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 Degree Discipline: Music
Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice

Modern Api Design and Physical Computing Techniques in Just Intonation Performance Practice

Date: May 2013
Creator: Sonnabaum, Mark
Description: approached previously by both Harry Partch and Ben Johnston, and proposes the decoupling of interface and sound production as a way forward. The design and implementation of a software instrument and a hardware prototype are described, both using a simple API for variable tuning instruments. The hardware prototype uses physical computing techniques to control the tuning of a string with a servo motor, while the software instrument exists entirely in a web browser. Finally, potential algorithms for clients of the API are presented, and the effectiveness of the hardware prototype is evaluated by measuring its pitch accuracy.
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The Natural Learning Process and Its Implications for Trombone Pedagogy

The Natural Learning Process and Its Implications for Trombone Pedagogy

Access: Use of this item is restricted to the UNT Community.
Date: May 2012
Creator: Reider, Shane Robert
Description: This thesis considers the natural learning process as defined by Timothy Gallwey and Daniel Kohut. This learning theory is examined and applied to trombone pedagogy while also considering physiological attributes to trombone performance. a brief synopsis of the history and lineage of the trombone is considered in order to understand the current setting of the trombone medium.
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Reviewing Commercial Music Resources: a Guide for Aspiring Singers and Vocal Professionals

Reviewing Commercial Music Resources: a Guide for Aspiring Singers and Vocal Professionals

Date: May 2012
Creator: Hanlon, Susan Christina
Description: Contemporary commercial music is a broad label used to describe the styles of popular music including pop, rock, rhythm and blues, jazz, hip-hop, country and heavy metal. the vocal ability required for each of these genres varies greatly but may require the use of screaming, belting, utilizing vocal fry and growling or singing with a breathy or dark tone. Singers who wish to perform in these genres may need assistance with vocal technique to assure the longevity and the quality of their singing. Due to the rise in popularity and the accessibility of contemporary commercial music (CCM), commercial pedagogical guides and self-study manuals are abundantly available for purchase. Aspiring singers are searching for appropriate training for this genre without having an awareness of how the voice works and how to maintain good vocal hygiene. Those who seek out private instruction are often frustrated when traditional classical training techniques are offered, rather than techniques utilizing CCM styles. Because CCM pedagogy is relatively new and few pedagogues in this specialized field are well known, the self-taught singer is responsible for finding a reliable study source. Many vocal instructors and choral directors are interested in familiarizing themselves with new stylistic techniques to enhance ...
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Helen Kotas (1916-200): A Female Pioneer in Major US Orchestras

Helen Kotas (1916-200): A Female Pioneer in Major US Orchestras

Date: May 2011
Creator: Thayer, Heather Leweise
Description: Helen Kotas was an accomplished musician and teacher who helped open the door for women in major US orchestras. In 1941 the Chicago Symphony hired its first female brass musician, principal hornist Helen Kotas. With that daring move, she became a pioneer for her gender in the major orchestras of North America. Despite her many contributions to the musical community, Kotas's life has not been researched and documented. This paper looks at Helen Kotas's career as well as a glimpse at her life and personality. In addition to documenting her life, this dissertation attempts to show at least a portion of Kotas's philosophy of teaching and horn playing. She was an accomplished horn soloist and studied the literature extensively. Kotas performed in the Chicago Civic Orchestra, the Woman's Symphony Orchestra, and Leopold Stokowski's All-American Youth Orchestra. Kotas was hired by Fritz Reiner as third horn of the Pittsburgh Symphony. When Frederick Stock, conductor of the Chicago Symphony Orchestra, heard that Helen Kotas was going to Pittsburgh, he insisted that she audition for the CSO. Kotas auditioned on the Concerto for Horn by Richard Strauss and the concertmaster said, "Hire her!" She performed as principal horn with the orchestra until Artur ...
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Nihilism and the Formulation of a Philosophy of Art

