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Analysis of Verdi's Choral Style as Found in the Manzoni Requiem

Description: This study of Verdi's choral style in the Manzoni Requiem includes an investigation of the bibliography pertaining to the subject, and a detailed study of the score to determine and verify the characteristics of each stylistic component, tabulating statistical material and listing examples demonstrating the various characteristics.
Date: August 1946
Creator: Bevill, Ruby Lee
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A Critical Analysis and Comparison of Six Vocal Class Methods and an Outline of Material for Group Voice Teaching on the Secondary Level

Description: The subsequent study is an outgrowth of observations made during a year spent in secondary voice teaching on the college level. For the purpose of working toward a more effective and efficient secondary voice program, the following material is presented. The first part of the study is a critical analysis and comparison of six methods of voice teaching designed for, or adaptable to, class voice teaching. The second part of the study is a suggested plan for teaching secondary voice in classes, in… more
Date: August 1946
Creator: Firlie, Edgle C. (Edgle Curtis)
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A Critical and Analytical Evaluation of Experimental Data Currently Available Concerning the Therapeutic Use of Music

Description: The problem which is reported in these pages represents an attempt to bring into one work a critical and analytical survey of the material currently available in the field of music therapy. There is such a wealth of new material, especially since the termination of the war, that the necessity for a new and up-to-date compilation of material is evident. The objective of this thesis is to collect general information as to the theory and practices of music therapy, rather than to secure for purpos… more
Date: August 1946
Creator: Perry, Mary Aileen
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Simple and Compound Meter: An Historical Investigation of Their Differences and an Experimental Investigation of Their Current Significance

Description: It was this writer's problem to determine which of these two contentions is correct; i.e., to find out whether or not it is possible for a person to perceive a difference in 2/4 and 4/4 meters by listening to the accents. It was felt that a large group of college music students and faculty members should provide satisfactory subjects for this experiment. If, as a result of this experiment, it was found that these trained musicians could actually discriminate between the simple meter and its com… more
Date: August 1946
Creator: Middleton, Jeanette
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A Statistical Investigation of the Phenomena of Absolute Tempo as Described by Hallock, Mursell and Others

Description: The problem of absolute or positive pitch has been studied by a considerable number of researchers. This cannot be said, however, for the problem of the element of tempo, or the normal speed of the true beat in music. The reason for this probably lies in the fact that absolute pitch can be measured quite accurately, for it is dependent upon the anatomy and physiology of the ear. On the other hand, a means whereby the innate pulse in music can be externalized so as to be capable of exact express… more
Date: August 1946
Creator: Glass, Barbara Jean
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A Study of the Personality of Music Students as Compared with other Students on the Basis of Nine Traits

Description: This study was undertaken to try to determine of objective measurement of certain personality traits would indicate that music students are characterized by marked differences in personality make-up. In carrying out this investigation, a group of 100 music students and a control group of the same size were used. The type of measurement used was of such objective nature that evaluations could be made by other persons on identically the same trait indicators as were used in securing information f… more
Date: August 1946
Creator: Rodgers, John I.
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An Analysis and Comparison of the Critical Works of Virgil Thomson and Olin Downes

Description: A study of the critical work of Virgil Thomson, critic for the New York Herald Tribune and of Olin Downes, music critic for the New York Times, will perhaps give a better understanding of how different emphasis on purposes may influence critical work. Each man wrote brief, journalistic reviews. They attended many of the same concerts; yet, their critical judgments differed in many respects.
Date: 1947
Creator: Teasley, Elizabeth Kincaid
open access

“In Old Mexico:” Suite for Solo Piano

Description: There is often difficulty in determining the most desirable medium to be used in the composition of music. After careful consideration, the writer chose the medium of piano to present the following musical composition. In the initial investigations, it appeared that the vocal idiom might provide a more suitable choice. However, piano teaching rather than work in the vocal field will probably consume a greater part of the writer's time in the future. The writing of a piano composition, then, app… more
Date: May 1947
Creator: Robinson, Frances O.
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The Status and Administration of Student Dance Bands in Colleges and Universities in the United States

Description: Due to the increased importance of music in everyday life, the expanding enrollment in most colleges brought on by the return of war veterans, and the ever increasing popularity of dance music, more and more schools are incorporating dance bands as part of their musical program in connection with their recreation and college promotion activities. Since this is more or less a new development, it is of interest to all school administrators to see just what is being done in regard to dance music i… more
Date: May 1947
Creator: Johnson, James W. (James Winfred)
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An Instrumental Program Especially Suitable for the Goose Creek Independent School District

Description: Within this document, the writer hopes to present a thorough study of the various methods and materials which are available for the beginning, intermediate, and advanced band classes of the Goose Creek Independent School District, Goose Creek, Texas, taking into consideration the organization of the school system as it exists at the present time.
Date: June 1947
Creator: Parker, Fred Sherman
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A Study of Ravel's Tombeau de Couperin

