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open access

The Religious and Political Reasons for the Changes in Anglican Vestments Between the Seventeenth and Nineteenth Centuries

Description: This study investigates the liturgical attire of the Church of England from the seventeenth through the nineteenth century, by studying the major Anglican vestments, observing modifications and omissions in the garments and their uses, and researching the reasons for any changes. Using the various Anglican Prayer Books and the monarchial time periods as a guide, the progressive usages and styles of English liturgical attire are traced chronologically within the political, social and religious e… more
Date: August 1989
Creator: Albright, Andrea S.
open access

The Visual Arts Philosophy of Roman Catholicism as Manifested in the Works of Four Commissioned Artists Completed for the 1987 Sanctuary of St. Rita's Catholic Church

Description: This thesis investigates how the visual arts philosophy promulgated in the 1960s by the Second Vatican Council of Roman Catholic Churches is manifested by commissioned artists for a particular parish. The primary data were the new sanctuary and the artworks, which include stained glass by Lyle Novinski, a carved-glass Marian Shrine by Claire Wing, bronze Stations of the Cross by Heri Bartscht, and wooden medallions depicting two saints carved by Don Schol. This paper reviews pertinent ecclesias… more
Date: August 1989
Creator: Siber, Elizabeth G. (Elizabeth Gaye)
open access

Visual Literacy in Computer Culture: Reading, Writing, and Drawing Logo Turtle Graphics

Description: This study seeks to explore relationships between Logo turtle graphics and visual literacy by addressing two related questions: (a) can traditional visual literacy concepts, as found in the published literature, be synthesized in terms of Logo turtle graphics, and (b) do the literature and "hands-on" experience with turtle graphics indicate that visual competencies are pertinent to graphics-based electronic communications in computer culture? The findings of this research illustrate that Logo t… more
Date: August 1989
Creator: Horn, Carin E.
open access

The Search for Meaning Through the Visually Analogous

Description: In my Problem in Lieu of Thesis I explored the use of analogy in my work. I searched for ways to heighten the difference or distance between the imagery within an analogous relationship and yet maintain meaningful similarities or relationships. An analogy, for the purpose of this paper is defined as the following: "a similarity or likeness between things in some circumstances or effects, when the things are otherwise entirely different."
Date: May 1989
Creator: Hudson, Jimmie Lynn Paroline
open access

Encounters: Traditional Oriental Theme Paintings with Western Influences

Description: My proposal involved gathering and analyzing both visual and written information. The following steps were specifically considered: 1. Exhibition catalogues and related information on Robert Rauschenberg and Zao Wou-Ki were reviewed. Those artists deal with cross-cultural ideas in their work. 2. A sketchbook and an artistic journal were kept, as well as a record of my creative processes. 3. A body of work was done in a consistent matter. I employed a spontaneous/intuitive strategy in my creativ… more
Date: December 1988
Creator: Lou, Shutse
open access

An Investigation of the Relationship Between Form and Function in Ceramic Dinnerware

Description: The problem I proposed to explore involved the evaluative process of finished dinnerware. For the problem I made three sets of dinnerware in three different patterns. Based on this work I asked the following three questions. 1. How do the different forms within each series visually relate to one another? 2. What qualities make this work visually successful? 3. What qualities enable these pieces to function well?
Date: December 1988
Creator: Grovesteen, Rachel R.
open access

An Investigation Into the Use of the Computer as a Design Tool in the Creation of Modular Sculpture

Description: The idea of using the computer as a design tool seemed ideal for my sculpture. The simplicity of my sculptures and their repeating elements are easily rendered by computer technology. The computer allowed me to perceive my designs accurately from different perspectives. My hand-rendered designs, by contrast, were difficult to read, especially from multiple views. The computer sharpened my designs, while showing me the different views in less time. Although the designs were computer assisted, I … more
Date: August 1988
Creator: Kent, Carolyn E.
open access

