Search Results

Primary view of Accessibility and Authenticity in Julia Smith's Cynthia Parker
Buehner, Katie R.
December 2007
Primary view of Alban Berg as Liedkomponist: An Analytical Study of his Two Settings of "Schliesse mir die Augen beide," 1907 and 1925
Ray, Karen, 1951-
May 1986
Primary view of An analysis of Brahms' Quintet in B minor, op. 115, for clarinet and strings
Graham, Jack E. (Jack Eldon)
January 1968
Primary view of Anton Bruckner's Treatment of the Credo Text in His Last Three Masses
Lee, Namjai
December 1985
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's  Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of "Being" a Stickist:  A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Hodges, Jeff
May 2010
Primary view of Belle Musique and Fin' Amour: Thibaut de Champagne, Gace Brulé, and an Aristocratic Trouvére Tradition
Bly, Emily
December 2008
Primary view of Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
Beard, Cynthia C.
May 2000
Primary view of Bridging the Fantastical Gap: Dread and the Uncanny in the Score of "It Follows"
Johnson, Kinley
May 2020
Primary view of Busoni's Doktor Faust
Harrison, Charles Scott
August 1976
Primary view of Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Gavito, Cory Michael
August 2001
Primary view of The Chevalier de Saint-Georges: An Exponent of the Parisian Symphonie Concertant
Braun, Melanie
August 1982
Primary view of Clavichord Traits in Selected Late Eighteenth-Century Keyboard Pieces
Clark, Alice Ham
May 1983
Primary view of A Comparative Study of Harmonic Tension in Hindemith's Piano Sonatas and in His Theoretical Writings
Tull, Charlotte
August 1957
Primary view of A Comparison of the Use of Music in the Holy Eucharist of the Roman Catholic Church and the Sabbath Morning Service of the Jewish Synagogue in the Middle Ages
Simmons, Sandra K. (Sandra Kay)
July 1971
Primary view of Critical Reaction to Serge Koussevitzky's Programming of Contemporary Music with the Boston Symphony Orchestra 1924-1929
Morgan, Richard S. (Richard Sanborn)
August 1982
Primary view of Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics
Cooper, Amy Nicole
December 2011
Primary view of Don Gillis's Symphony No 5½: Music for the People
Morrison, Sean
May 2013
Primary view of Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister
Allen, Debra K. (Debra Kaye)
August 1982
Primary view of The Dramatic and Musical Unity of Hector Berlioz's Les Troyens
Menn, Marta C.
August 1973
Primary view of Dramatic Expression in Thirty Musical Settings of Goethe's "Der Erlkonig"
McDaniel, Mary Eileen
May 1973
Primary view of Dubuisson: A Study of His Music for Solo Bass Viol
Cheney, Stuart
December 1988
Primary view of An Edition of Verse and Solo Anthems by William Boyce
Fansler, Terry L.
August 1975
Primary view of Édouard Batiste's Symphonie militaire (1845): edition and commentary
Smialek, William
May 1976
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