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 Department: Department of English
The Rhetoric of Posthumanism in Four Twentieth-Century International Novels
The dissertation traces the trope of the incomplete character in four twentieth-century cosmopolitan novels that reflect European colonialism in a global context. I argue that, by creating characters sharply aware of the insufficiency of the Self and thus constantly seeking the constitutive participation of the Other, the four authors E. M. Forster, Samuel Beckett, J. M. Coetzee, and Congwen Shen all dramatize the incomplete character as an agent of postcolonial resistance to Western humanism that, tending to enforce the divide between the Self and the Other, provided the epistemological basis for the emergence of European colonialism. For example, Fielding's good-willed aspiration to forge cross-cultural friendship in A Passage to India; Murphy's dogged search for recognition of his Irish identity in Murphy; Susan's unfailing compassion to restore Friday's lost speech in Foe; and Changshun Teng, the Chinese orange-grower's warm-hearted generosity toward his customers in Long River--all these textual occasions dramatize the incomplete character's anxiety over the Other's rejection that will impair the fullness of his or her being, rendering it solitary and empty. I relate this anxiety to the theory of "posthumanism" advanced by such thinkers as Marx, Bakhtin, Sartre, and Lacan; in their texts the humanist view of the individual as an autonomous constitution has undergone a transformation marked by the emphasis on locating selfhood not in the insular and static Self but in the mutable middle space connecting the Self and the Other. digital.library.unt.edu/ark:/67531/metadc278990/
Dark Houses: Navigating Space and Negotiating Silence in the Novels of Faulkner, Warren and Morrison
Poe's "The Fall of the House of Usher," as early as 1839, reveals an uneasiness about the space of the house. Most literary scholars accept that this anxiety exists and causes some tension, since it seems antithetical to another dominant motif, that of the power of place and the home as sanctuary. My critical persona, like Poe's narrator in "The House of Usher," looks into a dark, silent tarn and shudders to see in it not only the reflection of the House of Usher, but perhaps the whole of what is "Southern" in Southern Literature. Many characters who inhabit the worlds of Southern stories also inhabit houses that, like the House of Usher, are built on the faulty foundation of an ideological system that divides the world into inside(r)/outside(r) and along numerous other binary lines. The task of constructing the self in spaces that house such ideologies poses a challenge to the characters in the works under consideration in this study, and their success in doing so is dependant on their ability to speak authentically in the language of silence and to dwell instead of to just inhabit interior spaces. In my reading of Faulkner and Warren, this ideology of division is clearly to be at fault in the collapse of houses, just as it is seen to be in the House of Usher. This emphasis is especially conspicuous in several works, beginning with Faulkner's Absalom, Absalom! and its (pre)text, "Evangeline." Warren carries the motif forward in his late novels, Flood and Meet Me in the Green Glen. I examine these works relative to spatial analysis and an aesthetic of absence, including an interpretation of silence as a mode of authentic saying. I then discuss these motifs as they are operating in Toni Morrison's Beloved, and finally take Song of Solomon as both an end and a beginning to these texts' concerns with collapsing structures of narrative and house. digital.library.unt.edu/ark:/67531/metadc2732/
Specter
This dissertation is a collection of poems preceded by a critical preface. The preface considers the major changes within the elegy from the traditional English elegy—the touchstone poems for this genre being Milton's "Lycidas," Shelley's "Adonais," and Tennyson's "In Memoriam"—to the contemporary elegy and argues that many of these changes showcase contemporary elegists' active refusal and reversal of the time-honored traditions of the form. The preface is divided into an introduction and three sections, each of which recognizes and explores one significant alteration—or reversal—to the conventions of the form as established by early English elegists. The first discusses the traditional elegiac tradition of consolation in which the speaker, after displaying a series of emotions in reaction to the death of a loved one, ultimately finds comfort in the knowledge that the deceased lives eternally in heaven. This convention is contrasted with a common contemporary rhetorical movement in which the speaker not only lacks comfort by the end of the poem, but often refuses any kind of consolation, preferring