Connections

Description: In my problem-in-lieu-of-thesis, I investigated the connections formed between images which refer to disorder and those which connote imposed order; therefore, I pursued the following questions: 1. What connotations did each of the images have for me? 2. How was each image affected by taking it out of one context and placing it in a new one? 3. What relationships formed between images thus juxtaposed?
Date: May 1988
Creator: Miller, David
open access

Dimensional Alteration of Structure in Communicating Artist's Intent

Description: This study involves an investigation of artist's intent (purpose) and the effects of altering the dimensional structure of a print utilizing the materials as imagery. Concerning the nature of the creative project, The following questions arose: 1. How will changing my current two-dimensional format to a three-dimensional presentation produce the desired intensity of physical, emotional, mental and spiritual depth? 2. What kinds of materials can be combined to effectively produce the desired ima… more
Date: August 1987
Creator: Collins, Laurie Lyn
open access

The Evolution of Symbols Generated In a Body of Work

Description: In order to discover more about the nature of my work, I conducted an investigation of the evolution of symbols generated in a body of work. For the purpose of this study the term symbol was defined as something that represents the term symbol was defined as something that represents another entity by association, resemblance, or convention, specifically, a material object or image used to represent an idea.
Date: August 1987
Creator: McKenzie, J. Michael
open access

Low-Temperature Sodium Vapor Firing: A Study of Alternative Sources for Sodium

Description: As much as I like the effects of low-fire salting, I hesitate to use salt. The hydrochloric acid released into the environment during the salting process creates a dense fog that is not only toxic, but visually offensive as well. Therefore, the purpose of this study was to find a source of sodium that would achieve aesthetic results as equally exciting as the effects of salt.
Date: August 1987
Creator: Henderson, Matthew
open access

The Microcomputer as a Tool for Pattern Generation in Fabric Design

Description: After practicing Interior Design professionally for ten years and concurrently watching the rapid expansion of the use of computers in the business world, the problem of incorporating the use of computers into the field of interior design became increasingly important to me. Many designers seem to be rather leery of "the computer" and they are reluctant to accept it as a valuable tool in their design process. One aspect of applying the use of the computer to the interior design field is in the … more
Date: August 1987
Creator: Wakeland, Cathleen A.
open access

Painting Out of Context

Description: I wanted to produce a body of work related to the problem of decontextualizing objects. By challenging the object's habitual associations, I hoped to provoke a new set of relationships for the viewer. I kept a journal of personal information, dreams and events, that might later provide imagery for and insights into the work. My goal in the endeavor was to acquire concision and complexity in imagistic language, a language in which the definite and the indeterminate would coincide very simply to … more
Date: May 1987
Creator: Hansen, Elaine
open access

An Investigation Into the Relationship Between Media and Content

Description: The purpose of this study was to investigate the relationship between media and content in my work. I began a series of paintings in the fall of 1985 which was based on 35mm transparencies. At this point, the slides were nothing more than a visual aid, a way to augment my technical skills; my chief interest in these paintings was narrative. I was also taking a drawing class at the time, and several times I recycled a transparency I had used with a painting to create a drawing. Sometimes Both ve… more
Date: March 1987
Creator: Crouch, Ron Taylor
open access

An Assessment of Arkansas Middle school/Junior High School Art Programs Using National Art Education Association Standards

Description: The purpose of the study was to make an assessment of Arkansas middle school/junior high art programs using National Art Education Association standards. Data were collected from questionnaires, curriculum guides, and school visitations. Participating in the study were 127 schools enrolling 53,502 students of which 14,755 (28%) were taking art classes. For comparisons, the state was divided into five regions.
Date: December 1986
Creator: Teague, Barbara A. (Barbara Ann)
open access

