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open access

The Light, for Two Narrators and Chamber Ensemble

Description: The Light is a twenty-four minute composition for two narrators and chamber orchestra. The two narrators perform the roles of the Apostle John and Moses. After an overview of the piece and a brief history of pieces incorporating narrators, the essay focuses on my compositional process, describing how orchestration, drama, motive, and structure work together in the piece. The Light is organized as a series of five related scenes. In the first scene, God creates light. In the second scene, God p… more
Date: May 2003
Creator: Feezell, Mark Brandon
open access

Light From Behind the Iron Curtain: Anti-Collectivist Style in Edison Denisov's Quatre Pièces pour flûte et piano, With Three Recitals of Selected Works by Bach, Beaser, Carter, Fauré, Martin, Ibert, Liebermann, and Others

Description: An examination of the compositional style illustrative of the anti-collectivist ideology as found in Edison Denisov's Quatre Pièces pour flûte et piano. Includes a short history of Denisov's formal training, history of the Soviet musical environment, an overview of his creative output, and discussion of the anti-collectivist characteristics in his works. Defines the anti-collectivist doctrine as individual reaction to the totalitarian collective of the Soviet communist state of the twentieth ce… more
Date: August 2000
Creator: Luce, Brian
open access

Lind, James Meyer the Trumpet Concertos of Anthony Plog: a Performer’s Guide

Description: Anthony Plog (b. 1947) has contributed several notable works for brass instruments. He is known for writing extremely technically challenging works that contain angular melodies, fast rhythms and a large degree of chromaticism. Though his music is difficult, it also conveys intense emotions. His music for trumpet, specifically Concerto no. 1 for Trumpet, Brass Ensemble and Percussion and Concerto no. 2 for Trumpet and Orchestra, represents a zenith in his compositional development. This dissert… more
Date: August 2012
Creator: Lind, James Meyer
open access

Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609

Description: This dissertation describes the musical and religious support of the Medici family to the Medici Chapel in Florence and the historical role of the church of San Lorenzo in the liturgical development of the period. During the later Middle Ages polyphony was allowed in the Office services only at Matins and Lauds during the Tenebrae service, the last three days of Holy Week, and at Vespers anytime. This practice continued until the end of the sixteenth century when more polyphonic motets based on… more
Date: August 1995
Creator: Kim, Hae-Jeong
open access

Live Sampling in Improvised Musical Performance: Three Approaches and a Discussion of Aesthetics

Description: Three original software programs utilizing improvisation and live sampling are presented here, along with a discussion of aesthetic issues raised by each. They are entitled Zur Elektrodynamik bewegter Musiker, Motet, and Gamepad Sampler. These programs vary in the degree of required interaction and in the kind of user control. They are each studies in imitative counterpoint through live sampling, with an approach seeking elegance before solutions. Because of the improvisational nature of these … more
Date: August 2007
Creator: Morris, Jeffrey Martin

The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others

Description: Johann Sebastian Bach's chorale preludes are varied and artistic not only in the treatment of chorale melodies, but also in the accompaniments of those chorale melodies. This study examines the accompaniments of Bach's long chorale preludes, focusing on identifying the various types and the characteristics that make them unique. This study investigates the two broad categories of accompaniments depending on whether the motives are chorale-derived or independent of the chorale. While the chora… more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: May 2006
Creator: Lim, Aesook
open access

Louis Cahuzac's Clarinet Music: an Examination of Selected Works, with Three Recitals and a Solo Performance of Selected Works by Debussy, Reinecke, Bloch, Stravinsky, Mozart and Others

Description: Louis Cahuzac was one of the most sought-after clarinetists in the first half of the twentieth century. He was also highly respected as a conductor, as a teacher, and as a composer of music for the clarinet. The selections performed and discussed in the lecture depict Cahuzac's use of simple compositional forms and procedures which blend the expressive capability of the clarinet with its technical potential.
Date: May 1995
Creator: Sanders, Raphael P.
open access

Lowell Liebermann's Concerto No. 1 for Piano and Orchestra, Opus 12: An Historical and Analytical Study