instead to continue his grief. The second recognizes and explores the traditional elegiac tradition in which the speaker, listing the virtues of the beloved, replaces the real, historical person with a symbol which represents what society has lost due to this death. This convention is contrasted against a common contemporary theme in which the speaker, in an attempt to evoke authenticity, portrays the deceased subject not as a romanticized symbol, but as a real human being. The final section discusses the definition of the traditional elegy as a reaction to the literal death of a loved one and contrasts this with the more fluid contemporary understanding of the elegy as a poem about loss—either a literal or metaphorical death—and a poem which need not display conventional aspects of mourning but rather a wide variety of responses to the problem of loss. digital.library.unt.edu/ark:/67531/metadc271896/
Revisiting the Grotesque: Poems
This thesis consists of a group of poems around a central concept: language as a physical dwelling place—a place much like what Raphael discovered in the grottoes of Rome and named "grotesque," or "grotto-esque." Using the word, "grotesque," as an example, the preface illustrates how poetry can play with the lost histories of words while still searching for new referents and associations. digital.library.unt.edu/ark:/67531/metadc278154/
Homeward Bound: Short Stories
This collection contains a preface that discusses the role of landscape and place as they are used in fiction, particularly when they are colored by the writer's own memories of home. The preface is followed by four original short stories, three of which relate to a fictional small town in Texas. "Under the Surface" involves two young boys who begin to relate thoughts of the dead body they find to their own absentee mother. "Tommy" explores a young man's memories of his recently deceased friend, as well as the gossip of a small town. "Stubborn" depicts a man's struggle after his wife has delivered an ultimatum. "Out of the Valley" is about a father and daughter questioning what it means to be normal. digital.library.unt.edu/ark:/67531/metadc271837/
Warrior Women in Early Modern Literature
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Fantasies about warrior women circulated in many forms of writing in early modern England: travel narratives such as Sir Walter Ralegh's The Discoverie of Guiana (1595) portray Amazon encounters in the New World; poems like Edmund Spenser's The Faerie Queene (1596) depict women's skill with a spear; and the plays of Shakespeare, John Fletcher, and others stage the adventurous feats of women on the battlefield. In this dissertation, I analyze the social anxieties that emerge when warrior women threaten gender hierarchies in the patriarchal society of early modern England. The battlefield has traditionally been a site for men to prove their masculinity against other men, so when male characters find themselves submitting to a sword-wielding woman, they are forced to reimagine their own masculine identities as they become the objects acted upon by women. In their experience of subjectivity, these literary warrior women often allude to the historical Queen Elizabeth I, whose reign destabilized ideas about gender and power in the period. Negative evaluations of warrior women often indicate anxiety about Elizabeth as an Amazon-like queen. Thus, portrayals of warrior women often end with a celebration of patriarchal dominance once the male characters have successfully contained the threat of the warrior woman through marriage or death. I argue that these depictions of containment indicate a common desire to maintain patriarchal superiority during and after Elizabeth's reign. digital.library.unt.edu/ark:/67531/metadc271872/
What Spins Away
What Spins Away is a novel about a man named Caleb who, in the process, of searching for a brother who has been missing for ten years, discovers that his inability to commit to a job or his primary relationships is both the result of his history with that older missing brother, and his own misconceptions about the meaning of that history. On a formal level, the novel explores the ability of traditional narrative structures to carry postmodern themes. The theme, in this case, is the struggle for a stable identity when there is no stable community against which or in relationship to an identity might be defined. digital.library.unt.edu/ark:/67531/metadc2182/
Reflections of Other/Reflections of Self
