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Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors

Description: This investigation traces the history and development of music theory in Mexico from the date of the first Mexican treatise available (1776) to the early second half of the nineteenth century (1866). This period of ninety years represents an era of special importance in the development of music theory in Mexico. It was during this time that the old modal system was finally abandoned in favor of the new tonal system and that Mexican authors began to pen music treatises which could be favorably c… more
Date: August 1986
Creator: Flores, Carlos A. (Carlos Arturo)
Item Type: Refine your search to only Thesis or Dissertation
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Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others

Description: This study investigates and documents tenor/bass trombone solo performances at the Gewandhaus, Leipzig, East Germany, between 1821 and 1876. Included is the discussion of a newly discovered composition, the Concertino fur Bassposaune und Orchester, by Carl Heinrlch Meyer, which is the earliest concerto for the tenor/bass trombone. Its performance at the Gewandhaus in 1821 marked the beginning of the solo tradition for the tenor/bass trombone, and the Leipzig Gewandhaus became one of the leading… more
Date: May 1989
Creator: Lewis, Michael E. (Michael Edward), 1952-
Item Type: Refine your search to only Thesis or Dissertation
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Antoine Reicha's Theories of Musical Form

Description: Antoine Reicha stands as an important figure in the growing systematization of musical form. While Traite de melodie (1814) captures the essence of eighteenth-century concern with tonal movement and periodicity, Reicha's later ideas as represented in Traite de haute composition musicale (1824-26) anticipate descriptions of thematic organization characteristic of his nineteenth-century successors. Three important topics emerge as crucial elements: melody, thematic development, and schematic cate… more
Date: December 1989
Creator: McCachren, Jo Renee
Item Type: Refine your search to only Thesis or Dissertation
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The Curricular Content of Elementary Music in China Between 1912 and 1982

Description: The purpose of this study was to investigate the curricular content of elementary music in China between 1912 and 1982. The questions addressed were: (1) What changes in elementary music resulted from China's becoming a republic in 1912? (2) What changes in elementary music resulted from China's becoming a socialist country in 1949? (3) What changes in elementary music in the People's Republic of China resulted from the Anti—Rightist Struggle Movement in 1957? (4) What changes in elementary mus… more
Date: December 1989
Creator: Ma, Shuhui
Item Type: Refine your search to only Thesis or Dissertation
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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1

Description: The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents used in the study, and transcriptions of representative musical compositions.
Date: December 1989
Creator: Murray, Russell Eugene
Item Type: Refine your search to only Thesis or Dissertation
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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 2

Description: The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents used in the study, and transcriptions of representative musical compositions.
Date: December 1989
Creator: Murray, Russell Eugene
Item Type: Refine your search to only Thesis or Dissertation
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Vox Organalis

Description: Vox Organalis is a concerto for organ and orchestra. It employs an ensemble comprising the compliment of wind, percussion, and string instruments normally available within a contemporary symphony orchestra with augmented brass and woodwind sections. It is intended to be performed with a large organ such as might be found in a symphony hall or large church. The work is in two movements, and its intended performance time is twenty-five minutes. Use of the concerto format within Vox organalis resu… more
Date: December 1989
Creator: Baczewski, Philip
Item Type: Refine your search to only Thesis or Dissertation
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I, Blavatsky: A One-Act Opera

Description: I, Blavatsky is a one-act opera based on the life of Helena Petrovna Blavatsky, a nineteenth-century Russian princess and co-founder of a religious organization called the Theosophical Society. The libretto, by the composer, involves a cast of three principal soloists and minor roles for six more singers who are also participants in a small chorus. The text format features free verse alternating with regular, rhymed strophes. Accompaniment is provided by a piano. Melodic structure combines some… more
Date: May 1990
Creator: Cooper, Steve, 1951 Dec. 4-
Item Type: Refine your search to only Thesis or Dissertation
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An Investigation of Selected Female Singing- and Speaking-Voice Characteristics Through Comparison of a Group of Pre-Menarcheal Girls to a Group of Post-Menarcheal Girls

Description: The purpose of this study was to compare the speaking fundamental frequency, physiological vocal range, singing voice quality, and self-perceptions of the singing and speaking voice between two groups of girls ages 11 through 15 years, who were pre-menarcheal by 6 months and post-menarcheal by 10 months or more. Subjects were volunteers who attended a North Texas public school system. Each subject was examined by an otolaryngologist. Age, height, weight, a hearing screening, and information on … more
Date: May 1990
Creator: Williams, Bonnie Blu
Item Type: Refine your search to only Thesis or Dissertation
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Let Me Make it Simple for You

