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open access

The Evolution of Ella Fitzgerald's Syllabic Choices in Scat Singing: A Critical Analysis of Her Decca Recordings, 1943-52

Description: This study examines the evolution of Ella Fitzgerald's scat syllable vocabulary during a key developmental period in her career when she was recording for Decca Records. Between 1943 and 1952, Fitzgerald established the syllabic vocabulary that would serve as a defining characteristic of her improvisational style for the rest of her career. Fitzgerald is commonly praised as the greatest vocal improviser in jazz history, but while much has been written about Fitzgerald's melodic and harmonic app… more
Date: May 2017
Creator: Binek, Justin
open access

A Performance Guide to Arvo Pärt's Concerto Piccolo Über B-A-C-H for Trumpet, Strings, Harpsichord, and Piano

Description: Arvo Pärt's Concerto Piccolo über B-A-C-H for trumpet, strings, harpsichord, and piano is a brief yet challenging work in the trumpet repertoire. A carefully articulated performance guide is necessary to aid trumpeters in overcoming the numerous musical challenges presented in this piece. Currently, there is no resource that helps in solving performance choices and difficulties in this work. This first section of this document provides historical and contextual information on Arvo Pärt, his … more
Date: August 2013
Creator: Bishop, James Martin
open access

Under the Influence of Marc Blitzstein: Examining Leonard J Lehrman’s Uses of Serial Techniques for Dramatic Purposes in Karla

Description: American composer, author and conductor Leonard J. Lehrman (b. 1949) has spent a majority of his lifetime devoted to the scholarship on the music of Marc Blitzstein (1905-1964). Lehrman completed Blitzstein’s Idiots First in 1973, and finished his own one-act opera Karla in 1974. In an effort to honor Blitzstein, Lehrman included Karla along with Idiots First to begin the set of one-act operas to be titled Tales of Malamud. Lehrman coined the term “selective serialism” in reference to Blitzstei… more
Date: December 2014
Creator: Blackwood, Jeremy B
open access

The Bass Clarinetist’s Pedagogical Guide to Excerpts From the Wind Band Literature

Description: Student clarinet performers often encounter bass clarinet for the first time in a high school or university wind ensemble, so it is logical for clarinet pedagogues to encourage and assist their students in learning this wind band literature. In addition to becoming familiar with this oft performed repertoire, students will develop a set of specialized bass clarinet skills that one cannot learn on soprano clarinet. These skills include increased air capacity and support, timbre consistency in di… more
Date: August 2015
Creator: Bland, Britni Cheyenne
open access

Visual Music: The Use of Film Composition Devices to Develop Form in the Wind Band Music of Bruce Broughton

Description: As a film composer, Bruce Broughton uses themes, motives, gestures, tropes, and other film composition devices; however, he is also able to develop them into compelling formal structures through the use of film composition techniques in his concert music. Traditional musical form is not necessarily applicable to film music. The film dictates the pacing and structure, whereas concert music allows for the creation of form and more complex musical development. Through his extensive experience comp… more
Date: August 2018
Creator: Blasko, Benjamen

The Nightingale in Poetry and Music

Description: This thesis surveys a variety of songs and arias for high soprano which feature the nightingale; examines the musical elements that symbolize, refer to, or imitate the nightingale; and compares these musical elements with transcriptions of the nightingale's song. The first chapter reviews the symbolic development of the nightingale and its role in poetry and literature. The interior chapters address a selection of musical compositions that feature the nightingale and its song. The final chapter… more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: May 2003
Creator: Blizzard, Amy
open access

The Modern Trombone in the African American Church: Shout Bands and the African American Preacher in the United House of Prayer

Description: The United House of Prayer was established by Marcelino Manuel da Graça (1881-1960), who is also known as Charles Manuel “Sweet Daddy” Grace, or “Daddy” Grace. He founded and developed the use of the shout bands which are charismatic gospel trombone ensembles within this church. This study explores the importance of shout bands and examines them from multiple perspectives focusing in particular on worship practices. Additionally, it examines rhythmic elements as the most important characteristi… more
Date: May 2015
Creator: Block, Tyrone J.
open access

A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent

Description: Jet travel and the widespread availability of recordings are factors that have led to an increasingly homogenous sound concept in American trumpet playing; this is a stark contrast to the unique regional sounds that existed in the United States in the middle of the twentieth century. Despite the growing dissipation of these regional sound concepts from the mid-century, it is important to understand the styles and pedagogy associated with these schools. In this paper, six player/teachers are a… more
Date: August 2014
Creator: Bloss, Laura L.
open access

The Evolutionary Development of Compositional Technique and Style in the Piano Sonatas of George Walker: A Study of the Sonata No. 4 and Analytical Comparison of the Four Sonatas, Together With Three Recitals of Selected Works of f.j. Haydn, l.V. Beethoven, F. Schubert, F. Chopin, F. Liszt, J. Brahms, C Debussy, Z. KodáLy and F. Poulenc

