Search Results

Primary view of Eighteenth-Century French Oboes: A Comparative Study
Cleveland, Susannah, 1972-
May 2001
Primary view of American Choral Music in Late 19th  Century New Haven:  The Gounod and New Haven Oratorio Societies
Clark, R. Andrew
May 2001
Primary view of The Study of English, French, German and Italian Techniques of Singing Related to the Female Adolescent Voice
Cobb-Jordan, Amy
May 2001
Primary view of Present Absence:  A work for string quintet and live electronics
Bell, Jeffrey C.
May 2001
Primary view of Roy Harris' American Symphony - 1938:  A Perspective on Its Historical Significance and Autogenetic Elements With a Performance of a Reconstructed Modern Wind Ensemble Edition
Lamb, Brian
May 2001
Primary view of The Essercizii musici: A Study of the Late Baroque Sonata
Volcansek, Frederick Wallace
May 2001
Primary view of A Transcription of Op. 94 Morceau de Concert, by Camille Saint-Saëns For Solo Bass Trombone and Brass Ensemble
Woods, Christopher P.
May 2001
Primary view of Jules Massenet's Musical Prosody Focusing on His Eight Song Cycles And A Collection, Expressions Lyriques: A Lecture Recital, Together with Recitals of Selected Works of W. A. Mozart, F. Schubert, C. Debussy, R. Strauss, D. Argento, V. Bellini, J. Marx, W. Walton, C. Gounod, A. Scarlatti, G. Fauré, J. Rodrigo, H. Wolf, and Others
Chae, Eunhee
December 2000
Primary view of The Effects of Free Play As an Instructional Tool on the Quality of Improvisation of First, Second, and Third Grade Children
Burger, Tammie L.
December 2000
Primary view of Haiku Seasons
Smith, Steven Lyle
December 2000
Primary view of Three Voices for voices, woodwind, percussion, and string instruments
Wu, Man-Mei
December 2000
Primary view of Primary Stylistic Characteristics of Cindy McTee's Music as found in Timepiece, Ballet for Band and Finish Line
Williams, Nicholas, 1974-
May 2009
Primary view of Five Seasons: A composition for flutist and percussionist
Kim, Chol-Ho
August 2001
Primary view of Music preferences, music and non-music media use, and leisure involvement of Hong Kong adolescents.
Hui, Viny Wan-Fong
December 2001
Primary view of A Performer's Analysis of Lili Boulanger's  Clairières dans le ciel: Song Cycle for High Voice and Piano; a Lecture Recital Together with the Role of Blanche in  Dialogues of the Carmelites  by F. Poulenc and Two Recitals of Selected Works by H. Purcell, F. Schubert, S. Prokofieff, E. Chausson, W. A. Mozart, R. Schumann and G. Fauré
Williamson, Deborah
December 2001
Primary view of Selected Songs for Chamber Winds and Soprano: Rediscovering a Forgotten Repertoire of John Philip Sousa
Hemberger, Glen J.
December 2001
Primary view of Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape
Kawamoto, Hideko
December 2001
Primary view of Similarities in the Use of Dramatic Recitative Style in the Music of Claudio Monteverdi and Giuseppe Verdi, with Some Performance-Practice Issues
Mihelcic, Sonja
August 2001
Primary view of The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improvisers
Laughlin, James Edwin
August 2001
Primary view of The Songs of David Amram: A representative analysis and review of published vocal music for accompanied and unaccompanied voice
Bieritz, Gerald L.
August 2001
Primary view of Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Gavito, Cory Michael
August 2001
Primary view of The Application of Hackman and Oldham's Job Characteristic Model to Perceptions Community Music School Faculty Have Towards Their Job
Lawrence, Robert M.
August 2001
Primary view of Michael Daugherty's Red Cape Tango: A Comparative Study of the Original Version for Symphony Orchestra and its Transcription for Wind Orchestra, with Four Recitals of Selected Works by Beethoven, Dvorák, Verdi, Bartók and Daugherty
Ortega, Arturo
May 2002
Primary view of The Influence of the Tongue on Vocal Production
Lindberg-Kransmo, Maria
May 2002
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