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This Thesis collection contains a critical preface and five stories. The preface, “Reflejos y Reflexiones” (translated: Images and Thoughts), addresses the issues of writing the cultural or gendered Other; these issues include methodology, literary colonialism, a dialogue between works, and creating distance through defamiliarizing the self. “Perennials” is the story of Noemi Tellez, an immigrant to the U.S. who must choose between working and taking care of her family. In “Load Bearing” Luis, the eldest child, faces his family and friends on one of his last days before moving away to college. “La Monarca” deals with Lily's, the youngest daughter, struggle to mediate a place between her friends and her family. In “Reflections in the River,” Arabela, the second youngest, faces the ghost of an unwanted pregnancy and La Llorona. “La Cocina de Su Madre” is the story of Magda, the oldest daughter, and her own teenage girl, Natalia, as they attempt to find themselves in a new town after moving a thousand miles from home. digital.library.unt.edu/ark:/67531/metadc3189/
Working Whiteness: Performing And Transgressing Cultural Identity Through Work
Early in Richard Wright's Native Son, we see Bigger and his friend Gus “playing white.” Taking on the role of “J. P. Morgan,” the two young black men give orders and act powerful, thus performing their perceived role of whiteness. This scene is more than an ironic comment on the characters' distance from the lifestyle of the J. P. Morgans of the world; their acts of whiteness are a representation of how whiteness is constructed. Such an analysis is similar to my own focus in this dissertation. I argue that whiteness is a culturally constructed identity and that work serves as a performative space for defining and transgressing whiteness. To this end, I examine work and its influence on the performance of middle class and working class whiteness, as well as how those outside the definitions of whiteness attempt to “play white,” as Bigger does. Work enables me to explore the codes of whiteness and how they are performed, understood, and transgressed by providing a locus of cultural performance. Furthermore, by looking at novels written in the early twentieth century, I am able to analyze characters at a historical moment in which work was of great import. With the labor movement at its peak, these novels, particularly those which specifically address socialism, participate in an understanding of work as a performative act more than a means to end. Within the context of this history and using the language of whiteness studies, I look at how gendered whiteness is transgressed and reinforced through the inverted job-roles of the Knapps in Dorothy Canfield's The Home-Maker, how work can cause those who possess the physical attributes of whiteness to transgress this cultural identity, as the Joads in The Grapes of Wrath demonstrate, and how the ascribed identities as non-white for Sara in The Bread Givers, Jurgis in The Jungle, and Bigger in Native Son are by far more compelling than their performative acts. digital.library.unt.edu/ark:/67531/metadc3121/
Neckbones and Sauerfowches: From Fractured Childhood in the Ghetto to Constantly Changing Womanhood in the World
A collection of five memoiristic essays arranged about themes of family, womanhood and the African-American community with a preface. Among the experiences the memoirs recount are childhood abandonment; verbal and emotional child abuse; mental illness; poverty; and social and personal change. Essays explore the lasting impact of abandonment by a father on a girl as she grows into a woman; the devastation of family turmoil and untreated mental illness; generational identity in the African-American community. One essay describes the transition from the identity-forming profession of journalism to academia. The last essay is about complicated and conflicting emotions toward patriotism and flag-waving on the part of a black woman who has lived through riots, little known police shootings of students on black campuses, and many other incidents that have divided Americans. digital.library.unt.edu/ark:/67531/metadc3113/
From Skeletons to Orchards
This thesis is a creative work that is segmented into three main phases in order to display the developing poetic growth and control in the work of Paul Andrew Thies. The first phase is titled "Skeletons and Rhinoceri." It was a phase where I focused on more classical forms of poetry, namely accentual and syllabical sonnets. This phase was greatly influenced by both Charles Baudelaire and William Butler Yeats. The second phase, titled "Clandestinies," was one in which I tried to develop a more dense form. Lord Byron and Pablo Neruda were the two main influences on my work at this time, largely in terms of imaginative exoticism and figurative energy. The third section of this thesis, titled "Graffiti in the Orchard," is an exploration of my current work as a poet. In this phase, Rainer Maria Rilke was the primary influence as I began to develop a more fluid and expressive style. digital.library.unt.edu/ark:/67531/metadc2177/
Metaphors, Myths, and Archetypes: Equal Paradigmatic Functions in Human Cognition?