Description: George Walker, pianist, composer and pedagogue, composed piano sonatas in 1953, 1957, 1975, and 1984. The Sonata No. 4 demonstrates the composer's continued fascination with a relaxation of traditional forms, coloristic effects of persistent interval combinations, incorporation of folk elements into his thematic material, and harmonic and rhythmic underpinnings as structural bases to his work.
Date: August 1995
Creator: Boe, Dennis Leonard
open access

The Trumpet in Selected Solo and Chamber Works of Paul Hindemith : Elements of Trumpet Technique and Their Relationship to the Gebrauchsmusik Concept, a Lecture Recital, Together with Three Recitals of Selected Works of J.N. Hummel, A. Jolivet, C. Chaynes, and Others

Description: The trumpet was one of the wind instruments Hindemith used frequently in his chamber music, and he employed it prominently in five works from 1925 to 1954. These works are the Sonate fur Trompete (1939), the Konzert fur Trompete in B und Fagott mit Streichorchester (1954), Drei Stucke (19251 the Septett fur Blasinstrumente (1949), and "Morgenmusik," from the collection Plöner Musiktag (1932). This study examines and compares Hindemith's writing for the trumpet in these selected works, noting fe… more
Date: August 1994
Creator: Bogard, Rick

Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others

Description: Gunther Schuller is credited with coining the term Third Stream, meaning compositions where twentieth-century art music forms exist simultaneously with jazz. Furthermore, Schuller specifically states in the liner notes to the debut recording of Eine Kleine Posaunenmusik "The work is not a Third Stream piece." Yet the concerto alludes to jazz through a multitude of slide glissandi and plunger mute effects, Solotone mute passages, specific references to the jazz trombone styles of Tommy Dorsey an… more
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: May 2000
Creator: Bogle, James Michael
open access

Georgy L'vovich Catoire: His Life and Music for Piano, with Special Emphasis on Poem: Second Sonata for Violin and Piano, Op. 20

Description: A Russian composer of French descent, Georgy L'vovich Catoire (also often spelled "Katuar") (1861-1926) is one of the most neglected composers of the turn of the nineteenth and twentieth centuries. Catoire composed a number of piano pieces, most of which are chamber and solo works. These pieces are rarely studied or performed in the West. This study makes an attempt to fill this void. It thoroughly investigates Catoire's life, as well as looks into his genealogy, since his family was influen… more
Date: May 2008
Creator: Bolshakova, Natalia
open access

Was Ist Silvia? Englanderin Oder Deutsche? Restoring the Orignial English Texts to Songs Schubert Set in Translation, a Lecture Recital, Together with Three Recitals of Selected Works of H. Purcell, G. F. Handel, W. A. Mozart, F. Schubert, J. Brahms, H. Wolf, F. Poulenc and Others

Description: Because of the lack of information concerning the success or failure of Schubert's bilingual edition and concerning the relationship between the English texts and Schubert's settings, most performers take the conservative route of performing both the songs from Lady of the Lake and the rest of Schubert's English song repertoire only with the German translations. Because of the desirability of performing this repertoire in English for English-speaking audiences, this study examines all of the En… more
Date: May 1995
Creator: Bolthouse, Colleen R.
open access

Harrison Birtwistle: an In-depth Study of His Music for Trumpet with a Performance Guide to the Silk House Tattoo

Description: This document examines the works by Sir Harrison Birtwistle that feature the trumpet as a solo instrument, with extra emphasis placed on The Silk House Tattoo. This document also features a performance guide for the trumpet parts of The Silk House Tattoo. Pedagogical methods for learning the most challenging passages are evaluated, and daily exercises based on the specific demands of each excerpt are offered.
Date: August 2013
Creator: Bonnett, Kurt L.
open access

The Compositional Transformation and Musical Rebirth of Leo Ornstein

Description: This study focuses on the transformation of Leo Ornstein’s (1893-2002) musical language of his early years into the strikingly different approach found in his later years. Ornstein’s initial radical compositions from the mid-1910s were no doubt representative of the direction in which modern music was moving. Despite the intense fame and notoriety of his early works, Ornstein did not feel connected to the trends of modern music development, and by the end of the 1930s he withdrew from the pub… more
Date: December 2011
Creator: Bonney, Michael
open access

The Pedagogy of Robert Dick

Description: Robert Dick is best known as a leading proponent of contemporary music and extended techniques for the flute; however, his teaching is informative on a broader level that encompasses technical and musical aspects of traditional playing as well as contemporary practices. This dissertation is intended to serve as a resource for flutists, providing a detailed documentation of his approach to playing and teaching the flute. Dick’s highly integrated pedagogy—informed by his traditional training, rev… more
Date: December 2014
Creator: Bost-Sandberg, Lisa
open access

