UNT Libraries - 483 Matching Results

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Primary view of Clementi the Scientist: Contemporary Reception of His Symphonies
Asber, Joyce
August 2020
Primary view of Comparable Dissonance as Used by Palestrina, Lassus, and Victoria in Three Masses
Jerome, Raoul
June 1967
Primary view of A Comparative Analysis of Selected Goethe Lieder by Schubert and Wolf
Ham, Harry C.
January 1964
Primary view of A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others
Houston, Robert E.
December 1980
Primary view of A Comparative Analysis of Six Beginning String Methods
McLaughlin, John Hobert
August 1940
Primary view of A Comparative Analysis of the "Dies Irae" in Mozart's Requiem and Cherubini's Requiem in D Minor
Leong, Jeremy
August 1997
Primary view of A Comparative Analysis of the Orgelbüchlein by J.S. Bach and Choral-Vorspiele für Orgel by Max Reger
Moehlman, Carl B.
August 1963
Primary view of A Comparative Critical Analysis of Beginning Piano Methods
Hollis, Mabel Gertrude
August 1942
Primary view of Comparative First Year College Music Theory
Wheat, Margaret Anne, 1922-
August 1945
Primary view of Comparative Study of the Bel Canto Teaching Styles and their Effects on Vocal Agility
Harper, Portia
August 1996
Primary view of A Comparative Study of the Harmonic Equipment and Formal Features in the String Quartets by Claude Debussy and Maurice Ravel
Jenkins, Robert E. (Robert Eugene),1929-
August 1952
Primary view of A Comparative Study of Three Sonatas for Solo Brass Instruments and Piano by Paul Hindemith
Alley, Edward Lee
June 1957
Primary view of A Comparison of Early and Modern Musical Settings of Eleven Shakespearian Lyrics
Highsmith, Gwendolyn Conover
August 1948
Primary view of A Comparison of Formal and Structural Principles in the Concerti Grossi of Corelli's Opus VI and Vivaldi's Opus III
Hart, Euclid August
August 1968
Primary view of A Comparison of Methods for Sight-Reading Development Utilizing Collegiate Saxophonists
Campbell, Scott (Saxophonist)
May 2016
Primary view of A comparison of Petar Christoskov’s Op. 1 and Op. 24 Caprices for Solo Violin: The effect of the changing Bulgarian political climate on his compositional style
Vassileva, Veronika
May 2016
Primary view of A Comparison of the Hindemith and Schenker Concepts of Tonality
Knod, Grace E., (Grace Edith)
January 1955
Primary view of A Comparison of the Leschetizky and Whiteside Methods of Piano Technique
Wilkinson, Alice Faye
August 1965
Primary view of A Comparison of the Variation Technique Employed by Beethoven and Copland
Parrish, Mary Kay, 1940-
May 1964
Primary view of A Composite Analytical Index of Articles Appearing in Selected Periodicals, Issued Between July 1937 and June 1947: Concerning Playing Problems of Wind and String Instruments
Gray, Byron E. (Byron Earl)
August 1947
Primary view of Compositional approaches within new media paradigms
Oliveiro, Mark, 1983-
May 2016
Primary view of Compositional Devices of Willem Pijper (1894-1947) and Henk Badings (b. 1907) in Two Selected Works, Pijper's "Sonata per Flauto e Pianoforte" (1925) and Badings' "Concerto for Flute and Wind Symphony Orchestra" (1963), a Lecture Recital, Together with Three Recitals of Selected Works of Bach, Vivaldi, Dahl, Françaix, and Others
Clardy, Mary Karen
December 1980
Primary view of Computer Simulacra
Phelps, James D. (James Dee)
December 1989
Primary view of The Concert Arias of Mozart for the Bass and Tenor Voices
Smith, Charles Temple
August 1955
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