Nihilism and the Formulation of a Philosophy of Art

Date: May 2011
Creator: Hernandez, Brian
Description: Nihilism is often associated with feelings of despair, hopelessness and meaningless. It is certainly true that once the implications of this philosophy become apparent that these feelings are valid. However, this reaction is merely the first stage of dealing with nihilism and stopping here fails to examine the various types of nihilism that deal specifically with knowledge, ethics, metaphysics, truth, and art. Nihilism at its base is a philosophy that recognizes the history of human thought and what it means to be and to think. My focus is the way in which a completed nihilism is in fact an emancipatory act and the implications it has for art and the artist in the 21st century.
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A Pattern Oriented Data Structure for Interactive Computer Music

A Pattern Oriented Data Structure for Interactive Computer Music

Date: May 2011
Creator: Lockhart, Adam
Description: This essay describes a pattern oriented data structure, or PODS, as a system for storing computer music data. It organizes input by sequences or patterns that recur, while extensively interlinking the data. The interlinking process emulates cognitive models, while the pattern processing draws specifically from music cognition. The project aims at creating open source external objects for the Max/MSP software environment. The computer code for this project is in the C and Objective-C computer programming languages.
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A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90

A Schenkerian Analysis of Beethoven's E Minor Piano Sonata, Opus 90

Date: May 2010
Creator: Treber, Stefan L.
Description: This thesis examines the history and origins of Beethoven's E minor Piano Sonata and examines the possibility of the programmatic conception of the work. Dedicated to Beethoven's friend Count Moritz Lichnowsky, the sonata may have been inspired by the Count's illicit affair with his future wife, the singer and actress Josefa Stummer. Providing a thorough Schenkerian analysis of both movements, the inner harmonic structure of the composition is revealed and explained. The author also investigates and details the unpublished original analyses of the composition by Heinrich Schenker, Erika Elias, and Hans Weisse. Both English and German language sources are incorporated into a comprehensive examination of Beethoven's Piano Sonata, op. 90.
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Something About Marybell

Something About Marybell

Date: May 2008
Creator: Yonemaru, Tomoko
Description: Something About Marybell is a children's book with audio compact disk, in which I combined three art forms: storytelling, illustrating, and music composition. The nature of the story reflects my love of animals, which has been the essence of all my previous works as well. Beyond the technical matters I practiced and obstacles I encountered while working on each of the aforementioned art forms, the most important point I discovered was that all three were consistently interrelated, and I never could develop one medium without considering the others. Working on this project also was a journey to trace my major influences in different subjects. My drawing style is influenced by cartoons and animation films, which are now considered significant artistic styles in Japanese subculture. My music composition reflects a broad influence from many composers' works working in a variety of genres, especially piano works, of all eras. There are two specific works I studied as model works for this project: Poulenc's L'Histoire de Babar le petit éléphant (The Story of Babar the Little Elephant) and Prokofiev's Peter and the Wolf. It was a challenge to blend one stylistic approach into another to accurately realize my musical conception.
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Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.

Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.

Date: August 2007
Creator: Vázquez, Carlos Balam
Description: The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clarification of the existing score sources. An analytical and stylistic musical study using conventional theoretical techniques leads to a musicological interpretation of the work's extra-musical meaning, based on close assessments of Ponce's compositional practice and social principles.
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Artistic Expression in Music and Poetry

Artistic Expression in Music and Poetry

Date: May 2007
Creator: Wertz, Charles Bradley
Description: This paper delineates meaningful relationships of passions, emotions, feelings, affections, nuances and aural perceptions of expressions and utterances, for understanding human artistic possibilities historically and contemporarily in the fraternal arts of music and poetry, with reference to sounds, silences, sequences, rhythms, rhymes, repetitions, retards, accelerations, tempos, harmonies, melodies, forms, etc., in four poetic and three musical compositions uniquely created by its author.
Contributing Partner: UNT Libraries
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