Structural Pitch Collections in Jaakko Mäntyjärvi's "Richte mich, Gott"

Description: ‘Richte mich, Gott' exemplifies Jaakko Mäntyjärvi's pluralistic compositional approach through an interlaced organization of tonal and non-tonal pitch content. The development of ideas in the text of Psalm 43 and the concluding doxology is depicted across both layers of pitch organization and governed by specific structural pitch collections: (0145) and (0257). Moreover, the organic transformation of these structural pitch collections' intervallic content emerges as a fundamental means of progr… more
Date: December 2021
Creator: Botha, Charlotte
open access

Sacred Sound at the Symphony: A Conductor's Guide to Faith Traditions in Choral-Orchestral Repertoire

Description: Since most historical composers of Western art music were European Christians (or resided in areas that were primarily populated by Christians), a vast majority of the sacred choral-orchestral repertoire is based on major figures and themes from the most prominent denominations, including Catholicism, Lutheranism, and Anglicanism. As a corollary this is also the case for analytical, pedagogical, and exegetical literature related to the topic. However, in the late nineteenth century some compo… more
Date: May 2020
Creator: Bott, Robert (Conductor)
open access

The Dramatic Aspects of Thea Musgrave's Narcissus for Solo Flute and Digital Delay (1987) : With Three Recitals of Selected Works by Bach, Feld, Debussy, Persichetti, Berio, Varese, Mozart, Roussel, and Others

Description: An examination of the compositional style, subject matter, and use of technology as found in Thea Musgrave's 1987 composition Narcissus for solo flute and digital delay. Includes a short history of Musgrave's formal training, an overview of her creative output, and a discussion of the evolution of her compositional style from her studies with Boulanger in Paris to the present with special emphasis on her dramatic-abstract concept and her forays into post-modernism. Provides insight into Musgrav… more
Date: May 1996
Creator: Boyd, Diane, 1967-
open access

William Duckworth's "Southern Harmony": A Comprehensive Exploration into the Synthesis of Two Archetypal American Genres

Description: In his Southern Harmony collection, William Duckworth extracts existing material from shape-note hymns found in William Walker's 1835 publication A Southern Harmony and Musical Companion. He then applies minimalist and postminimalist processes to this material to create innovation choral compositions. This document provides a comprehensive analysis of the methods used to construct all twenty works in Duckworth's collection by tracing the extracted source material through the fabric of the new c… more
Date: May 2023
Creator: Boyd, Jordan D.
open access

An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano

Description: Ruggiero's contributions to contemporary music are noteworthy. They include 27 works written for solo instruments, voice, as well as chamber groups and large ensembles. This study serves as an annotated bibliography of selected works written for saxophone by Charles Ruggiero. They include a piece for large chamber ensemble, Dig: From Tunes My Grandmother Heard (2009), a trio for flute, clarinet, and alto saxophone titled Echoes of "Piano Red" (2006), two saxophone quartets, Dig: JSB 1 (2003), a… more
Date: May 2010
Creator: Bradfield, Ann
open access

Aspects of Performance in Three Works for Piano and Tape: Larry Austin's Sonata Concertante, Thomas Clark's Peninsula, and Phil Winsor's Passages

Description: This dissertation primarily concerns performance aspects in compositions for piano and tape, using three specific works as the basis for discussion: Larry Austin's Sonata Concertante, Thomas Clark's Peninsula, and Phil Winsor's Passages. These compositions are representative of the medium as a whole, yet each offers its own unique set of performance problems.
Date: May 1993
Creator: Brandenburg, Octavia
open access

The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi: A Lecture

Description: Factual evidence concerning the ancestry of the clarinet has been a perpetual topic of debate among musicologists and organologists. Scholars have widely agreed that the clarinet, first documented in 1710, emerged from the baroque invention of the chalumeau (invented circa 1690), which in itself was an improvement upon the recorder. Considering the chalumeau's short lifespan as the predominant single reed instrument in the early eighteenth century, the chalumeau inspired a monumental amount of … more
Date: May 2016
Creator: Braun, Lindsay Taylor
open access

The Multi-percussion Writing of William Kraft in his Encounters Series With Three Recitals of Selected Works of Erb, Ptaszynska, Redel, Serry, and Others

Description: The paper is divided into six chapters. The first two provide a brief summary of the evolution of multiple percussion and biographical information about Kraft. The remaining chapters are an examination of the origin, sound sources, compositional style, and performance problems of the ten Encounters pieces. The paper concludes with several appendices, including a chronological listing of Kraft's compositions which use percussion, a list of percussion equipment and notational symbols used in the … more
Date: May 1993
Creator: Bridwell, Barry D.
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