The view is of the apartment building in the distance with some parked cars. The facade is comprised of square shapes for windows and the laminate siding. Some yellow siding detail is also visible.
The view is of the facade of one of the four apartment modules. The facade is a rich reddish brown and bright yellow with many square windows and balconies.
This work of art consists of three components, a black and white depiction of George W. Bush and John McCain with some text below. To the right of this panel is a red canvas containing more text. And, to the left of the main panel, resting against the wall on its side is a long, rectangular cartoon type piece.
"Fairies in Flight" caftan-style dress of green silk and multiple bands of trim. Front yoke is peacock feather print. Main back triangular panel is collage of appliqué in flora and fauna with fairies in flight and bluebirds. Designer's label at bottom point of exterior back panel: "Amy Zerner"
"Untitled" Caftan style dress of navy and white silk in floral motif of repeated blocks giving a trellis effect. Long, raglan style sleeves. Full length. Convertible collar. Center front opening with 3 navy, circular buttons and four loops.
Cocktail dress of blue silk taffeta with faint floral watered-silk print; floral brocade print. Round neckline; 24 non-working tiny buttons from center front neckline to waist. Puffed cap sleeves have four tucks into one tiny button just under shoulder. Neckline princess seams to seam around hips; front princess seams have inverted pleats at waist; seams in front and back from armhole to hips 1 1/2" apart into seams at hips. Skirt is below the knee in front; slight train in back. Center back zipper; 3" wide crinoline encased around hem; black lining. Designer's label at center back: "Oscar de la Renta"
Dress of ivory open-weave wool/cashmere knit with crisscrossed bands of roped metallic thread and seed beads in shades of blues and black. Trimmed with random strands of blue/green metallic threads. Long asymmetric sleeves with deep armhole; scoop neckline. Knee-length. Lined in off-white, fine wool jersey. No label in dress. Sandals of royal blue peau de soie accented with striped bands of black satin. Open-toe; 4 ½” spike heel and ankle straps with blue ribbon bow at back.
"Courage" Jacket of red silk and black doupionni silk with multiple bands of trim. Long sleeves with cutwork circles and 3" cuffs; 3/4 length. Main back pane with abstract flora and fauna with tiger appliqué and beading and attached hummingbird charm. Large patch pockets. Lined in iridescent red fabric. Designer's label at center back: "Amy Zerner"
"Peacock Priestess" caftan dress of turquoise blue net over turquoise blue and green satin with appliqué and real peacock feathers. Back with appliqué medallions.
Ensemble of pale blue silk faille. a) Dress in sheath style. Rounded, shallow neckline; sleeveless; princess seaming; knee-length. Center back zipper with eye-and-hook closure at top. Pale blue silk lining; 3 inch hem line. Designer's label at left of zipper: Bill Blass / Made in U.S.A / of Imported Fabric Three care labels at inside left waist. Size label at inside left waist: "8" b) Coat has open front with high, round neckline and wrist length tapered sleeves. Knee-length; flaring to hem. Slit pockets at waist; lined in ecru silk. Designer's label at back neckline: Bill Blass
"Empowerment" Jacket of dyed blue, purple and gray silk with multiple bands of trim on front. Long sleeves with 3" cuffs; 3/4 length. Patch pockets of fabric and trim matching sleeve cuffs. Main back panel of collage of multi-printed cottons with female figure and crescent moon. Lined in blue and black houndstooth silk jacquard with abstract paisley accents. Designer's label at center back neckline: "Amy Zerner"
Vogue American Designer Pattern #2232 by Geoffrey Been to make a loose-fitting a-line jacket with front extending to side back to create a draped silhouette, including illustrations of the finished pieces and information about sizing and construction on the back.
Evening dress of black velvet and beads and blue silk. Black velvet bodice has wide neckline. Full length blue silk skirt flares from the waist; waistline has heavy black beads that extend 1" above the waist and 3" below. Waistline darts; Long sleeves. Center back invisible zipper; black lining on bodice; blue lining on skirt.
A) Evening dress of red silk brocade with floral motif. Brown fur cuffs on ¾ sleeves. Wide neckline with a V-neckline; full length. Full skirt gathers into waistline seam; front waistline darts; slight trained lining. Center back invisible zipper. B) Contour belt of self fabric. Leather backing. Oval-shaped buckle of clear and brown heavy glass.