Description: Lowell Liebermann, born in New York City in 1961, is one of America's most distinguished living composers. In addition, he often conducts and performs as pianist in his own works. His musical language is unique and unmistakably rooted in the grand tradition of Western music; however, his style combines old and new, simple and complex, emotional and intellectual aspects. It combines tuneful, catchy melodies with a rich harmonic language, all framed by a strong formal design. This study begin… more
Date: May 2010
Creator: Chang, Hsiao-Ling
open access

Luciano Berio's Sequenza III: The Use of Vocal Gesture and the Genre of the Mad Scene

Description: Sequenza III was written in the mid -1960s and is widely available for study and performance, but how can this work be defined? Is it a series of sounds, or phonemes, or the anxious mutterings of a woman? Is it performance art or an operatic mad scene? Sequenza III could be all of these or something else entirely. Writing about my method of preparation will work to allay some of my own and other performer's fears about attempting this unusual repertory. Very little in this piece is actually … more
Date: August 2004
Creator: Edwards, Patti Yvonne
open access

Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works

Description: The early baroque songs, or cantatas, of Luigi Rossi (1597-1653) are largely absent from the canon of standard Italian vocal repertory utilized by young singers and voice teachers today. In this document Rossi’s composition style is considered, along with modern edition trends, within the emerging genre of Italian early baroque song. Several of Luigi Rossi’s vocal works — chosen for their simplicity, brevity, dramatic content, and suitability for a young singer — are presented in modern transcr… more
Date: August 2011
Creator: Griffiths, Sarah Abigail
open access

Mahler's Tristan, A Documentary Study of Reception

Description: Conductors are oftern associated with a specific body of work in their repertoy. Gustav Mahler's conducting repertory contained some major Wagnerian works, including Tristan und Isolde. Mahler's first performance of Tristan took place during his tenure at the Stadttheater in Hamburg (1891-1897). It remained an integral part of his repertory through his tenure at the Vienna Hofoper (1897-1907), and was one of eight works he conducted at New York's Metropolitan Opera (1907-1910). This study inclu… more
Date: August 1994
Creator: Stauffer, Kristen K.
open access

Mail Order Music: the Hinners Organ Company in the Dakotas, 1879-1936

Description: Founded in 1879 by John L. Hinners, the Hinners Organ Company developed a number of stock models of small mechanical-action instruments that were advertised throughout the Midwest. Operating without outside salesmen, the company was one of the first to conduct all of its affairs by mail, including the financial arrangements, selection of the basic design, and custom alterations where required. Buyers first met a company representative when he arrived by train to set up the crated instrument tha… more
Date: August 1997
Creator: Alcorn-Oppedahl, Allison A. (Allison Ann)
open access

Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.

Description: The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clar… more
Date: August 2007
Creator: Vázquez, Carlos Balam
open access

Marcel Mihalovici: A Critical Evaluation of His Solo and Chamber Works for Clarinet, A Lecture Recital, Together with Three Recitals of Selected Works by Bozza, Uhl, Martino, Sowerby, Kalliwoda, Bax, and Others

Description: The clarinet works of Marcel Mihalovici (1898-1985) represent significant contributions to the twentieth-century clarinet repertoire. Metric and rhythmic variability, melodic primacy, counterpoint, structural clarity, and elements of Romanian folk music permeate his writing and reflect a highly developed musical language. Mihalovici's educational background and cultural heritage provide important clues toward understanding his artistic legacy. His clarinet works are musically demanding and c… more
Date: December 2006
Creator: Evans, Garry Windel
open access

"Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage

Description: John Cage’s Concerto for Prepared Piano and Chamber Orchestra (1950-51) holds a unique position within the composer’s oeuvre as the first work based in part on chance-derived compositional procedures. Cage entered into such practice gradually, incrementally abandoning subjective taste and personal expression through the course of the work. Drawing from the philosophical framework provided by Cage’s "Lecture on Nothing" (1950) and "Lecture on Something" (c. 1951-52), this thesis explores the aes… more
Date: December 1999
Creator: Boutwell, Brett N.
open access

