Search Results

Primary view of Imagined Sounds: Their Role in the Strict and Free Compositional Practice of Anton Bruckner
Brooks, Jonathan
May 2008
Primary view of The Aesthetics of Minimalist Music and a Schenkerian-Oriented Analysis of the First Movement "Opening" of Philip Glass' Glassworks
Wu, Chia-Ying (Charles)
May 2009
Primary view of Drafts, Page Proofs, and Revisions of Schenker's Der freie Satz:  The Collection at the Austrian National Library and Schenker's Generative Process
Auerbach, Jennifer Sadoff
May 2009
Primary view of The Lessons of Arnold Schoenberg in Teaching the Musikalische Gedanke
Conlon, Colleen Marie
May 2009
Primary view of X, An Analytical Approach to John Chowning's Phoné
Krämer, Reiner
May 2010
Primary view of Non-Linear and Multi-Linear Time in Beethoven's Opus 127: An Analytical Study of the "Krakow" Sketch Materials
Lively, Michael
August 2010
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Ensign, Jeffrey S.
December 2010
Primary view of Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Dobbs, Benjamin Michael
December 2010
Primary view of Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch
Shin, Dong Jin
December 2010
Primary view of The Key to Unlocking the Secret Window
McConnell, Sarah E.
December 2010
Primary view of Prolongation in Post-Tonal Music: A Survey of Analytical Techniques and Theoretical Concepts with an Analysis of Alban Berg's Op. 2, No. 4, Warm Die Lüfte
Huff, David, 1976-
December 2010
Primary view of Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum:  Cultural, Commentary, Remembrance, and Unity
Davenport, Jennifer Tish
May 2011
Primary view of Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems
Iler, Devin
December 2011
Primary view of Jacques Ibert: an Analytical Study of Three Movements From Histoires
Waldroup, William Allan
August 2012
Primary view of “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet
Stroud, Cara
August 2012
Primary view of Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1
Schnitzius, Michael P.
August 2012
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Redeeming the Betrayer: Elgar’s Portrayal of Judas in the Apostles
Taycher, Ryan
December 2013
Primary view of Gualterio Armando's 34 Canciones Hispanoamericanas Para Canto Y Piano: a Comprehensive Edition and an Analytical Study of the Work’s Thematic Unity, Chromaticism, and Use of Musical Quotations
Pérez Torres, René
May 2014
Primary view of Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica
Amato, Alexander G.
May 2014
Primary view of Theorizing Atonality: Herbert Eimert’s and Jefim Golyscheff’s Contributions to Composing with Twelve Tones
Weaver, Jennifer L.
August 2014
Primary view of Ligeti’s Early Experiments in Compositional Process: Simple Structures in Musica Ricercata
Grantham, Daniel
December 2014
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