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The overview of contributions to metaphor theory in Chapters 1 and 2, examined in reference to recent scholarship, suggests that the current theory of metaphor derives from long-standing traditions that regard metaphor as a crucial process of cognition. This overview calls to attention the necessity of a closer inspection of previous theories of metaphor. Chapter 3 takes initial steps in synthesizing views of domains of inquiry into cognitive processes of the human mind. It draws from cognitive models developed in linguistics and anthropology, taking into account hypotheses put forth by psychologists like Jung. It sets the stage for an analysis that intends to further understanding of how the East-West dichotomy guides, influences, and expresses cognitive processes. Although linguist George Lakoff denies the existence of a connection between metaphors, myths, and archetypes, Chapter 3 illustrates the possibility of a relationship among these phenomena. By synthesizing theoretical approaches, Chapter 3 initiates the development of a model suitable for the analysis of the East-West dichotomy as exercised in Chapter 4. As purely emergent from bodily experience, however, neither the concept of the East nor the concept of the West can be understood completely. There exist cultural experiences that may, depending on historical and social context, override bodily experience inclined to favor the East over the West because of the respective connotations of place of birth of the sun and place of death of the sun. This kind of overriding cultural meaning is based on the “typical, frequently recurring and widely shared interpretations of some object, abstract entity, or event evoked in people as a result of similar experiences. To call these meanings ‘cultural meanings' is to imply that a different interpretation is evoked in people with different characteristic experiences. As such, various interpretations of the East-West image-schema exist simultaneously in mutually exclusive or competing forms, as the analysis of Gatsby and the reversal of the values of East and West in the context of colonizing and counter-colonizing attitudes suggests. digital.library.unt.edu/ark:/67531/metadc3284/
Source Book for a Semester's Study of Language in Twelfth Grade English
While most of the current concepts about language may serve as the underlying principles of language study in all English classes, there appears to be a need in the high school curriculum for opportunity to study in concentrated manner the background and the development of the English language, as a subject of intrinsic interest and lifelong appreciation. A logical place for this type of study, offered on an elective basis, would be in one semester of the twelfth grade. Because of the scope and the depth of the study it would be considered an accelerated course. In the following chapters an attempt will be made to write a guide for such a curriculum. digital.library.unt.edu/ark:/67531/metadc131218/
North American Indian Mythology and Folklore for Secondary School Students
Through a study of North American Indian folklore and mythology, the non-Indian can at last begin to know the Indian with whom he has shared a continent and to find out something of his religion, traditions, history, humor, and tribal peculiarities. The approach to this study through motifs, already familiar to the students from other literature, offers a practical approach and one that can be adapted to classroom use, perhaps either in the study of myth, the study of literary types, the study of literature per se, or perhaps in the study of cultural differences. digital.library.unt.edu/ark:/67531/metadc131202/
Clergymen in the Life of Samuel L. Clemens
This thesis intends to point out the religious thoughts that Clemens encountered. It will present the various religious groups with which he dealt the most and the clergymen with whom he associated both casually and intimately. It will also attempt to indicate at least one reason why he never found in religion the peace which he sought. digital.library.unt.edu/ark:/67531/metadc131274/
The Personality of John Keats as Revealed in His Letters
Through a careful and thorough analysis of Keats's observations, thoughts and feelings as expressed in his letters, the reader can gain an understanding of the poet's hopes, his fears, his ambitions, his true personality. digital.library.unt.edu/ark:/67531/metadc131219/
Symbolism, Irony, and Meaning in Selected Fiction of Miguel de Unamuno y Jugo
This approach to Unamuno does not propose to deny the fact that he was a polemicist, a poet, a teacher, and a philosopher more than he was a writer of fiction or an entertainer. What is intended is to point out to the average reader in simple terms something of the general signification and method in Unamuno's attempt at the art of prose fiction--at least as it appears in translation. digital.library.unt.edu/ark:/67531/metadc131294/