Description: Discusses the creation and performance at a concert on Feb. 12, 1990, in the Merrill Ellis Intermedia Theater at the University of North Texas of three computer music-intermedia compositions: Shakespeare quartet for 4 acoustic guitars; A noite, porem, rangeu e quebrou, for instrument of low pitch range, tape and computer; and Help me remember, for performer, Synclavier, interactive MIDI computer music system and slides.
Date: May 1990
Creator: Waschka, R., 1958-
Item Type: Refine your search to only Thesis or Dissertation
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References to Trumpet Music in the Battle Chansons of Clement Janequin

Description: This paper is an examination of the battle chansons of Clement Janequin for references to Renaissance trumpet music. The following issues are addressed: dating the early use of the clarino register; the history and evolution of the courtly trumpet ensemble; and the transition from the shorter trumpet of the Middle Ages to the longer instrument of the middle Renaissance and Baroque eras. Because the earliest Janequin battle chanson predates all known written trumpet sources by over fifty years, … more
Date: May 1990
Creator: South, James, 1957-
Item Type: Refine your search to only Thesis or Dissertation
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Selected Contemporary Performance Problems as Found in Karel Husa's Sonata No. 2 for Piano

Description: The purpose of this study is to identify some of the performance problems associated with contemporary piano music, using the Sonata No. 2 for Piano by Karel Husa (1921 - ) as the basis for the discussion. In so doing, this study identifies Karel Husa as an important contributor to twentieth century piano repertoire. Personal interviews and correspondence with the composer provided biographical, analytical, and stylistic insight for this study. Supplemental information on Karel Husa was obtaine… more
Date: May 1990
Creator: Humm, Mary Mosher
Item Type: Refine your search to only Thesis or Dissertation
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Selected Vocal Exercises and Their Relationship to Specific Laryngeal Conditions: a Description of Seven Case Studies

Description: Good vocal health is a vital concern for those people who use the voice in a professional capacity, such as teachers, singers, actors, clergymen, and lawyers. Research in the area of vocal health reveals the need to determine if specific exercises are beneficial to the voice and if exercises used to train the singing voice might be beneficial to alleviate pathological and/or dysfunctional voice disorders. The purpose of this study was to describe the response of a variety of pathological voice… more
Date: May 1990
Creator: Mathis, Barbara
Item Type: Refine your search to only Thesis or Dissertation
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Stylistic and Technical Considerations for Pedaling the Debussy Preludes, Together with Three Recitals of Selected Works of L. van Beethoven, A. Berg, J. Brahms, F. Chopin, C. Debussy, W.A. Mozart, S. Prokofieff, A. Schoenberg, F. Schubert, and R. Schumann

Description: The lecture recital was given November 6, 1989. Five Preludes by Claude Debussy were preformed following a lecture on some important considerations of approaching the pedaling complexities in his solo piano works. In addition to the lecture recital, three other solo piano recitals were performed. The first solo recital consisted of works by Franz Schubert and Robert Schumann, and was performed on November 17, 1980. On March 1, 1982, the second solo recital was presented. This performance consis… more
Date: May 1990
Creator: Etheridge, Kay, 1954 Apr. 18-
Item Type: Refine your search to only Thesis or Dissertation
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Symphonic Poem "New Life" for Orchestra and Yang-Chin

Description: Symphonic Poem New Life is a composition in one movement for orchestra and yang-chin. The work is divided into six continuous sections. It is written in resultant form which is a cumulative process by which all major musical elements return at the end of the work. The tritone is the prominent interval used throughout the piece. Some graphic notation is also employed. The work has a performance time of approximately 13-15 minutes. The yang-chin is a Chinese string instrument similar to the Hunga… more
Date: May 1990
Creator: Leung, Chi Cheung
Item Type: Refine your search to only Thesis or Dissertation
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An Analysis of Dominick Argento's "Peter Quince at the Clavier": the Music and Its Relationship to the Text

Description: Dominick Argento (b. 1927) occupies an important position among American composers. This thesis discusses his 1980 choral work Peter Quince at the Clavier: Sonatina for Mixed Chorus and Piano Concertante. On the surface, the choral and piano parts of this four movement work often sound dissimilar. To create unity within this composition, Argento utilizes a small number of generative elements that govern the pitch, intervallic, and rhythmic dimensions of the composition. This thesis also discuss… more
Date: August 1990
Creator: Gonzales, Cynthia I. (Cynthia Inez)
Item Type: Refine your search to only Thesis or Dissertation
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Cenotaph: A Composition for Computer-Generated Sound