Mass for AILM by Geonyong Lee: The Composer and the Elements of Asian Music

Description: Geonyong Lee, the composer of Mass for AILM, is a well-known composer in Asia whose main interest lies in choral music. He has composed numerous choral works which are highly diverse in their nature. This study introduces the choral composer Geonyong Lee to the West. The significance of Geonyong Lee's Mass for AILM is the display of Asian inflection in a traditional setting of the mass ordinary. Lee's Mass for AILM employs melodic and rhythmic aspects of traditional Philippine folk songs… more
Date: May 2009
Creator: Kim, Hong Soo
open access

Matador

Description: Matador is an opera scored for orchestra, mixed chorus and soloists (mezzosoprano, 3 tenors, 2 baritones). The work is in one act divided into two main sections. Each of these sections is divided into subsections. The libretto is aphoristic in nature and dictates the form of each of these subsections. The division into two parts also serves as a means to evoke a sense of hopelessness of emotions in the first and a transforming disposition that culminates in a jubilant song in the second.
Date: May 1998
Creator: Patino, Julio
open access

The Measurement of Occupational Identity Among Undergraduate Preservice Music Teachers: a Test Development Study

Description: A large segment of society is either preparing to enter the work force, or is already engaged in some chosen line of work. Preparing to enter the work force takes a considerable amount of time and effort. The decision to follow one career path over countless others may, on the surface, appear to be discretely individual. But when viewed from a sociological perspective, occupational choices are implicitly and explicitly reached through a consensus of contributing factors. Consequently, an occupa… more
Date: August 2014
Creator: Rewolinski, Christine

Memento mori: Concert for Violoncello and Orchestra

Description: Death, as a subject, has been treated extensively throughout history, both in literature as well as in music. The focus of Memento mori is to portray the inevitability of death through music. The first part of the document is an essay exploring the topic of death, its inevitability, unpredictability and the fragility of life. This section also includes a number of examples of composer's whose works have influenced the composition of the piece. The title of the work is meant to reflect that dea… more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: December 2006
Creator: Fakhouri, Fouad K.
open access

“A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet

Description: This thesis illustrates how I hear processes of expansion organizing musical materials in the First String Quartet. By employing a flexible approach to expansion and developing models of wedge and additive expansions beyond the bounds of specific voice-leading or rhythmic augmentation procedures, expansion processes can be understood in each of the varied episodes of the quartet. Gubaidulina’s use of expansion processes, embodied organically in pitch, rhythm, form, and physical space, unifies t… more
Date: August 2012
Creator: Stroud, Cara
open access

A Mexican Postmodernist Vision Grounded on Structuralism: The Cases of Juan Trigos' Cuarteto Da Do (1988) and Victor Rasgado's Rayo Nocturnal (1989)

Description: This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mex… more
Date: May 1999
Creator: Madrid-González, Alejandro L. (Alejandro Luis)

Michael Daugherty's Red Cape Tango: A Comparative Study of the Original Version for Symphony Orchestra and its Transcription for Wind Orchestra, with Four Recitals of Selected Works by Beethoven, Dvorák, Verdi, Bartók and Daugherty

Description: Michael Daugherty has created his niche in the music world by composing works inspired by icons of American popular culture. Red Cape Tango is the final movement of his Metropolis Symphony, a work inspired by the life and times of the comic book character Superman. This movement in particular deals with the death of the superhero through the use of musical elements, most notably the Latin Sequence of the Mass for the Dead, Dies irae. Daugherty's ingenuity in blending profoundly dark subject… more
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Date: May 2002
Creator: Ortega, Arturo
open access

Michael Nyman: The Man Who Mistook His Wife for a Hat

Description: Composer Michael Nyman wrote the one-act, minimalist opera The Man Who Mistook His Wife for a Hat, based off the neurological case study written by Oliver Sacks under the same title. The opera is about a professional singer and professor whom suffers from visual agnosia. In chapter 1, the plot and history of the opera are discussed. Chapter 2 places The Man Who Mistook His Wife for a Hat alongside a selection of minimalist operas from Philip Glass and John Adams. Chapter 3 contains a history… more
Date: May 2008
Creator: Avant-Rossi, Joan
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