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Jindrich Feld's Introduzione, Toccata E Fuga Per Flauto Solo With Three Recitals of Selected Works of J.S. Bach, Mozart, Messiaen, Berio, Martinu, Persichetti, and Others

Description: The Czechoslovakian composer Jindrich Feld (b.1925) composed Introduzione, Toccata e Fuga per Flauto Solo, for the Italian flutist Roberto Frabbriciani. Feld's Introduzione is from his third style period. This work may be labeled as a synthesis of the experiments and experiences that have enabled him to create his own mature style of expression.
Date: May 1992
Creator: Derby McDermott, Dennette
open access

John Playford and His Introduction to the Skill of Musick

Description: To provide a background for this study, an attempt has been made to correlate the facts known about Playford's life and work. The examination of the treatise has two main objectives: 1. to give an exposition of the material presented by Playford (which includes not only theory of music with examples, but also instructions on singing and on playing the viol and the violin, as well as a number of musical compositions); and 2. wherever possible, to discover the sources used by Playford in writing… more
Date: 1958
Creator: Carapetyan, Leon F.
open access

Jonah's Prayer: a Composition for Solo Tenor, Mixed Chorus and Two Pianos

Description: Jonah's Prayer is a choral work for solo tenor, a mixed choir of not fewer than 30 members, two pianos and a few percussion instruments to be played by choir members. The piece lasts about 13 minutes; it is a work intended for church choir use but could be performed in other venues as well.
Date: December 1998
Creator: Au, Siu-ming Stefan
open access

The Keyboard Ricercare in the Baroque Era: Volume 1

Description: This study seeks to examine the history of the ricercare, specifically in the baroque era. In this work, all types of keyboard compositions that utilize imitative counterpoint have been examined. Late baroque fugues have been examined to determine which characteristics of the earlier ricercare remained in general use and which specific compositions contain elements causing them to resemble strongly the parent form.
Date: August 1963
Creator: Douglass, Robert S. (Robert Satterfield), 1919-
open access

Latin American Music: A Compendium of Bibliographical Aids for Teachers

Description: In this bibliography an attempt has been made to furnish references to teachers that may assist them to develop in the students: (1) an attitude of friendly interest which will help to link the Americas in mutual respect and to promote a better understanding of problems to be met; (2) to gain an understanding and appreciation of the background of South American culture of today; (3) to become familiar with the folk music as well as the concert, both vocal and instrumental.
Date: May 1944
Creator: Kee, Lillian Sullivan, 1893-
open access

Leo Sowerby's Solo Organ Compositions Based on Hymn Tunes

Description: Sowerby's compositions based on hymn tunes cover the extent of his career - from 1913 to the time of this study. There are two purposes in selecting them for study: to describe the development of Sowerby's musical style; and to show, from a study of these compositions, the various devices, forms, and techniques which are effective in this area of composition in general.
Date: June 1966
Creator: Mitchell, Margaret P.
open access

The Lieder of Beethoven: A Stylistic Analysis

Description: Beethoven is generally acknowledged to be the most important composer of the 19th century. However, many critics and musicologists dismiss Beethoven's Lieder as being of less musical value and sophistication than his more instrumentally conceived late vocal writings. The true musical sophistication of Beethoven's Lieder can be discovered by a careful study of the harmonic structure and the relationship between the vocal and the piano part in Beethoven's Lieder. In discussing Beethoven's Lieder … more
Date: August 1987
Creator: Lin, Shen-An
open access

The Life and Music of Jacques-Christophe Naudot

Description: Favorable judgment of a work of art, or of a man, usually means that the work of art, or a record of the man, will be preserved for future generations to judge for themselves. An unfavorable judgment may result in a richly deserved obscurity or an irreplaceable loss, unless favorable circumstances combine to preserve the evidence for a more perspicacious generation. One can be forgiven if he distrusts history's judgment; mistakes which have been corrected are legion (the case of J. S. Bach come… more
Date: June 1970
Creator: Underwood, T. Jervis (Troy Jervis), 1932-
open access

Looking through a Different Lens, Beyond Censorship: The American Reception of Lady Macbeth of the Mtsensk District

Description: The censorship of Lady Macbeth of the Mtsensk District is a familiar story to musicologists, but reception of the opera is not frequently mentioned. Examining the reception of a work can bring a work's relative importance into focus. In this thesis, German literary and reception theorist Hans Robert Jauss's model of the horizon of expectations is applied to reviews of American productions of Lady Macbeth. Curiosity about communism following the Great Depression in 1930s, America and American mu… more
Date: August 2017
Creator: Cassell, Holly
open access

Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices

Description: The purpose of this research is to document how Claude Debussy’s compositional style was used in Louis Vierne’s organ music in the early twentieth century. In addition, this research seeks standard nineteenth-century practices in Vierne’s music. Vierne lived at the same time as Debussy, who largely influenced his music. Nevertheless, his practices were varied on the basis of Vierne’s own musical ideas and development, which were influenced by established nineteenth-century practices. This resea… more
Date: May 2016
Creator: Lee, Hyun Kyung (Organist)
open access