Combining Photographic and Gestural Imagery in Printmaking

Description: The focal point of the study was the use of gestural and photographic imagery in printmaking, and how that imagery could be combined to form a personal aesthetic. The purpose of this project was twofold: to create, describe, and interpret works which called attention to the dichotomy and unification of gestural and photographic imagery; and, to allow for positive personal growth, which would be absorbed into future studio work.
Date: December 1986
Creator: McAlpin, John E.
open access

Examination of Personal Aesthetics as Reflected in My Work

Description: In order to arrive at a more consistent and clear personal understanding of the nature of art, I examined the ideas about art and aesthetics which were reflected in my works of the past several months. Some of the specific questions i asked in my investigation of the works were: 1. What are my thoughts on the role of content and form in my visual art? 2. What are my thoughts on the role of the viewer in visual art? 3. What are my thoughts on the role of permanence in visual art? 4. What are my … more
Date: December 1986
Creator: Kennedy, James Michael
open access

Five Buildings in the Dallas Central Business District by I.M. Pei and Partner Henry N. Cobb: A Stamp on the City's Direction

Description: The purpose of this study is to examine I. M. Pei and his partner Harry Cobb's downtown Dallas architecture within the context of their overall stylistic development. This paper explores the structure of five buildings within the framework of the city, and addresses their possible influence on the city's future architectural direction. The thesis is divided into six chapters. Chapter I introduces and states the problem as it discusses the fabric of Dallas architecture. Chapter II outlines a bri… more
Date: December 1986
Creator: Malesky, J. Barney (James Barney)
open access

American Women Artists and the Female Nude Image (1969-1983)

Description: This research surveys ideology and iconology in the presentation of the autobiographical and biographical female nude as envisioned by American women artists in the painting, drawing and printmaking media from 1969 to 1983. Contemporary dialogue by critics, artists and feminists on the definition of feminine content led to the articulation of the undraped nude torso as the central icon of the study. This static icon was pushed through a variety of styles into multi subtleties of iconology. The … more
Date: August 1986
Creator: McEwin, Florence Rebecca
open access

Exploration of Electronic Imagery for Gallery Presentation

Description: The focus of this creative project was the production and presentation of electronic imagery generated by personal computers and peripherals. By it's nature, electronic imagery is dependent on light. I proposed that the exhibition project would include computer graphics images presented in a variety of formats, both static and moving.
Date: August 1986
Creator: Jones, Marilyn Eitzen
open access

An Investigation of Selected Decorative Ceramic Techniques and Their Relationship to Form

Description: The intent of this study was to construct a group of forty wheel-thrown vessels, comprised of four forms, in series of ten. The surface of these pots was to be enriched through the use of various materials and techniques. These included slip trailing, brushed slip, glaze and over glaze colorants. The decorative theme I pursued was based on abstract floral images. I admire both the ordered structure of plant forms and the slightly imperfect symmetry contained within their various parts. I have a… more
Date: August 1986
Creator: Olson, Dennis K.
open access

Jewelry as Removable, Wearable Elements of a Larger Collage

Description: In developing the ideas for this project, one of the major questions to be addressed was how well this method of combining prints, drawings and jewelry into a single collage would contribute to expressing the themes of intimacy and secretiveness already present in the individual pieces. It seemed that surrounding the jewelry with an environment that shared and repeated the private qualities of these objects would increase the intimacy of the work.
Date: August 1986
Creator: Swann, Rebecca J.
open access

Marcel Duchamp's The Large Glass as "Negation of Women"

Description: The purpose of this study was to determine whether The Large Glass was a negation of women for Marcel Duchamp. The thesis is composed of five chapters. Chapter I is the introduction to the thesis. CHapter II includes a synopsis of the major interpretations of The Large Glass. Duchamp's statements in regard to The Large Glass are also included in Chapter II. Chapter III explains how The Large Glass works through the use of Duchamp's notes. Chapter IV investigates Duchamp's negation of women stat… more
Date: August 1986
Creator: Olvera, Karen M. (Karen Marie)
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