Evening dress of blue silk chiffon, in classical style. Asymmetrical, with one shoulder from which fabric gathers and radiates outward to the bodice. Full length, with 6" wide satin sash ties at waist. Designer's label at center back: Michael / Faircloth Client label attached to designer's label: Anne / Fay
Evening gown of pale gold metallic silk lamé with ostrich feather skirt. Halter neckline with yoke of light brown tulle and hand beaded crystals. Ruched at center front and back. Full length, dropped skirt is trimmed in beading and ostrich feathers; slightly trained. Bodice is boned with bra pads. Upper dress is lined in gold silk charmeuse; horsehair braiding at front hemline. Center back zipper closure with hook & bars on neckline. Designer's label: Michael / Faircloth
Ballgown of aqua double-sided silk duchesse satin. Full length; elbow length sleeves. V-shaped neckline; pleating in back gives bustle effect. Piping on basque waistline. Faux brown mink trim at sleeve cuffs and hemline. Center back zipper closure. Lined in silk habotai. Designer label: Michael Faircloth
Skirt of gold silk trimmed in gold and black feathers. Full length; overlaps slightly in the front; center front closure at waist by two sets of two buttons.
Cropped cardigan or bolero jacket of off-white or ecru unbleached cotton made of openwork lace with needlelace and tatting circular floral motifs Label: Oscar de la Renta, S07, 6
Hat of fine white Abaca Sinamay. Styled as a modified breton with upturned brim, the 4" high crown is gently rounded with a wide, twisted hatband of the same material. 17" across, the wide, circular brim extends out and curves out and up and is faced with artificial flowers in red, white, blue, and yellow silk. The crown is unlined with a headband of white grosgrain ribbon. Designer's label: "Ian / D" with small red rhinestone attached at upper right corner
This article examines how technology may be incorporated into an art historical research program, through a cross-disciplinary project combining the visual methodologies of the art historian with the technical tack of the geographer.
Little girl’s dress of light peach silk organza with satin stripe. High waist with douppioni silk bodice and narrow tie at back. Sleeveless with bows on shoulders. Center back zipper closure. Lined in ivory acetate; extra under layer of ivory acetate with ruffle net at hem. Designer's label: "Helena"
"Goddess of Knowledge" Jacket of blue and black windowpane silk with appliqué bands of trim. Main back panel with multicolored landscape with stars and female figure in Egyptian-inspired costume, flora and fauna. Long sleeves; 3/4 length. Two large doupionni patch pockets. Center front opening with no closure. Lined in blue green iridescent fabric. Designer's label at exterior back neckline: "Amy Zerner"
Evening dress of metallic gold polyester. Lining/inner dress of brown. Strapless; fabric on bodice drapes diagonally from left bust across waist, creating a waistline. Full-length; ruffled bottom. Center back zipper with hook-and-eye closure. "Rene Ruiz Collection"
Clutch style handbag of black patent leather with wide detachable shoulder strap of dark brown leather interwoven with gray polyester webbing and pewter lobster claw attachments. Inverted frame with pewter accents; wide flip bar closure. Lined in navy synthetic; split patch pocket. Drawstring cover of unbleached cotton muslin. Designer label: Marni Measures14” W x 6” H without handle.
Pair of woman's high-heeled sandals of multi-colored metallic leathers. Designed with rounded, open toes, the shoes have a vamp of an open-work figure 8 created by dark and light blue and violet braided leather bands. Bands of same leather extend from sides of vamp along sides of sandal to heel. Openwork heel formed of same braided leathers in inverted teardrop or petal shapes radiating from heel, and with upper band arching over the heel. Insole of metallic blue leather with inlaid teardrop shape of violet leather. 4" high heel rounded at sides and back tapers to ground and is covered with iridescent blue/great material. Designer's label stamped in silver on insole: "Fanziska Hubener" Stamped into sole: "Hubener, Fanziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 35"; "EUR / 37" and "USA / 6" Size sticker on sole: "36" Measurements: L: 21 cm. W: 8 cm. H: 15 cm. Heel: 8.5 cm, 3.5 inches
Infant's sneakers. White simulated leather uppers, the toebox and area below ankles decorated with small holes. Grommets for laces in pink, yellow, and blue. Lined in pink. Designer's label on outside of tongue: "Wee / Sports" Materials tag inside tongue: "Quality Man / Made Materials / Imported from / China Expressly / For Wee Sports" Size stamped on sole: "1"
"Infinite Spirit" robe/dress of embroidered light green silk with light green sequins and beads on front. Main back panel with appliqué collage of flora and fauna motifs, including stag and winged female figure.
This transcript is the record of an interview with photographer Adelma Benavente Garcia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Garcia discusses the projects she has worked on to preserve photographs in the Andes mountains and other parts of Peru. The transcript includes a brief introduction with a biography of Garcia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
This transcript is the record of an interview with photographer Elda Harrington about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Harrington discusses her own work in photography as well as the schools and the photography festival that she has established in Argentina. The transcript includes a brief introduction with a biography of Harrington and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
This transcript is the record of an interview with Paula Sibilia about how technology affects her work as part of a lecture series, "Women Art Technology." During the interview, Sibilia discusses her research into how technological body modifications affect the cultural, social, and philosophical aspects of the human body. The transcript includes a brief introduction with a biography of Sibilia and general information about the lecture series and the specific interview. A list of 'Suggested reading' materials is also listed at the end of the transcript.