Making Sense of Things

Description: Making Sense of Things is a piece composed through consideration of the relationship between music, meaning, and materiality. The piece, written for voice, flute, percussion, and live electronics, explores topics of the "sensible" and "nonsensical" in music, moving through a variety of sonic episodes that feature different notational approaches, electronic textures, technical instrumental practice, and theatrical elements in order to explore a variety of expressive possibilities while unified a… more
Date: May 2021
Creator: Fox, West
open access

The Male Falsetto

Description: The purpose of this study was to investigate the uses of the falsetto voice in training the male singer. Developing the upper voice is one of the most difficult problems facing the male singers. A most controversial approach to solving this problem is the use of the falsetto. The falsetto has been a subject of mystery among singers and vocal teachers for centuries. Some authorities have ignored it; some have denounced; others have greatly extolled this vocal enigma. Many myths and misconception… more
Date: January 1967
Creator: Coryell, Samuel E. (Samuel Eugene)
open access

Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.

Description: The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clar… more
Date: August 2007
Creator: Vázquez, Carlos Balam
open access

Mariachismo: Music, Machismo, and Mexicanidad

Description: One of the most recognized icons of Mexico is the mariachi moderno tradition, which in the global popular imaginary, is associated with nostalgic, humorous, and emotional songs of love, heartache, death, drinking, and place. Inseparably fused to tequila and the historic charro figure, mariachi moderno completes a symbolic trinity of hetero-nationalist culture, conveyed within a popular imaginary of authentic mexicanidad (Mexican-ness). For mariachis and aficionados in Mexico, performative hyper… more
Date: December 2020
Creator: Torres, José R.
open access

The Masses of Schubert

Description: The background of the mass may be considered from many angles. This present discussion concerns itself with the early development of the form. Since the mass is a Catholic rite, the Catholic viewpoint is followed in religious matters. The purposes of this paper are to provide backgrounds for the Catholic tradition of mass and for Austrian composer Franz Schubert, and to analyze the masses written by Schubert.
Date: January 1953
Creator: Johnson, Orland, 1925-1998.
open access

The Materials and Methods Employed in the Pedagogy of Woodwind Instrument Classes at the College Level

Description: It is the purpose of this thesis to present some of the material to be employed in the pedagogy of the woodwind instrument classes at the college level in order that this material may serve as a useful and beneficial guide for the students and teachers of the woodwind instrument classes. This study has been prepared in the belief that a most serious obstacle in the teaching of woodwind instrument classes is the lack of a comprehensive text dealing with the fundamentals underlying the selection … more
Date: August 1949
Creator: Hudgins, Jack William, 1927-
open access

Melismata: Musical Phansies Fitting the Court, Citie and Countrey Humours. Edition and Commentary

Description: Thomas Ravenscroft, the English composer, editor, and arranger, is known for his participation in the St. Paul's Boys' Choir, as instructor of music at Christ's Hospital School, and as a prodigy. His best-known publications are a setting of the psalter, The Whole Booke of Psalmes, and the treatise, A Brief Discourse,which is an effort to revive mensural notation. Ravenscroft's works contain many examples of popular Elizabethan music which he edited and arranged. Part II of this thesis consists … more
Date: December 1978
Creator: Roberts, Michael L.
open access

The Melodic Use of the Augmented Second in the Eighteenth Century

Description: When a particular phase of music theory is omitted from the contents of a treatise or textbook on that subject, the omission can usually be ascribed to one of two causes. Either the omitted phase is of little importance or it is not used in the music of the period on which the treatise or textbook is based. It is the purpose of this research study to discuss a particular phase of music theory that has been omitted or avoided by numerous counterpoint and theory textbook authors. The material in … more
Date: January 1952
Creator: Shipp, Clifford M. (Clifford Marion)
open access

Menotti's Use of Dramatic Impact in The Medium

Description: Whereas general conceptions of Menotti's style are available in various articles, none of the previous writings on this subject have attempted to give a detailed analysis of the techniques and devices used by Menotti in his operas. As has been stated, Menottils greatest asset as a composer of opera is his genius for employing a unique fusion of music and drama. The purpose of this study, then, is to isolate the various concepts and devices of composition used by Menotti and deduce how he has us… more
Date: August 1968
Creator: Tompkins, Jimmy
open access

Metaphor and Mimesis in an Animal Soundscape

Description: Metaphor and Mimesis in an Animal Soundscape serves as a supplementary document for two pieces of contemporary concert music; HOWL, for viola, saxophone and fixed media, and Pastorale for viola and fixed media. Both works quote the second movement of Antonio Vivaldi's violin concerto, La Primavera. This quotation is used to support a musical program which explores the larger topic of metaphor in music. In addition, both pieces play with contemporary trends in music including, but not limited to… more
Date: May 2023
Creator: Whiting, Willyn R.
open access

A Mexican Postmodernist Vision Grounded on Structuralism: The Cases of Juan Trigos' Cuarteto Da Do (1988) and Victor Rasgado's Rayo Nocturnal (1989)

Description: This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mex… more
Date: May 1999
Creator: Madrid-González, Alejandro L. (Alejandro Luis)
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