of crown with wide black velvet band with self bow at back. Slightly oval brim of same horsehair set so sides are wider than front or back. Brim slopes slightly from crown to outer rim, with thin wire framework to retain shape. Attached at sides are sprays of artificial flowers and leaves. Underside of brim lined with gathered extremely fine pale chiffon. Crown has inner rigid structure that extends below brim, creating a "support" that rests on wearer's head. Exterior of inner structure lined with black velvet, inner lining of white fabric with "drawstring" center gather. No labels or tags. digital.library.unt.edu/ark:/67531/metadc277145/
Hat
Little girl's Easter bonnet. Wired base with mushroom type top of black velvet and double ruffled brim of white lace. Small pink roses and green stems encircle hat above lace brim. digital.library.unt.edu/ark:/67531/metadc39156/
Kimono
Kimono of burgundy red silk with printed all-over design of large butterflies in creams, tans, blues, etc. Lined in orange crepe silk. Padded hem. Hand-sewn. digital.library.unt.edu/ark:/67531/metadc276990/
Kimono
Kimono of purple silk printed with designs of flowers, birds and butterflies in purples, blues, tans, reds, etc. Detailing in gold embroidery. With five white "mon" designs similar to a "yin-yang" shape of matched commas. Partly lined in red silk. digital.library.unt.edu/ark:/67531/metadc277142/
Mandolin
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The top of the eight-stringed mandolin's teardrop-shaped body is honey color. The bowl of the body, the top of the body, the fingerboard and the peghead are highly decorated with figures and patterns in black and white inlay. digital.library.unt.edu/ark:/67531/metadc47565/
Mandolin
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The back of the body's bowl is highly decorated with inlay in geometric patterns as well as a nude female figure and foliage. digital.library.unt.edu/ark:/67531/metadc47566/
Metepec Tree of Life
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The decorative object holds seven candles and is covered with many figures, leaves, flowers and animals in various colors on a red ground. digital.library.unt.edu/ark:/67531/metadc52114/
Mourning Ensemble - Bodice and Skirt
Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, front and back, is constructed of vertically tucked black silk that finishes in a wide black silk waistband which is appliqued with black lace medallions and edged in narrow black velvet ribbon. The waistband laps slightly left of center and secures with three hook-and-eyes. The bodice is fully lined with heavily boned glazed black cotton and has figure enhancing pads sewn over the bust and underarm areas and has a black cotton petersham that hooks at center front. There are two hooks at back waist-level to connect the bodice to the skirt. The matching seven-panel gored skirt is of black silk and has a narrow waistband with center back placket opening secured with three hook-and-eyes. The rear fullness pleats into the waistband and disguises the opening. Two rear hooks at the waistline connect the skirt to the bodice. The full hem is embellished with seven horizontal rows of narrow black velvet ribbon. The hem is faced with black velvet, and there is a built-in bustle pad. There are no labels in the garment. The mourning dress originally belonged to Margaret Louise Walker (b.1840-d.1903), who lived on the Walker Plantation outside of Aberdeen. Mississippi. digital.library.unt.edu/ark:/67531/metadc30264/
Mourning Fan
Folding mourning fan. Guards and sticks of plain black wood, shaped but not adorned. The leaf is of plain black cloth. No visible labels, marks or signatures. digital.library.unt.edu/ark:/67531/metadc38050/
Mural from the Fouquet Jewellers in Paris
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The interior of the jewelry store consisted of decorative wood and bronze details including a large peacock that hung over the main jewelry cabinet. digital.library.unt.edu/ark:/67531/metadc52118/
Ocarina
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The musical instrument has a dark shiny glaze with a cartouche of flowers and gold flower and foliage embellishment around the curved edges. digital.library.unt.edu/ark:/67531/metadc47561/
Picture Hat
Picture hat of black straw. The hat has a broad brim of woven black straw with an upturned outer edge which is trimmed in black velvet. The low, domed crown is also of woven black straw, with a band of black ostrich feathers around the base of the crown. One large ostrich feather plume attached to base of crown and extends out and over the back of the brim. Inside crown is black cloth lining. Sewn inside crown is black cloth label: "Mme Georgette / 11 Rue Scribe / Paris" digital.library.unt.edu/ark:/67531/metadc402502/
Pumps
Pumps of gray suede. Shoes have a slightly rounded toe, and a wide strap across vamp to which is applied a large gray ribbon bow with central silver-colored metal rectangular buckle shape. Medium 1 3/4' high modified Louis or cuban heel. digital.library.unt.edu/ark:/67531/metadc38993/
Pumps
Pair of lady's dancing pumps of red kid leather. The shoes, designed with gently pointed toes, are of soft red fine kid leather leather with a square-ended flap at vamp/instep, and applied red satin bow at vamp. The inner sole of the shoe is a dark red quilted satin. The low heels are styled as a modified boulevard or Louis heel, with rounded sides and back, flaring to base, and straight across at front. Heels covered with matching leather. Sole of black leather at heel and tan on rest of shoe. Stamped in sole on one shoe: "2", on other: "4". digital.library.unt.edu/ark:/67531/metadc39013/
Pumps
No Description digital.library.unt.edu/ark:/67531/metadc38990/
Riding Boots
Pair of lady's riding boots of black/dark brown leather. The "high button shoes" are designed with pointed toes gently rounded at tips, the boots lace up along the back with 12 holes/hooks. Lined in white fabric. High heels are rounded at sides and back, flaring slightly to base, and curved at front. Black leather soles. Hand-written note: "3-13 / 38405 / 413" Retailer's label stamped in gilt, mostly illegible: "Portland Ore" Brand stamped in gilt: "STEPINSHU / Trade Mark / Pat. Applied" Stamped in sole: "WICHERT" digital.library.unt.edu/ark:/67531/metadc39006/
Sarangi
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The instrument appears squat as the neck and body run together. There are many strings and pegs on both the side and the front of the instrument. digital.library.unt.edu/ark:/67531/metadc47569/
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