This article explores how the photographs of a basketmaker, as well as photographs of other refugee artisans published in the August 1956 issue of Interior magazine, served the American State Department agenda by characterizing its subject in terms of pathos and need.
This article uses a grounded theory approach to identify three major themes--business, soft power, and whitewashing--in the US media coverage of "The Great Wall" film.
Work of art in ceramic sculpture, wood and bronze by artist Amy Wachal as part of a 2019 MFA Exhibition, entitled "Angelfish Prayers". The Sea Otter was hunted to near extinction in the 19th century. Now, thanks to their protected status under the Endangered Species Act & Marine Mammal Protection Act, sea otters are making a comeback in California, Washington, and Alaska. Proof that when people come together and fight for change, there is hope.
Work of art in crochet and Knot Wool, Wool Roving (Photo by Megan Desoto) by artist Alyssa Russell as part of a 2019 MFA Exhibition, entitled "On/Scenity".
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