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 Language: Spanish
El Teatro Dominicano: Instrumento Político y voz de una Identidad

El Teatro Dominicano: Instrumento Político y voz de una Identidad

Date: May 2016
Creator: Curiel, Sandra Y
Description: Throughout the history of the Dominican Republic, theater has played an instrumental role in the cultural life its people, one which transcends purely artistic and cultural dimensions extending its influence into the political and social fabric of the nation. In spite of Spanish colonization and later Haitian occupation, a nascent national identity began forming early on. The staging of certain plays exposed latent conflicts and revealed sectorial, class interests. Theater provided a means of expression for popular sentiments, thus revealing an urge by the people to manifest their concerns, usually under the heavy weight of censorship. This thesis focuses on key moments of the first 140 years of Dominican Republic theater. It is organized into three chapters: "Historical Antecedents", "Theater of the Dictatorship" and "Theater of the Post-Dictatorship." The first chapter deals with the struggle for independence through 1844; the next focuses on the theatrical plays and political climate of bloody Rafael Leonidas Trujillo dictatorship which spanned from 1930 to his assassination in 1961, and the third presents the theater that appeared in the subsequent years of the equally repressive Joaquin Balaguer presidency (1966-1978). The analysis of these key historical moments, in conjunction with the dramaturgy of playwrights such as ...
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El Cine De Terror Español Como Espejo De La Cultura Española

El Cine De Terror Español Como Espejo De La Cultura Española

Access: Use of this item is restricted to the UNT Community.
Date: May 2014
Creator: Donahue, Tyler
Description: This study traces the history and culture of Spain as seen through the lens of the nation´s production of horror cinema. Starting from the boom of Spanish horror film in the early 1960s, the thesis compares and contrasts the political and social aspects of Spanish society throughout three distinct eras of the 20th century: 1962 – 1975 (the boom of Spanish horror film through the Franco dictatorship), 1975 – 1999 (the transition to democracy through the end of the 20th century) and 2000 – present (the 21st century). Movies as diverse as Gritos en la noche (1962, Jesús Franco), ¿Quién puede matar a un niño? (1976, Narciso Ibáñez Serrador) and Angustia (1987, Bigas Luna) are framed by culturally-related anectodes as well as correlations to their respective social environments. Special attention has been paid to the production and release of each film, especially in regards to censorship during the Franco dictatorship. The results show that Spanish horror cinema has acted as a true mirror to culture, society and politics in its native country throughout the 20th century and that this trend will likely extend in to the future.
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Data Annex to the United Nations Truth Commission on the civil war in El Salvador from 1979--1991 (digitized text)

Data Annex to the United Nations Truth Commission on the civil war in El Salvador from 1979--1991 (digitized text)

Date: October 2012
Creator: Mason, T. David; Hamner, Jesse & Phillips, Mark Edward
Description: This dataset contains statistical information transcribed from the supplementary documentation of a United Nations (UN) report compiled by The Commission on the Truth for El Salvador (La Comision de la Verdad para El Salvador). It includes information about approximately 20,000 civilian/noncombatant victims of the civil war in El Salvador (from 1979 to 1991) taken from interviews of those who survived or knew/knew of those who were victims.
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The International Summit on Indigenous Environmental Philosophy 2010

The International Summit on Indigenous Environmental Philosophy 2010

Date: 2012
Creator: unknown
Description: This website contains information about the International Summit on Indigenous Environmental Philosophy 2010, celebrated in Redstone, Oklahoma and in the Dallas area in Texas. The International Summit on Indigenous Environmental Philosophy provided a forum for Indigenous thinkers from around the world to gather in a retreat setting to discuss how Indigenous Environmental Philosophy is distinct from Western Environmental Philosophy. The summit produced a consensus statement called the "Redstone Statement" and a statement of support from the Indigenous Youth of Redstone.
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El Pensamiento de José Martí tergiversado como Ideología Política y de Lucha por la Revolución Cubana

El Pensamiento de José Martí tergiversado como Ideología Política y de Lucha por la Revolución Cubana

Date: December 2011
Creator: Hidalgo, Ángel L.
Description: The political ideologies that Martí envisioned of an America free from the inherited yoke of European ideals were taken by Fidel Castro as an anti-imperialist discourse. Therefore, Marti’s political vision on the power that the United States began to carry out at the end of the 19th century and the beginning of the 20th century was an excellent strategy to establish the anti-imperialist character of the Cuban revolution. Since 1961, Castro set Martí as the face of his Marxist-Leninist ideology to institute his anti-American philosophy; Castro created a myth of Marti’s persona, and converted him into the bastion of his political ideology. As a result, Castro distorted the revolutionary ideas of Marti’s. Castro proposed his ideas out of context and portrayed the incorrect idea of this great thinker and poet. Martí’s human ethic and love for the independence of Cuba placed Martí as a liberator of revolutionary and progressive ideas of his generation. Martí was not thought as a dictator and never was a man who lacked democratic values. The expressed analytical assimilation of Martí on his sociopolitical and economic juncture that was presented in America and Cuba was used to trace the political anti-imperialist propaganda by the dictatorial regime ...
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La Tradición Erótica Y La Vanguardia En La Poesía De Ernestina De Champourcín