The Problem of the Hero in Shakespeare's King John
This thesis is an attempt to evaluate the evidence for and against the presence of a hero in King John. As such, it is actually a search into the artistic abilities which Shakespeare exercised in this drama to determine whether he created a dramatic work of art which merits recognition for its own sake. digital.library.unt.edu/ark:/67531/metadc131259/
English Renaissance Epithalamia
The classical genre of marriage poems called epithalamia appeared in England in the late sixteenth century. The English epithalamia of the Renaissance form a closely related body of literature. This work will be a close analysis of this small body of English Renaissance poetry. digital.library.unt.edu/ark:/67531/metadc131276/
Bibliotherapy in the Junior High School
Since most teachers have little time to familiarize themselves with a variety of books, this thesis, containing annotations, is designed to acquaint them with a number of books in various areas and to give them an understanding of bibliotherapy, which is one tool of teaching that has been advanced as an aid to students for the past as well as for the future. digital.library.unt.edu/ark:/67531/metadc131224/
Some Innovations in an Oral Approach to Teaching English to Spanish-Speaking Students: Eighth Grade Level
The aim of this thesis is to suggest how some of the trends mentioned above may be incorporated into a program to help the eighth grade Spanish-speaking student in a predominately English-speaking school, to help the student who has not only given up the idea of getting an education himself, but is considered by his teachers "too late" to reach. digital.library.unt.edu/ark:/67531/metadc131233/
A Guide to the Teaching of Negro Literature in High School
This paper will be a survey of the major American Negro writers from pre-Civil War days to the present time. Background information concerning each major period will be given, along with information about each author and comments about the selections which are appropriate for classroom discussion. Teachers will also be given suggestions for presenting the material to class, as well as suggested questions and assignments. In conclusion, it will be shown how the literature presented can be fused into the eleventh grade course of study for the Fort Worth Public Schools. digital.library.unt.edu/ark:/67531/metadc131266/
Dostoyevsky and the Slavophiles
Just to what degree Dostoyevsky's thoughts paralleled those of the Slavophiles will be outlined in subsequent chapters in three major areas--Orthodoxy, Autocracy, and Nationality. Uvarov's old 1828 formula provides a simple outline in which to describe and compare the more complicated core of Dostoyevskyan and Slavophile philosophy. digital.library.unt.edu/ark:/67531/metadc131289/
The Personification of Death in Middle English Literature
This study concentrates on the personification of death in Middle English literature and examines some examples of the literature from the period. digital.library.unt.edu/ark:/67531/metadc131250/
Southern Protestantism in the Fiction of Flannery O'Connor
The main body of the thesis concerns itself with the beliefs and characteristics of Southern Protestantism as they appear in the fiction of Flannery O'Connor. digital.library.unt.edu/ark:/67531/metadc131211/
A Study of Byron's Approaches to Reality in Don Juan
Don Juan was Byron's effort to come to terms with the reality of his own environment, and he demanded the liberty to try to understand life and to present his conclusions without editorial or social oppression. It is an examination of the problem of appearance and reality; as a satire, the poem attacks appearances maintained by hypocrisy by placing them against the background of reality which is apparent to Byron. digital.library.unt.edu/ark:/67531/metadc131027/
The Role of History in Kenneth Roberts' Novels
The purpose of this thesis is to evaluate Kenneth Roberts' transmutation of American history into living literature. This examination will cover the following novels: Arundel (1929), The Lively Lady (1931), Rabble in Arms (1933), Captain Caution (1934), Northwest Passage (1937), Oliver Wiswell (1940), and Lydia Bailey (1947). digital.library.unt.edu/ark:/67531/metadc131057/
Patterns of Imagery in Henry James' The Ambassadors
This thesis explores the use of art, domestic, nature, religious and monetary imagery in the novel, The Ambassadors by Henry James. digital.library.unt.edu/ark:/67531/metadc131042/
Unhappiness in Love and Marriage in the Fiction of Anton Chekhov
