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 Degree Discipline: English
Children and Childhood in Hawthorne's Fiction

Children and Childhood in Hawthorne's Fiction

Date: August 1999
Creator: Sitz, Shirley Ann Ellis
Description: This paper explores the role of children and childhood in Nathaniel Hawthorne's fiction. Moreover, it asserts that the child and childhood are keys to a better understanding of Hawthorne's fiction.
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The Choric Element in Shakespeare's Second History Tetralogy

The Choric Element in Shakespeare's Second History Tetralogy

Date: 1958
Creator: Leath, Helen Lang
Description: This thesis is a study of the anticipatory remarks and choric comments in Richard II, Parts I and II of Henry IV, and Henry V.
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Christian Doctrine in the Plays of T. S. Eliot

Christian Doctrine in the Plays of T. S. Eliot

Date: August 1962
Creator: Short, Robert Lester
Description: The purpose of this thesis is to explore the available evidence concerning Eliot's theological beliefs--particularly as that evidence is found in his plays--in an attempt to define with as much accuracy as possible the understanding of Eliot's theology which provides the most adequate understanding of and enjoyment of Eliot's writings.
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Christian Orthodoxy in the English Novel 1930-1950

Christian Orthodoxy in the English Novel 1930-1950

Date: January 1959
Creator: Burleson, James B.
Description: This thesis discusses Christian orthodoxy in the English novel during the time period from 1930 to 1950.
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The Classical Influences in Twentieth-Century Poetry: Ezra Pound

The Classical Influences in Twentieth-Century Poetry: Ezra Pound

Date: August 1966
Creator: Green, Patricia Diane
Description: This thesis examines the contributions of Ezra Pound to the modern readers' awareness of the classics.
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Classical Mythology in the Secular Poetry of John Donne

Classical Mythology in the Secular Poetry of John Donne

Date: January 1967
Creator: Walker, Brena Bain
Description: It is the purpose of this thesis to examine the classical allusion in Donne's secular poetry to show that the body of such allusion is more extensive than is generally conceded. More important, this study will evaluate rather than merely catalogue the allusions in order to show ho Donne employs such allusion and in what way his poetic practice as to the employment of classical allusion is different from the practice of his contemporaries. It will be demonstrated that, with very few exceptions, Donne uses the standard myth or allusion as a foundation or departure point from which he then goes on to synthesize the myth and turn it into poetic material that is of special significance to his theme.
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Cleopatra: A Comparative Critique

Cleopatra: A Comparative Critique

Date: August 1968
Creator: Orcutt, Helen Jewell Smith
Description: Shakespeare's Cleopatra is a character of magnificent aspect, a puzzling paradox of magnetic intensity, an intensified diversity unmatched by any other Cleopatra in literary history. Although she was not his invention, Shakespeare made of her a living woman, believable in spite of her incredulous behavior.
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Clergymen in the Life of Samuel L. Clemens

Clergymen in the Life of Samuel L. Clemens

Date: August 1970
Creator: Coffey, Sandra Jean Williams
Description: This thesis intends to point out the religious thoughts that Clemens encountered. It will present the various religious groups with which he dealt the most and the clergymen with whom he associated both casually and intimately. It will also attempt to indicate at least one reason why he never found in religion the peace which he sought.
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Coleridge and Kant: Significant Parallels and Contrasts in Ethical and Religious Ideas

Coleridge and Kant: Significant Parallels and Contrasts in Ethical and Religious Ideas

Date: August 1969
Creator: Carr, Barbara C.
Description: One notes that Kant's philosophy became a part of Coleridge's thinking, and his devotion to its principle intensified through the years. Although Kant influenced Coleridge's aesthetics greatly, significant parallels between Kant's moral and ethical principles and Coleridge's religious doctrines are evidence of distinct influence. Particularly interesting are the views these two men had on the being and nature of God; on sin, salvation, and redemption; and on the various aspects of religion and faith.
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The Comic Element in the Novels of Thomas Wolfe

The Comic Element in the Novels of Thomas Wolfe

Date: 1957
Creator: Hanig, David Daniel
Description: As to form, Wolfe's novels are deliberately loose, because that is important to his purpose. Conceiving America as an open society of potentiality, he could do no less than remain open himself. To do otherwise would have meant impotence if not sterility. In this thesis, I shall attempt to show that the episodes, divergences, and observations all illustrate and amplify this spiritual growth.
Contributing Partner: UNT Libraries