La Tradición Erótica Y La Vanguardia En La Poesía De Ernestina De Champourcín

Date: December 2011
Creator: Lazarus, Mirta L.
Description: The unfolding of eroticism always has been controlled socially; its expression forbidden for the women and accepted for the men. Ernestina de Champourcín’s poetry is an example of the presence of eroticism and the Avant-Garde in Spanish poetry. Champourcín becomes a member of the Generation of ‘27 after appearing in the prologue of Gerardo Diego’s anthology, Poesía Española Contemporßnea (1934). According to this thesis, the shortage of studies on her work is due to her exile, not to the Spanish Civil War. The exposition celebrates the life and work of Champourcín and studies the relationship between the Avant-Garde and sensuality in her poetry and in poems of Pedro Salinas and Vicente Aleixandre. It compares their individual handling of the Avant-Garde, the sexual act, and love, and concludes that Champourcín’s poetry is as Avant-Garde and erotic as the works of her companions of the Generation of ‘27.
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Spanish Migration in Contemporary Spanish Literature and Film

Spanish Migration in Contemporary Spanish Literature and Film

Date: August 2011
Creator: Arzac, Sergio
Description: Spain underwent drastic social and political changes in the last decades of the twentieth century which also affected the nation’s patterns of emigration. Contemporary Spanish literature and film that portray these decades reflect the country’s fluctuating characteristics of migration. ¡Vente a Alemania, Pepe! (1971) by Pedro Lazaga, Coto vedado (1985) by Juan Goytisolo, El hijo del acordeonista (2003) by Bernardo Atxaga, and Yoyes (2000) by Helena Taberna demonstrate Spain’s migration trends during the last years of Franco’s dictatorship and the transition to democracy. The nation’s highly increased socioeconomic development in the 1970s and 1980s which eventually led to a first-world status also affected emigration, which can be seen in Carlota Fainberg (1999) by Antonio Muñoz Molina, Kasbah (2000) by Mariano Barroso, Restos de carmine (1999) by Juan Madrid, and Map of the Sounds of Tokyo (2009) by Isabel Coixet.
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El ékfrasis en la Poesía De Manual Machado

El ékfrasis en la Poesía De Manual Machado

Date: May 2011
Creator: Carrillo, Yolanda
Description: Manuel Machado is known as one of the most innovative Spanish modernist poets of the twentieth century. Despite his recognition as a literary figure in Spain, the mimetic descriptions in Machado's poetics are interpreted as mere innovations in Spanish poetry. Those mimetic descriptions are examples of ekphrasis in Spanish literature. Ekphrasis is both a literary and representational art. The mimetic dimension in Machado's poetry is ignored or misinterpreted by the critics of his poetics. This study written in Spanish investigates the use of ekphrasis in terms of Machado's poetic style. An analysis of Manuel Machado's ekphrastic poems will determine: ekphrastic poetry is a representational art; how visual and acoustic aspects of Machado's poems create enargeia; and the manifestation of ekphrasis in Spanish verse. In using Machado's poems, this project will contribute to future explorations of ekphrasis in Spanish literature.
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Processing Instruction and Teaching Proficiency Through Reading and Storytelling: A Study of Input in the Second Language Classroom

Processing Instruction and Teaching Proficiency Through Reading and Storytelling: A Study of Input in the Second Language Classroom

Date: May 2011
Creator: Foster, Sarah Jenne
Description: This paper reports a study of VanPatten's processing instruction (PI) and Ray's TPRS. High school students in a beginning Spanish course were divided into three groups (PI, TPRS, and control) and instructed in forms using the Spanish verb gustar. Treatment included sentence-level and discourse-level input, and tests included interpretation and production measures in a pretest, an immediate posttest, and a delayed posttest given two and a half months following treatment. The PI group made the greatest gains in production measures and in a grammaticality judgment test, and the TPRS group made the greatest gains in written fluency. The PI group's statistical gains in production measures held through the delayed posttest.
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JAC: A Journal of Composition Theory, Volume 18, Number 1, 1998

