UNT Libraries - 332 Matching Results

Search Results

prev Results: 81 - 104 next
open access

Compositions in Clay and Rhythm

Description: I constructed ceramic/mixed media instruments, recorded rhythmic music composed for and played on my instruments, and prepared a slide presentation portraying my daily rituals a studio artist. I describe in this paper the process involved in creating this environment and give an interpretation of the work by answering the following questions. 1. What were the rituals that were essential to the creation of my work? 2. In what ways did the use of the different visual and audio media work together… more
Date: August 1981
Creator: Ehrich, Lisa
open access

Textile Constructions and their Affect on Personal Imagery

Description: The problem was to combine yarns and fabrics, through various textile processes, (off-loom and on-loom techniques may be incorporated), that involve a personal dimension and an aesthetic value. The specific questions to be examined were the following: 1. How are successful textural surfaces achieved? 2. What kinds of interdependence among color, surface texture, and imagery exist? 3. How foes scale affect the works? 4. In what ways are autobiographical images compatible with the processes?
Date: May 1983
Creator: Gray, Deborah Hartley
open access

Large Graphite Drawings on Gessoed Surfaces

Description: The problem for the project emerged threefold: (1) to further explore the uses of the graphite medium including the possible integration of wet media color on large surfaces, (2) to use the human figure as subject matter, and (3) to explore gessoed drawing surfaces of masonite and paper.
Date: August 1975
Creator: Aguilar, Eduardo E.
open access

Three Procedures for Creatively Joining Paper and Fabric Surfaces in Painting

Description: During the last several years, my art work has evolved around a developing concept nurtured by a fascination with timeworn relics of the past centered itself around an emotional sensibility toward deteriorating fragmentary remnants of archaeological finds and relics of ancient art, predominately pottery shards and old textiles. I was intrigued and stimulated by the feeling of age and by the beauty of these worn and irregular shapes.
Date: May 1977
Creator: Crump, Carole Huddleston
open access

A Musical/Visual Performance: "A Cat on the Piano"

Description: In the visual arts, I was interested in creating patterns with clay, glass, and metal, utilizing the visual elements (line, color, shape and texture). I arranged, rearranged, and distorted the elements until I obtained a fragmented, yet, unified pattern. My visual ideas were rhythmical (gestural) in nature with or without the direct stimulus of music. Concepts originated in my mind with symbols and sounds simultaneously.
Date: May 1983
Creator: Ang, Stephen
open access

Painting Out of Context

Description: I wanted to produce a body of work related to the problem of decontextualizing objects. By challenging the object's habitual associations, I hoped to provoke a new set of relationships for the viewer. I kept a journal of personal information, dreams and events, that might later provide imagery for and insights into the work. My goal in the endeavor was to acquire concision and complexity in imagistic language, a language in which the definite and the indeterminate would coincide very simply to … more
Date: May 1987
Creator: Hansen, Elaine
open access

Combining Clay and Light Into Sculptural Forms

Description: This problem concerns the feasibility of combining the elements of light and clay in a sculptural concept of design. The study has determined various procedures of combining the sculptural ceramic forms for the internal inplant of light sources. Specific questions posed were 1. Can the surface decoration be enhanced by external and internal lighting? 2. How does each surface quality, raku, and low-fire salt glaze differ with the interplay of light? 3. In what way may two surface qualities be ap… more
Date: August 1978
Creator: Munoz, Gilberto, Jr.
open access

Looking Through a Window

Description: Each of the pieces in this study was a single room structure which incorporated a window. The scale varied depending on whether the piece as a whole or in part was to be worn.
Date: December 1990
Creator: Greene, Melody
open access

Observation of Two-Dimensional Printed Matter Within Three-Dimensional Formats

Description: It was my intent that the formats work harmoniously with the printed matter, conceptually, aesthetically, and functionally. Specific concerns addressed were 1. How did the format contribute to a clearer understanding of the print concept? 2. How did the functional design and construction of the formats contribute to or detract from the successful unification of print and format? 3. How did the aesthetic design and construction of the formats contribute to or detract from the successful unificat… more
Date: August 1982
Creator: Procacci-Kessler, Lorraine
open access

An Investigation of Selected Decorative Ceramic Techniques and Their Relationship to Form

Description: The intent of this study was to construct a group of forty wheel-thrown vessels, comprised of four forms, in series of ten. The surface of these pots was to be enriched through the use of various materials and techniques. These included slip trailing, brushed slip, glaze and over glaze colorants. The decorative theme I pursued was based on abstract floral images. I admire both the ordered structure of plant forms and the slightly imperfect symmetry contained within their various parts. I have a… more
Date: August 1986
Creator: Olson, Dennis K.
open access

The Neutralization of the Figure Within a Controlled Environment

Description: The questions I have addressed in regard to neutralization were as follows: 1. How important was the figure to the environment? 2. How far could the figure's physical presence be reduced and still contribute to the concepts of the painting? 3. How vividly was the figure presented while still complying with the requirements to meet neutralization? 4. Did color and texture aid in neutralizing the figure, and, if so, how? 5. Did the scale of the paintings have any effect on the neutralization proc… more
Date: August 1979
Creator: Gibson, John R.
open access

Jewelry as Removable, Wearable Elements of a Larger Collage

Description: In developing the ideas for this project, one of the major questions to be addressed was how well this method of combining prints, drawings and jewelry into a single collage would contribute to expressing the themes of intimacy and secretiveness already present in the individual pieces. It seemed that surrounding the jewelry with an environment that shared and repeated the private qualities of these objects would increase the intimacy of the work.
Date: August 1986
Creator: Swann, Rebecca J.
open access

Adapting Reproduction Knowledge and Photomechanical Techniques to Serigraphy for Non-Commercial Purposes

