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  Partner: UNT Libraries
 Degree Discipline: Music
 Collection: UNT Theses and Dissertations
An Historical and Technical Analysis of the Mozart Horn Concerti

An Historical and Technical Analysis of the Mozart Horn Concerti

Date: 1950
Creator: Myers, Allen, 1925-
Description: This thesis presents an historical and technical analysis of the Mozart horn concerti.
Contributing Partner: UNT Libraries
The Horn at the Paris Conservatoire and its Morceaux de Concours to 1996

The Horn at the Paris Conservatoire and its Morceaux de Concours to 1996

Date: August 1997
Creator: Rekward, Susan J.
Description: A work concerning the history of the Paris Conservatoire and music education in France. Follows the development of the horn and its correlation with the French school of horn playing. Includes biographic information on the horn professors of the Conservatoire through 1997, as well as a comprehensive list of the morceaux de concours for horn, 1795-1996.
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The Influence of the Tongue on Vocal Production

The Influence of the Tongue on Vocal Production

Date: May 2002
Creator: Lindberg-Kransmo, Maria
Description: The purpose of this study is to assemble information needed to assess, understand and hopefully correct muscular hyperfunction that is related to tongue tension in singing and speech which inhibit freely, efficiently, and comfortably produced beautiful singing. This text will include a definition of freely produced, fully resonating tone for beautiful singing, major components of vocal technique, physiology related to singing and speech production, hyperfunctions associated with tongue tension, tongue involvement in the articulation of the four major singing languages, and will present exercises for training the muscles of coordination in a manner conducive to singing and speech.
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Italian Influences in the Corellisirende Sonaten of Telemann

Italian Influences in the Corellisirende Sonaten of Telemann

Date: May 1995
Creator: Chang, Young-Shim
Description: George Philipp Telemann is often thought of an experimenter with many nationalistic styles during the course of his career. His Corellian Sonatas demonstrate this facet of his work in their employment of Corelli's manner, and the cultivation of the Italian style. Telemann's Corellian sonatas are stylistically close to those of Corelli, and they do not appear to vary widely from the church and chamber sonatas of Corelli; Telemann fused the two sonata types in that dance elements are found in the church sonatas and the abstract elements of the church sonatas are inserted into the chamber sonatas. In addition to the amalgamation of internal elements, Telemann also experimented with the external features, such as the alternation of tempo and the four movement stereotype.
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John Playford and His Introduction to the Skill of Musick

John Playford and His Introduction to the Skill of Musick

Date: 1958
Creator: Carapetyan, Leon F.
Description: To provide a background for this study, an attempt has been made to correlate the facts known about Playford's life and work. The examination of the treatise has two main objectives: 1. to give an exposition of the material presented by Playford (which includes not only theory of music with examples, but also instructions on singing and on playing the viol and the violin, as well as a number of musical compositions); and 2. wherever possible, to discover the sources used by Playford in writing the treatise.
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Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos

Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos

Date: December 1998
Creator: Au, Siu-ming Stefan
Description: Jonah's Prayer is a choral work for solo tenor, a mixed choir of not fewer than 30 members, two pianos and a few percussion instruments to be played by choir members. The piece lasts about 13 minutes; it is a work intended for church choir use but could be performed in other venues as well.
Contributing Partner: UNT Libraries
Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.

Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.

Date: August 2007
Creator: Vázquez, Carlos Balam
Description: The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clarification of the existing score sources. An analytical and stylistic musical study using conventional theoretical techniques leads to a musicological interpretation of the work's extra-musical meaning, based on close assessments of Ponce's compositional practice and social principles.
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A Mexican Postmodernist Vision Grounded on Structuralism: the Cases of Juan Trigos' Cuarteto Da Do (1988) and Victor Rasgado's Rayo Nocturnal (1989)

A Mexican Postmodernist Vision Grounded on Structuralism: the Cases of Juan Trigos' Cuarteto Da Do (1988) and Victor Rasgado's Rayo Nocturnal (1989)

Date: May 1999
Creator: Madrid-González, Alejandro L. (Alejandro Luis)
Description: This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mexico serves to place these works in their cultural context.
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Miles Davis: The Road to Modal Jazz

Miles Davis: The Road to Modal Jazz

Date: May 2007
Creator: Camacho Bernal, Leonardo
Description: The fact that Davis changed his mind radically several times throughout his life appeals to the curiosity. This thesis considers what could be one of the most important and definitive changes: the change from hard bop to modal jazz. This shift, although gradual, is best represented by and culminates in Kind of Blue, the first Davis album based on modal style, marking a clear break from hard bop. This thesis explores the motivations and reasons behind the change, and attempt to explain why it came about. The purpose of the study is to discover the reasons for the change itself as well as the reasons for the direction of the change: Why change and why modal music?
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Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice

Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice

Date: May 2013
Creator: Sonnabaum, Mark
Description: approached previously by both Harry Partch and Ben Johnston, and proposes the decoupling of interface and sound production as a way forward. The design and implementation of a software instrument and a hardware prototype are described, both using a simple API for variable tuning instruments. The hardware prototype uses physical computing techniques to control the tuning of a string with a servo motor, while the software instrument exists entirely in a web browser. Finally, potential algorithms for clients of the API are presented, and the effectiveness of the hardware prototype is evaluated by measuring its pitch accuracy.
Contributing Partner: UNT Libraries