JAC: A Journal of Composition Theory, Volume 18, Number 1, 1998

Date: 1998
Creator: Association of Teachers of Advanced Composition (U.S.)
Description: JAC: A Journal of Composition Theory contains a collection of papers regarding writing and rhetoric: "The JAC is a forum for theory, research and pedagogy regarding (1) those writing courses beyond the freshman courses, excluding technical and creative writing, (2) writing in courses which are not themselves writing courses, particularly in the liberal arts and sciences, and (3) work in theory, research or pedagogy which is advanced or progressive and will shed light on the field as a whole while at the same time providing insights for advanced composition" (volume 1, number 1).
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Informe de la Comision de la Verdad Para El Salvador: Anexos, Tomo 2

Informe de la Comision de la Verdad Para El Salvador: Anexos, Tomo 2

Date: 1993
Creator: La Comision de la Verdad para El Salvador
Description: Second annex published as part of the United Nations (UN) report from The Commission on the Truth for El Salvador (La Comision de la Verdad para El Salvador). This section includes supplementary documentation of the Commission's work: statistical analysis of testimony received, lists of victims, lists of disappeared persons, a list of members of the armed forces who were killed, and a list of members of the Frente Farabundo Martí para la Liberación Nacional (FMLN) who were killed.
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La violencia en el Teatro de Guillén de Castro

La violencia en el Teatro de Guillén de Castro

Date: August 1979
Creator: Gibson, Sue L.
Description: This analysis, written in Spanish, compares the use of violence in four of Castro's dramas with its use in their sources and in the works of other Golden Age authors. Chapter II investigates the manner in which the plays based on Greek myths compare with the original stories and with the ancient Classical theater. Each of the four following chapters compares one of Castro's plays to contemporary works with the same plot. The conclusion indicates that Castro's plays do not show an extraordinary use of violence. In some instances Castro demonstrates more restraint than the other dramatists. Thus, Castro, as a typical author of his epoch, does not deserve his reputation for writing excessively violent works.
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El amor como fuerza motivadora en la vida y obra poética y dramática de Gertrudis Gómez de Avellaneda

El amor como fuerza motivadora en la vida y obra poética y dramática de Gertrudis Gómez de Avellaneda

Date: May 1977
Creator: Milián, Marta Lucrecia
Description: This thesis presents a study of events in the life of Gertrudis Gómez de Avellaneda, a lyric poetess and dramatist during the Romantic period, as motivating forces in her literary career. As might be expected in the case of a true representative of the Romantic period, Avellaneda's passions and personal life are reflected in all of her works. She uses human and divine love as the main themes throughout all of her literary production, especially in her lyric poetry and the four tragedies chosen for this study: Munio Alfonso (1844), El Príncipe de Viana (1844), Saúl (1849), and Baltasar (1858).
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Motivos Estructurales y Temporales en la Obra de Alejo Carpentier

Motivos Estructurales y Temporales en la Obra de Alejo Carpentier

Date: August 1976
Creator: Flores, Ayda Milian
Description: Este estudio propone hacer un ensayo dando énfasis los motivos temporales y estructurales en las obras Los pasos perdios (1946) y Guerra del tiepo (1958) de Alejo Carpenter, gran novelista y cuentista cubano del momento. Carpenter obliga al lector a notar nuevos conceptos sobre el tiempo y a aceptar nuevas definiciones y dimensiones mas amplias, libre de todas las restricciones tradicionales. Mediante la deformación del tiempo en todo aspecto concebible (vuelto al revés, transpuesto del lugar normal, invertido, fragmentado, o torcido en una manera que es ilógica e inexplicable), Carpentier utiliza los medios temporales en su narrativa de varias maneras: el tiempo circular, el tiempo regresivo, el tiempo histórico, el tiempo interiorizado, o el tiempo atemporal, que son los principales aspectos analizados en esta tesis.
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La Temática Poética de Julián del Casal

La Temática Poética de Julián del Casal

Date: August 1976
Creator: Pijuán, Roberto B.
Description: This thesis studies three of the most significant themes in the poetry of the Cuban Modernist, Julian del Casal. The poet's morbid fascination with death is characterized by an inability to adapt to his life environment, boredom, a strong self-destructive drive, and the concept of death as the ultimate joy and refuge. He reflects the Modernist aesthetic code in his cult of plastic and lyric beauty. An escapist, he sought refuge in an ideal world of perfection and elegance. This unobtainable goal resulted in deep melancholia and despair. The theme of love reflects a complete absence of passion and eroticism. The poet's categorical rejection of woman as a sensual object is accompanied by subtle insinuations concerning his own physical impotence and inability to love.
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Los "Pasos" de Lope de Rueda

Los "Pasos" de Lope de Rueda

Date: May 1976
Creator: Garza, Nellie
Description: This study presents a biographical sketch of the author, a historical background of his period, an overview of his known works, an investigation of the definition and literary criticism of the "pasos," and summaries of and critical commentaries on the twenty-four known "pasos" of the Spanish dramatist whose work is considered to have significantly influenced the evolution of the Spanish theatre. The "pasos," brief comical dramatizations of realistic situations, involving diverse types of common people, reflecting witty and charming humor, are written in a prose style considered by critics to be equal to that of Cervantes and Rojas. The sources of investigation have been two volumes of his known works by the Real Academia Espanola, an edition of Pasos completos, literary histories, and several articles.
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Clarin's View of Society