This paper will examine Chekhov's attitudes toward love and marriage as revealed in his short stories. An attempt will be made to find certain themes which recur frequently and to discover the reasons for their recurrence. digital.library.unt.edu/ark:/67531/metadc131008/
Primitivism and Progress in the Fiction of George S. Perry and Fred Gipson
This thesis examines the degree of primitivism in the fiction of George Sessions Perry and Fred Gipson for the purpose of determining their respective attitudes toward the effect of modern technology on rural Central Texas. digital.library.unt.edu/ark:/67531/metadc131041/
The Concept of Leadership in Modern American War Novels
This thesis explores the topic of leadership through the war novels of: Styron and Uris, Jones, Mailer and Shaw, Cozzens, Hersey and Heller and finally, Wouk and Michener. digital.library.unt.edu/ark:/67531/metadc131039/
Homer's Asymmetrical Gods
The objective of this paper is not to be right about Homer's understanding and use of the gods in some absolute sense, but to enter the spiraling Homeric conversation as a lesser voice--to be right, given the paper's presuppositions and limitations. digital.library.unt.edu/ark:/67531/metadc131033/
Conflict of the Heath
The Return of the Native, and, to a lesser degree, Tess of the D'Urbervilles, served as the "darkling plain" upon which Hardy tried to pose and to solve his theories of the universe, its meanings and its duties toward man. The "darkling plain" in Hardy's works is represented by Egdon Heath and the country surrounding this heath. digital.library.unt.edu/ark:/67531/metadc131012/
The South in Faulkner's Novels: Myth and History
The purpose of this paper is to view Faulkner's use of history from a different perspective by examining in detail the myths and historical facts with which Faulkner dealt. First, several of the prevailing myths about the Old South and the Civil War will be examined. Second, the actual historical facts will be compared and contrasted with legendary tradition. Third, and most important, several of Faulkner's works will be examined to show how he uses both the myths and historical facts to create his own "legend" of the South. Finally, Faulkner's view of the New South will be examined. digital.library.unt.edu/ark:/67531/metadc131061/
The Poetry of Emily Dickinson and Edna St. Vincent Millay
Millay and Dickinson, born more than sixty years apart, were subject to vastly different influences and environments, although their homes were in the same geographic area. Their poetry reflects the difference of their times and their own temperament, but both wrote from a great depth and understanding of feeling and experience about subjects common to all mankind - death, love, anguish, the significance of nature. digital.library.unt.edu/ark:/67531/metadc131014/
Symbolism in Coleridge's Minor Poetry
In his minor poems, Coleridge applies symbolic techniques to embellish the poetry and satisfy his spiritual needs. His symbolism allows for a release of pent-up emotions and transmits philosophical ideas in "capsule forms" rather than in historical prose, making them relate to the poetic appeal. digital.library.unt.edu/ark:/67531/metadc131015/
Language Drift in English : Gender Loss and Semantic Change
In parallel passages from Old and Middle English and in noun cognates from Modern English, Old English, and Modern German, the most discernible elements of language drift are gender loss and word meaning change, respectively. They can be observed, discussed, and calculated to show a definite progression toward the development of Modern English. digital.library.unt.edu/ark:/67531/metadc131021/
The Shadowless Soul : Parallel Ideas of Nietzsche and Swinburne
The purpose of this paper is to point out the parallels of the ideas of Nietzsche and Swinburne with the objective of exonerating Swinburne's poetry from the charge of "intellectual thinness." digital.library.unt.edu/ark:/67531/metadc131031/
The Moral Judgments of Jane Austen
It is the purpose of this thesis to examine the relevance of Jane Austen's moral and social judgments for the twentieth century, in terms of insight into human nature and human relationships and of a realistic and penetrating treatment of the moral and social problems most vital to moiety in the 1960's. digital.library.unt.edu/ark:/67531/metadc131032/
Cleopatra: A Comparative Critique
Shakespeare's Cleopatra is a character of magnificent aspect, a puzzling paradox of magnetic intensity, an intensified diversity unmatched by any other Cleopatra in literary history. Although she was not his invention, Shakespeare made of her a living woman, believable in spite of her incredulous behavior. digital.library.unt.edu/ark:/67531/metadc131019/
The Literary Theory of Ayn Rand
