UNT Libraries - 74 Matching Results

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Primary view of Accessibility and Authenticity in Julia Smith's Cynthia Parker
Buehner, Katie R.
December 2007
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
Lee, Hee Seung
December 2006
Primary view of "Being" a Stickist: A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Hodges, Jeff
May 2010
Primary view of Belle Musique and Fin' Amour: Thibaut de Champagne, Gace Brulé, and an Aristocratic Trouvére Tradition
Bly, Emily
December 2008
Primary view of Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
Beard, Cynthia C.
May 2000
Primary view of Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Ringer, Rebecca Scharlene
May 2007
Primary view of Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
Hamrick, David (David Russell)
May 1996
Primary view of Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Gavito, Cory Michael
August 2001
Primary view of Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.
West, Aaron J.
December 2008
Primary view of The Christmas Cantatas of Christoph Graupner (1683-1760): Volume 2
Schmidt, René R.
August 1992
Primary view of Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics
Cooper, Amy Nicole
December 2011
Primary view of Don Gillis's Symphony No 5½: Music for the People
Morrison, Sean
May 2013
Primary view of Educating American Audiences: Claire Reis and the Development of Modern Music Institutions, 1912-1930
Freeman, Cole
August 2013
Primary view of Eighteenth-Century French Oboes: A Comparative Study
Cleveland, Susannah, 1972-
May 2001
Primary view of Elements of Shamanic Mythology in E. T. A. Hoffman's Romantic Conception of Music
Miller, Harry A. W. (Harry Alfred Werner)
December 1993
Primary view of The Essercizii musici: A Study of the Late Baroque Sonata
Volcansek, Frederick Wallace
May 2001
Primary view of Expanded Perceptions of Identity in Benjamin Britten's Nocturne, Op. 60
Perkins, Anna Grace
May 2008
Primary view of Finding the "Indian" in Amy Beach's Theme and Variations for Flute and String Quartet, op. 80.
Burgess, Stephanie J.
December 2007
Primary view of Form and Meaning in Benjamin Britten's Sonnet Cycles
Stroeher, Vicki Pierce
August 1994
Primary view of Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony
Rober, Russell Todd
August 2003
Primary view of The Fourteen Seréstas of Heitor Villa-Lobos (1887-1959)
Sánchez, Noé
August 1999
Primary view of The Full Anthems and Services of John Blow and the Question of an English Stile Antico
King, Deborah Simpkin
August 1990
Primary view of The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams
Fledderus, France
August 1996
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