Description: This problem is involved with attempting to answer two basic questions: (a) Can I, a commercial artist, expand and develop as an artist through screen printing and make valid aesthetic statements unrelated to client and/or product? and (b) Can knowledge of reproduction methods and photo-mechanical techniques be successfully utilized in screen printing for non-commercial purposes? Extensive notes in the form of a journal were maintained as work on the project progressed. These notes, combined wi… more
Date: December 1976
Creator: Adkins, Margie J.
open access

Wave

Description: From this investigation, I hoped to answer the following questions. 1) Was there a relationship between the apparent disorder evident at a boundary area and the wave form? 2. Was the wave configuration an archetypal motif? 3. If there was an archetypal wave form, did its presence transcend the use of a scientific medium?
Date: October 1989
Creator: Fernandes, Leslie
open access

Formulating Stains for use in 08 Temperature Salt Firing

Description: I developed twenty-three stains to use in low-temperature salt firing for my work. The stains that i made were compared to the commercially made stains to determine the similarities and differences. I felt that after much experimentation using a variety of different oxides in different amounts and calcining these amounts together in an electric kiln (heating the oxides up to about 1733 degrees Fahrenheit) that I was able to produce stable and consistent stains.
Date: August 1983
Creator: Brady, Kevin J.
open access

An Exploration of the Words and Their Significance in my Art

Description: The purpose of this project has been to consider the importance of the words in my work. The problem was to focus more clearly on the use of words and their relationship to the visual elements and content. It was hoped also that it would determine how the work is altered by these factors.
Date: May 1984
Creator: Eubank, Mary Ann
open access

A Reconstruction and a Deconstruction of the Visual Equivalents of a Personal (Myth) Language

Description: Questions that arise are: 1. How will the form and content of my current work be affected by a more implicit narrative form? 2. How will the work be affected by: a. source of imagery? b. scale of images and overall works? c. materials? d. intent? Will the intent of my current work change because of a more linear narrative format? 3. Assuming the narrative will change from one piece to another, what will be the effect of placement of images in each work and how will the placement of each work in… more
Date: August 1984
Creator: Floyd, Richard Rhodes
open access

The Synthesis of a Image Vocabulary Using Found Objects as a Primary Source for Abstraction

Description: The synthesis of mechanical/organic abstracted forms with suggestive power and specific purpose are elements i decided to continue to explore. I wished to make a more careful and systematic analysis of how something man-made could be transformed into a quasi-mechanical abstraction, perhaps a process similar to that in the Mayan art. The purpose of this project was: (1) to analyze how the shapes and forms arise in my abstract images and (2) to devise specific functions for them within the contex… more
Date: December 1983
Creator: Hayes, Lorraine J.
open access

The Exploration of the Concepts of Ambiance and Nostalgia in Mixed Media Works

Description: The question addressed in this project is as follows: How, if at all, are nostalgia and ambiance created in my work through the use of the following: 1. color 2. repeated patterns from textiles, wallpaper, and quilts 3. dimension 4. text 5. personal and nostalgic imagery 6. art deco motifs 7. fixed media/found objects. Each of these items will be discussed as it relates to each piece.
Date: August 1982
Creator: Carson, Cecile M.
open access

Interplay of Forms: Cast, Constructed, Forged as Functional Jewelry

Description: This study involves investigating the combination of delicately cast forms, domed shapes and forged silver into an aesthetic form of jewelry. The specific questions considered were as follows: 1) can the sequential interplay of forms be interrelated from initiation to completion of the study? 2) Can the techniques contrast with one another? 3) Can the scale of the forms be varied? 4) Can the three techniques of construction create body adornment? 5) Can these forms individually or in a combined… more
Date: May 1979
Creator: Johansson, Dorothy A.
open access

Gum-Bichromate Photographic Printing as Applicable to the Ceramic Process

Description: The questions answered by this investigation were as follows: 1. Will a clay surface accept multiple emulsions and multiple development processes with little or no loss of detail? 2. Can a gum-bichromate print be accomplished using a normal 35 millimeter negative in an enlarger? 3. What is the effect of different oxides and fluxes on the emulsion? and 4. What is the effect of firing on the experimental emulsions?
Date: August 1977
Creator: Glover, Tom F.
open access

An Analysis of Spontaneous and Premeditated Working Methods

Description: For my problem, I proposed to document and analyze the relationships of the spontaneous and premeditated approaches in my work. The pieces that I began during the Spring and Summer 1979 were to be my primary sources of data. Two means were used to document these works and my approaches to them. I photographed the pieces as they progressed up to and including the finished product, and a sketchbook-diary was used to compile ideas and responses.
Date: May 1980
Creator: Lowrey, Nancy K.
open access

Ikat: The Combination and Rearrangement of Simple Individual Dyed Patterns into Complex Designs

Description: Ikat is a technique used throughout the world for the surface enrichment of textiles. In Ikat, patterns are dyed into the warp, weft, or both by the use of various resists such as twine or plastic wrapped tightly around a group of yarns. The dyed yarns are then unwrapped and woven into fabric. Instead of stretching an entire warp or weft on a frame to apply resist, yarn can also be measured into small groups for tying and dyeing. These small groups of yarn can be dyed with simple patterns and l… more
Date: August 1981
Creator: Erickson, Jeanne M.
open access

The Imagery of "Man": An Analysis of Ten Paintings and Their Related Imagery

Description: The Isle of Man and Southeast Texas both display unique aspects of their geographical localities. In many ways they share similar attributes. I feel strongly that we are a product of our past and of our surroundings. So what type of imagery can be dealt with as a personal icon to link the two diverse places of my past and present?
Date: December 1990
Creator: Kennaugh, Don Michael
Back to Top of Screen