Description: Ravel' s "Tombeau de Couperin," a suite for piano, was published in 1918 by Durand. Its first performance was in the Salle Gaveau in Paris in April, 1919. Shortly afterwards Ravel scored four of the six movements of the piano suite for small orchestra, composed of flutes, oboes, clarinets, bassoons, and horns in pairs, English horn, trumpet, harp, and strings, The new version was introduced in America in 1920. The four orchestrated movements, Prelude, Forlane, Menuet, and Rigaudon, have no prog… more
Date: July 1947
Creator: Henderson, Ruth
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A Composite Analytical Index of Articles Appearing in Selected Periodicals, Issued Between July 1937 and June 1947: Concerning Playing Problems of Wind and String Instruments

Description: For several decades since the rise of extensive instrumental music instruction, various music periodicals have devoted a certain amount of space to printing comments, suggestions, and other pedagogical material to aid the student in playing a particular instrument. The writer, in his belief in the value of this material, has chosen to make a survey of various periodicals and to catalog certain items as a reference guide to the location of significant articles.
Date: August 1947
Creator: Gray, Byron E. (Byron Earl)
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A Critical Compilation of Graded Band Material at High School Level

Description: The instrumental composition of the band is an outgrowth of utilitarian improvisation. The well-developed percussion section, and the voluminous reed and brass sections are a carry-over from the Military, where the emphasis was on functional beating of time for marching. Mobility and volume sufficient for the accompaniment of troop movements were also necessary. Until recent times, the band existed only for functional matters, never as an independent and self-justifying medium with its purpose … more
Date: August 1947
Creator: Sonnenburg, Eldon M. (Eldon Malcome)
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A Historical Survey of Psalm Settings from the Time of the Reformation Through Stravinsky's "Symphonie des Psaumes"

Description: Though perhaps we shall never know the music to which these religious lyrics were written, the poems have never ceased to be the source of inspiration for the spirits of men since they were first sung. Each psalm seems to have an underlying purpose with a personal message for each reader. In the Book one can find a reply to every sort of question, for the Psalms are filled with expressions of emotion brought about by all human experience. The collection of these 150 songs or psalms makes up wha… more
Date: August 1947
Creator: Williamson, Virginia Sue
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Practical Approach to Protestant Church Music

Description: The purpose of this study is to make the Protestant church workers more efficient in their use of music in religious work by giving them a clear conception of the kind of music to be used and by suggesting detailed plans and methods by which desirable results may be secured in the use of church music. Ideal standards have their place, but here it is proposed to be matter-of-fact, practical and concrete, and to secure immediate results with the average church member and choir singer as the final… more
Date: August 1947
Creator: Thompson, Doris Bain, 1918-
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Problem of the Arrangement for two Pianos of Sedlak by Jindr. Jindrich and Prelude, op. 34, no. 5, by Dmitri Shostakovich

Description: This study was prompted by the writer's interest and experience in the field of two-piano performance. At the beginning of this writer's two-piano work the available material was scarce, and much of it was inadequate in quality from the standpoint of both composition and arrangement. It seems strange that this particular form of chamber music, so delightful to play and so enjoyable to listen to, did not completely take popular fancy until the twentieth century. During the past ten years however… more
Date: August 1947
Creator: Entriken, Rebecca Love
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Sonata form in Haydn's Piano Sonatas

Description: The problem undertaken in this paper is a study of sonata form in regard to the number, types, and key schemes of movements in the pre-Haydn sonatas and a comparison of these with the sonata form as Haydn established it. Finally, a detailed analysis of the Haydn E-Flat Major sonata is presented showing typical formal characteristics. The history of the sonata form does not begin simultaneously with the advent of the sonata itself, for the sonata as we know it today is the result of many stages … more
Date: August 1947
Creator: Grear, Shirley Anne
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The Structure of the Mendelssohn Organ Sonatas

Description: The following study deals with the structural elements of the six Mendelssohn Organ Sonatas, opus 65. The problem excludes stylistic considerations. The Mendelssohn organ works are the greatest that appeared from the time of J. S. Bach until the nineteenth century. The Sonatas "have long been accepted as 'classics' of the instrument." Of them Mendelssohn himself wrote in a letter to his publisher, "I attach much importance to these Sonatas." They have no formal predecessor and no formal counter… more
Date: August 1947
Creator: Sloan, Kathleen, 1917-
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A Study of Dissonance and Harmonic Tradition in the Fugues of the Ludus Tonalis by Paul Hindemith

Description: This study considers only one aspect of music of the twentieth century--that of dissonance. Through an analysis of harmonic tension in the twelve fugues of the "Ludus Tonalis" by Paul Hindemith, a two-fold significance is notable. First, consideration of the broad tendencies of modernism is necessary. second, with Hindemith as a chosen representative of certain aspects of the twentieth century style, the study attempts to show more specifically certain characteristics of the composer himself in… more
Date: August 1947
Creator: Harvey, Otis Poe
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Stylistic Analysis of the Chopin E Minor Concerto

Description: Both of the Chopin concertos are the earliest of his works to be found in the ordinary piano repertoire, and they possess the direct influences and inherited traits of the composer. Since he did no more orchestral work after completing these two works, it is evident that he thought only in terms of pianistic expression. Probably one of the reasons for Chopin's ineffectiveness as an orchestral writer is due to his inability to conform to the classical form: sonata allegro. The e minor concerto i… more
Date: August 1947
Creator: Carmignani, Anna Marie
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