The author believes that Ayn Rand presents a systematic approach to aesthetics and that her work presents an interesting and significant approach to aesthetic problems. The author will attempt to present Ayn Rand's basic aesthetic concepts that throw light on her literary theory. The author will also present her views on literary schools and of individual authors. digital.library.unt.edu/ark:/67531/metadc131049/
Phenomenology and Northrop Frye's Anatomy of Criticism
This thesis discusses the principles of phenomenology as well as the critical theory and interrelation with the Anatomy of Criticism. digital.library.unt.edu/ark:/67531/metadc131035/
Truman Capote : Evil and Innocence
Capote's themes of the innocent character who is confronted with evil and the evil character - a product of society - who tries to initiate the innocent, are brought together in In Cold Blood. digital.library.unt.edu/ark:/67531/metadc130982/
Francis Thompson as a Myth-Maker
The purpose of this paper is to establish that Francis Thompson, the English poet who lived from 1859 until 1907, is a myth-maker. In doing this, it will be necessary to define the term "myth-maker." The theme will then be developed by considering it in relation to the following topics: a brief resume of the events of his life having a direct bearing upon his mythic system, difficulties the student of his work must face, proof that he is a myth-maker of noteworthy significance, a consideration of the nature of his myth, a discussion of his most notable mythic values, and a special look at his mythic development of "The Hound of Heaven." digital.library.unt.edu/ark:/67531/metadc130936/
Katherine Anne Porter's Fiction : Man in a Falling World
This thesis argues that Katherine Anne Porter's novel, Ship of Fools, "is not a departure from the body of Porter's work which precedes it, but a culmination in theme and technical achievement." digital.library.unt.edu/ark:/67531/metadc130993/
The Solitary Dissenter : A Study of Emily Dickinson's Concept of God
The province of this paper, therefore, is to reveal Emily Dickinson's concept of God which resulted from her personal confinement and subsequent delving as a "solitary dissenter." digital.library.unt.edu/ark:/67531/metadc130991/
Richard Wilbur's Poetry: a Celebration of Reality
The celebration of reality in Richard Wilbur's poetry has significant implications for contemporary literature and for contemporary man. In literature, his celebration of reality points to the way out of the mood of despair which has influenced much of literary thought in the twentieth century. For the individual, the celebration of reality encourages man to turn from self to an appreciation for reality which makes life worthwhile. This thesis will discuss the celebration of reality that is present in Wilbur's poetry. digital.library.unt.edu/ark:/67531/metadc130918/
The Concept of the Ennobling Power of Love in Shakespeare's Love Tragedies
This study proposes to demonstrate that the Platonic doctrine of the ennobling power of love is of paramount importance in a number of Shakespeare's plays. This study has been limited to the three love tragedies because in them the ennobling power of love is a major theme, affecting both the characters and the plot structure. The plays to be studied are Romeo and Juliet, Troilus and Cressida, and Antony and Cleopatra. digital.library.unt.edu/ark:/67531/metadc130902/
Fact, Interpretation, and Theme in the Historical Novels of A. B. Guthrie, Jr.
One can compare Guthrie's fiction with a sampling of the primary source material, to determine in general his degree of historical accuracy. Then one can compare Guthrie's interpretation with the interpretations of some widely read historiographers, to determine points of agreement or divergence. Finally, Guthrie's interpretation of history can be studied in relation to the themes he develops in his fiction. digital.library.unt.edu/ark:/67531/metadc130964/
Strife, Balance, and Allegiance : The Schemata of Will in Five Novels of D. H. Lawrence
D. H. Lawrence made the final break through the mask of Victorian prudery to gain a full conception of man and his role in the universe. His principal emphasis is on the restoration of man's conception of himself as animal, an animal capable of conceptualizing, but essentially animal all the same. In attempting to restore man to the mindless state of irrational animism, Lawrence did away with the conventional idea of man as the perfection of God's created universe. Lawrence did not conceive of man as being controller of the natural universe; he thought of man as being, like Mellors in Lady Chatterly's Lover, a warden who lives within natural order. He attacks vain intellectual sophistry of the scientific, industrial society and finds man to be a brute spirit caged by the conventions of his puny reason and his self-imposed social customs. Philosophically, he changes the emphasis from being to becoming. digital.library.unt.edu/ark:/67531/metadc130994/
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