Coat or jacket of light brown cashmere with red-brown leather accents. Long dolman kimono sleeves with very open armscyes and leather from elbow to wrist, shallow funnel neckline with leather insert at back neckline, center front opening, angled single welt pockets with leather trim at hips, slit from empire waist to hem at center back, unlined. Label: Agnona, Made in Italy
Jacket of black cotton/polyester blend twill in box style. Satin revers with large black plastic button and tailored buttonhole at base of collar; long set-in sleeves with inner knit cuffs and closure of two circular black plastic buttons with tailored buttonholes on placket of exterior hem. Two double welt satin pockets on left side and one double welt satin pocket on right side. Lined in black polyester with large "Y-3" stamped across back shoulders. Designer's label at center back neckline: "Y-3 Yohji Yamamoto Adidas"
Platform heels of lilac, red, and purple leather, and burgundy patent leather. 2 joining straps at front of red and lilac; angular zigzag cut-out around ankle with Mary Jane straps from sides of lilac leather (silver buckle on outside) and a single joining piece of burgundy patent leather across top; 1" platform of purple leather and 4" elongated heel of burgundy patent leather. Designer label: "Franziska Hübener" Measurements: L: 21 cm. W: 7 cm. H: 18 cm. Heel: 9 cm, 3.5 inches Size: BR: 36 EUR: 38 USA: 7
Pair of woman's sandals of pink and silver metallic leather, white leather, and black patent leather. Insole/sole of silver leather with pink leather inner section. Across instep is narrow band of pink, white, and black leather segments set with a single square black faceted gem mounted in silver colored metal. A second matching strap extends from insole, curves across instep, threads through a similar band, then continues around back of heel and back down to reattach to insole on same side it began. This band also set with two square faceted black gems. 3" high spike heel is thick, covered with black patent leather on sides and back and brown leather as sole on front. Designer/Maker's label stamped on insole at heel: "RODO / Since / 1956" within wreath. Impressed in sole: "RODO / [outline of hide] Vero / Cuoio / Made in Italy / 36" With applied sticker on sole showing pictograms indicating what materials make up the parts of the shoe. Measurements: L: 21 cm. W: 7.5 cm. H: 8.5 cm not including strap Heel: 8 cm, 3 inches
Pair of sandals made of deep pink leather. Two thick straps extend from sides and meet to form vamp/throat with surmounting bow. A thinner, single strap extends up and across near base of toes. Spike heel is 3" high, and covered with same pink leather. Inset black label on sole with maker's mark embroidered in silver: "Mario Valentino / Made in Italy" Molded into sole: "Mario / Valentino" Stamped into sole: Outline of a hide containing words: "Vero Cuoio / Cuir / Veritable / Leather / Leder Echt"; "Made in Italy"; "39" Measurements: Length: 23 cm. Width: 10 cm. Height: 9 cm. Heel: 7 cm. (3") high on axis with cap.
Pair of woman's pumps of iridescent gold leather. Designed with rounded, open toes, inner sides cut-away. The leather has lightly scored parallel lines over the surface, creating a striped effect. Elongated wedge-style heel 4" high. Designer's label stamped in silver on insole: "Franziska Hubener" Stamped into sole: "Hubener, Franziska"; a circle with inscription "Vero Cuoio / Hand Made Brazil"; sizes: "BR / 38"; "EUR / 40" and "USA / 9" Measurements: L: 23 cm. W: 9 cm. H: 18 cm. Heel: 9 cm, 3.5 inches
The close view of the sculpture shows the individual pieces of Delft china shards as well as the inscription, "A rose for Lilly. Frank Gehry's tribute to Lillian Disney. A gift of her grandchildren and great-grandchildren."
"Mystery School" robe of patchwork black, white and gray silk with multiple trims and sequin appliqué on front. Full length. Main back panel collage appliqué in black and white printed and textured cottons includes a small tiger, leopard and large gray tabby cat.
Pumps of light tan ostrich skin. Shoes with rounded throat on vamp and edged with stitching. Vamp and outside panels with textured nubbly ostrich leather. 3 3/8" spike heels covered in smooth ostrich leather. Inner lining of silver metallic leather. Soles of natural brown leather. Stamped in each shoe: "Giorgio / Beverly Hills". Stamped inside right shoe: "US 5 1/2 74 N69". Stamped on sole of each shoe: partly illegible leather mark; "5 1/2" 22 cm. long; 8 cm. at widest; 15cm. at highest; Heel: 8.5 cm. (3 3/8") high on axis with cap States size 5 1/2, fits a size 7.
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