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Primary view of An Annotated Bibliography of Selected Repertoire for Alto Saxophone and Piano for Developing College-Level Alto Saxophonists, with an Analysis of Yvon Bourrel's Sonate Pour Alto Saxophone Et Piano
Kallestad, Scott D.
December 2005
Primary view of Anthoni van Noordt: Historical and Analytical Analysis of His Tabulatuurboeck van Psalmen en Fantasyen of 1659
Javadova-Spitzberg, Jamila
May 2008
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
Tang, Wen-Chien
August 2010
Primary view of Aphorismen, Capriccio, and Heptameron for Piano Solo By Jürg Baur: a Performer's Guide
Park, Esther
December 2012
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of The Application of Hackman and Oldham's Job Characteristic Model to Perceptions Community Music School Faculty Have Towards Their Job
Lawrence, Robert M.
August 2001
Primary view of Applications of Reductive Analytical Techniques in the Phrygian Settings of the Orgelbüchlein by J.S. Bach
Leite, Zilei de Oliveira
May 1995
Primary view of An Approach to the Analytical Study of Jung-Sun Park's Choral Work: Arirang Mass
Im, Changeun
August 2006
Primary view of An Approach to the Critical Evaluation of Settings of the Poetry of Walt Whitman: Lowell Liebermann's Symphony No. 2
Kenaston, Karen S.
May 2003
Primary view of An Argument for the Reassessment of Stravinsky's Early Serial Compositions
Hughes, Timothy Stephen
December 1995
Primary view of The Art of Recording the American Wind Band
Genevro, Bradley James
May 2006
Primary view of Art Song by Turn-of-the-Century Female Composers
Click, Sarah, D.
December 1993
Primary view of Artistic Expression in Music and Poetry
Wertz, Charles Bradley
May 2007
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of Aspects of Performance in Three Works for Piano and Tape: Larry Austin's Sonata Concertante, Thomas Clark's Peninsula, and Phil Winsor's Passages
Brandenburg, Octavia
May 1993
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2
Chou, Kwong-Yan Godwin
December 1994
Primary view of The Assimilation of Baroque Elements in Ferruccio Busoni's Compositions as Exemplified by the Fantasia nach Bach and the Toccata
Van Schalkwyk, Willem Andreas Stefanus
August 2009
Primary view of Attitudes of International Music Students from East Asia toward U.S. Higher Education Institutions
Choi, Jin Ho
May 2009
Primary view of Augeries, for Flute, Clarinet, Percussion and Tape: Aesthetic Discussion and Theoretical Analysis
Gedosh, David
May 2009
Primary view of Autographs 1928 : Four Songs for Soprano and Chamber Ensemble
Walls, Jay Alan
August 1995
Primary view of The Automatic Compensating Euphonium As the Ideal Choice for Performing Music Composed Originally for Ophicleide
Demy, Richard R.
August 2014
Primary view of The Avatar by Steve Rouse: A Performance Practice Guide
Lynn, Mark J.
August 2010
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