Clarin's View of Society

Date: August 1975
Creator: Norwood, Carole Gene Knowles
Description: This thesis is a study of social criticism in the works of Leopoldo Alas ("Clarín"), a nineteenth century Spanish novelist, literary critic and short story writer. In Clarín's two major novels, "La Regenta" and "Su único hijo," and in his numerous short stories there is frequent criticism of the abuses of the clergy, the state of Spanish morality, the misunderstanding and misapplication of religion by the laity, the quality of education, literature, theater and medicine, the corruption of law and government and the treatment to which the poor and uneducated were subjected. Because of Clarín's techniques it can be said that he was the leader of the naturalistic movement in Spain. It can also be said that Clarín as a naturalist did not follow the tenets of the French school.
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Los medios de comunicación y transporte en la novela picaresca del Siglo de Oro

Los medios de comunicación y transporte en la novela picaresca del Siglo de Oro

Date: May 1975
Creator: Menchaca, Juan
Description: The problem with which this study is concerned is that of demonstrating the importance of communication and travel in the Siglo de Oro as seen in selected picaresque novels. This study is divided into five chapters. The introductory chapter includes a literary and chronological history of the period and, in the interest of clarity, a plot summary of the selected picaresque novels. The second, third and fourth chapters discuss the various means of urban, rural and maritime communication and travel. The concluding chapter summarizes the study and asserts that communication and travel were of utmost importance during the Siglo LeQ ro and that the picaresque novel, describing faithfully the society that produced it, is a valuable data source for research of this kind.
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La Novela Española Bizantina

La Novela Española Bizantina

Date: December 1974
Creator: De León Rodríguez, María Elda
Description: This is a study of the Byzantine novel or Milesian tale in Spain during the 17th century. It contains a brief comment about the origin of this literary mode and the significance of the two adjectives Byzantine and Milesian. Two novels of the Hellenistic originators of this form are discussed. Four Spanish Byzantine novels are considered in chronological order, with summaries and analyses, with particular attention to their similarity to or modification of the prototypes. It is concluded that this particular aspect of 17th century Spanish fiction is a deliberate imitation of the Hellenistic models, modified by the Spanish authors by the addition of original and contemporary ideas. No longer a popular genre, the Byzantine novel made a significant contribution to the development of the modern Spanish novel.
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La sátira social de Mesonero Romanos y Larra

La sátira social de Mesonero Romanos y Larra

Date: December 1973
Creator: Rosello, Carlos G.
Description: A study of the literary techniques used by Mariano José de Larra and Ramón de Mesonero Romanos.
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Las Dos Fases Ideológicas en la Novela de Palacio Valdés

Las Dos Fases Ideológicas en la Novela de Palacio Valdés

Date: August 1972
Creator: Rodriguez, Aurora C.
Description: This thesis looks at the two idological phases of Armando Palacio Valdés' writings as manifested in his novels.
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Realism e Idealismo en los Personajes Dramáticos de García Lorca

Realism e Idealismo en los Personajes Dramáticos de García Lorca

Date: August 1972
Creator: McMurray, Marilyn K.
Description: The purpose of this investigation is to characterize the dramatic characters of Federico García Lorca as realists or idealists. Lorca wrote a total of fifteen plays, and the majority of them are considered in this study. Additional source materials include the works of such critics as J. Alberich, María Teresa Babín, Alfredo de la Guardia, and Francisco Umbral.
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El Desarrollo de los Caracteres Anormales en las Obras de Emilia Pardo Bazán

El Desarrollo de los Caracteres Anormales en las Obras de Emilia Pardo Bazán

Date: November 1971
Creator: Hudgins, Ida Marie
Description: The purpose of this investigation is to determine the change in characterization that takes place in the works of Emilia Pardo Bazán. Source material include the writings of such critics of Spanish literature as Richard Chandler, Kessel Schwartz, Emiliano Díez-Echarri, José M. Roca Franquesa, Federico C. Saínz de Robles, and José A. Balseiro. Emilia Pardo Bazán wrote a total of twenty novels. From this collection ten were selected which best exemplify the change in characterization in her writings.
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El Arte Hiperólico de Gabriel García Márquez

El Arte Hiperólico de Gabriel García Márquez

Date: August 1971
Creator: Pérez Estrada, Carlos
Description: This thesis examines the fiction of the Columbian author Gabriel García Márquez, and focuses on hyperbole as a fundamental characteristic of Márquez's fiction. There is special interest in three aspects of his work: setting, people, and themes.
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