Description: Cenotaph is a work of fifteen minutes duration for solo tape realized on the Synclavier Digital Music System at the Center for Experimental Music and Intermedia. All of the sound materials in the work consist of resynthesized timbres derived from the analysis of digital recordings of seven different human voices, each speaking the last name of one of the Challenger astronauts. The work's harmonic resources are derived in a unique way involving partitioning of the octave by powers of the Golden … more
Date: August 1990
Creator: Rogers, Rowell S. (Rowell Seldon)
Item Type: Refine your search to only Thesis or Dissertation
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The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music

Description: This thesis provides evidence that a particular "topos" from the high Baroque's exalted style, the so-called chaconne bass, made a profound impact on a considerable body of Mozart's compositions from the last ten years of his life in Vienna. After identifying the topos in the first chapter, a detailed study in chapter two shows how Mozart's faith in the extraordinary emotional power carried by this topos was enough for him to work it into all of the completed keyboard fantasias. Chapter three i… more
Date: August 1990
Creator: Spicer, Mark Stuart
Item Type: Refine your search to only Thesis or Dissertation
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Copland's "Single Vision" and the Piano Sonata: A Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, B. Bartok, L.v. Beethoven, F. Chopin, F. Liszt, W.A. Mozart, J.P. Rameau, M. Ravel, and F. Schubert

Description: Difficulties are encountered in any discussion of Copland's style, for his works cover the spectrum from harsh, dissonant works to folk music. To avoid the task of defining a style which encompasses this array of vastly different pieces, a sharp distinction is frequently made between the abstract and popular works. However, Copland has repeatedly objected to such categorization, claiming that he composed from a single vision. A careful examination of his total output proves the validity of his… more
Date: August 1990
Creator: Morris, Gregory W. (Gregory Wayne)
Item Type: Refine your search to only Thesis or Dissertation
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The Full Anthems and Services of John Blow and the Question of an English Stile Antico

Description: John Blow (1649-1708) was among the first group of boys pressed into the service of King Charles II, following the decade of Puritan rule. Blow would make compositional efforts as early as 1664 and, at the age of nineteen, began to assume professional positions within the London musical establishment, ultimately becoming, along with his pupil and colleague, Henry Purcell, London's foremost musician. Restoration sacred music is generally thought of in connection with the stile nuovo which, for … more
Date: August 1990
Creator: King, Deborah Simpkin
Item Type: Refine your search to only Thesis or Dissertation
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Hailstones and Birdcages for Wind Ensemble

Description: Hailstones and Birdcages is a composition of approximately thirteen minutes' duration and is scored for two flutes and piccolo, two oboes and english horn, three Eb clarinets, E clarinete, bass clarinet, two bassoons, two Eb alto saxophones, Bb tenor saxophone, three Bb trumpets, four F horns, three trombones, euphonium, two tubas, and three percussionists. Four instruments--one each of flute, oboe, Bb clarinet, and trombone--are used in concertante like fashion, and there are prominent solo pa… more
Date: August 1990
Creator: Anderson, Andrew E. (Andrew Edwin)
Item Type: Refine your search to only Thesis or Dissertation
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Die Opernprobe by Albert Lortzing: a Critical Edition

Description: The purpose of the present edition of Albert Lortzing's Die Opernprobe is to restore and clarify the composer's original intentions, which were often obscured or altered by the first published version, which appeared in 1899. This thesis is divided into two parts. Part One contains an introduction which discusses Lortzing's place in the history of German opera, the details surrounding the composition of Die Opernprobe, the musical and dramatic structure of the opera, and the sources used in the… more
Date: August 1990
Creator: McDaniel, Jan (Pianist)
Item Type: Refine your search to only Thesis or Dissertation
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The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985)

Description: John Corigliano (b. 1938) is a contemporary American composer who has in the last twenty years established himself as a composer whose versatility and accessibility are appreciated by a wide range of audiences. He has labeled himself an eclectic composer who unashamedly borrows from other musical styles and periods in an effort to create works that appeal to a variety of listeners. He has been mentioned along with George Rochberg, George Crumb, and Jacob Druckman as an advocate of the post-mode… more
Date: August 1990
Creator: Simms, Beverley
Item Type: Refine your search to only Thesis or Dissertation
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A Spectral Analysis of Selected Vowels Sung by Bass and Baritone Student Singers

Description: While a limited body of research pertaining to vocal sound quality exists, technological advances in sound analyses have facilitated a reexamination of vocal timbre. The sound quality of sung vowels ([ a], [e ], C i ]) produced by ten baritone/bass singers at the University of North Texas was analyzed by the use of Fourier analysis and electronic digital equipment. This procedure and equipment produced results over a wider frequency range with greater accuracy than prior studies on vocal timbr… more
Date: August 1990
Creator: Tolin, Craig Edmond
Item Type: Refine your search to only Thesis or Dissertation
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