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The Flute Professors of the Paris Conservatoire from Devienne to Taffanel, 1795-1908

Description: Since its establishment (1795), the Paris Conservatoire has attracted top-ranking flutists who, through their playing, teaching, writings, and attitudes, (toward the Boehm flute, for example), have influenced flutists and composers throughout Europe. Through Paul Taffanel, who founded the Societe d'Instruments a Vent in 1876, standards of woodwind playing reached new heights. When Taffanel's students, Georges Laurent and Georges Barrere, emigrated to the United States, they influenced the style… more
Date: August 1980
Creator: Ahmad, Patricia
Item Type: Refine your search to only Thesis or Dissertation
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Les Hotteterre et les Chédeville: Three Biographical Sketches in Translation

Description: This paper traces the genealogy of the Hotteterre and the Chédeville families through a translation of three works by Jules Carlez, Ernest Thoinan, Nicolas Mauger. Carol Padgham Albrecht annotates these translations with biographical information and highlights the contributions of the instrument makers.
Date: December 1980
Creator: Albrecht, Carol Padgham
Item Type: Refine your search to only Thesis or Dissertation
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Twenty-Six Two- and Three-Voiced Canons by Johann Walter Transcribed for French Horn

Description: This thesis provides modern transcriptions for horn of twenty-six two- and three-voiced canons by Johann Walter, thereby adding to the literature available from the sixteenth century for that instrument. This project specifically attempts to introduce the high school and college student hornist to modal music in strict fugal form; the transcriptions appear as an appendix. The topics discussed in the body of this thesis include the canon, Johann Walter's life and significant contributions, sixte… more
Date: May 1988
Creator: Balthrop, Sharon
Item Type: Refine your search to only Thesis or Dissertation
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Robert Schumann: Novelletten, Opus 21, a Lecture Recital, Together with Three Recitals of Selected Works of L.v. Beethoven, R. Schumann, J. Brahms, and E. Granados

Description: The Novelletten of Robert Schumann stand out as unusual among his works for solo piano. It is the largest cycle of character pieces in his output and has other distinguishing features. One unusual aspect of the work is its abundance of literary references which Schumann revealed at various points when it was being composed. This is an aspect unique to this cycle since Schumann's other cycles refer to a single literary source. One of the purposes of this paper is to discuss these numerous litera… more
Date: May 1981
Creator: Blaine, William
Item Type: Refine your search to only Thesis or Dissertation
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An Assessment of the Role of James ”Jimmy” Blanton in the Development of Jazz Bass

Description: This paper evaluates the musical contributions of Jimmy Blanton to the history of jazz bass playing. Rex O. Bozarth investigates the development of the jazz bass throughout the twentieth century, the influences that impacted Blanton's style, and the musical innovations the performer introduced.
Date: December 1981
Creator: Bozarth, Rex O.
Item Type: Refine your search to only Thesis or Dissertation
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The Moravian Church and Its Trombone Choir in America, a Lecture Recital, Together with Three Recitals of Selected Works by W. Presser, R. Monaco, L. Bassett, P. Bonneau, E. Bozza, R. Dillon and Others

Description: The purpose of the lecture was to investigate the historical and musical heritage of the Moravian Church, with a particular interest in the works and players of the American Moravian Trombone Choir. The historical overview of people, customs, and practices is traced from its beginnings with the Unitas Fratrum in Bohemia through the Northern Germany settlement of Herrenhut and the establishment of the American Moravian colony at Bethlehem, Pennsylvania. The musical life of the church is represen… more
Date: August 1984
Creator: Branstine, Wesley R.
Item Type: Refine your search to only Thesis or Dissertation
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Watership Down

Description: Watership Down is a work for chamber orchestra in four movements, approximately sixteen minutes in duration. The piece is a programmatic work based on the novel Watership Down by Richard Adams; however, the musical action is not intended to be an aural narrative of the story but, rather, is meant to capture the general mood of the four sections of the novel. The work exhibits the influence of several styles of late nineteenth-century and early twentieth-century music with the symphonic poem bei… more
Date: August 1987
Creator: Carson, Michael, 1959-
Item Type: Refine your search to only Thesis or Dissertation
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Compositional Devices of Willem Pijper (1894-1947) and Henk Badings (b. 1907) in Two Selected Works, Pijper's "Sonata per Flauto e Pianoforte" (1925) and Badings' "Concerto for Flute and Wind Symphony Orchestra" (1963), a Lecture Recital, Together with Three Recitals of Selected Works of Bach, Vivaldi, Dahl, Françaix, and Others

Description: Substantial contributions to flute literature of the twentieth century were made by the Dutch composers Willem Pijper (1894-1947) and Henk Badings (b. 1907) in the Sonata per Flauto e Pianoforte (1925) and the Concerto for Flute and Wind Symphony Orchestra (1963), respectively. This paper is an examination of the compositional devices employed by Pijper and Badings in these two selected works, with a discussion of the elements of form, tonal language, rhythm, motivic usage, orchestration, and i… more
Date: December 1980
Creator: Clardy, Mary Karen
Item Type: Refine your search to only Thesis or Dissertation
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An Investigation of Textural Activity and Its Hierarchical Structures in Selected Works by Krzysztof Penderecki

Description: This study focuses on temporal aspects of the music of Krzysztof Penderecki and deals with these on the level of textural activity. The analyses are based on a referential idea called a "discrete sound event," defined as an occurrence of a sound or collection of sounds which, as a unit, is distinct from the surrounding texture. These sound events are then used to appraise textural activity from layer fluctuation and composite density. The pieces selected for applying these techniques are the Th… more
Date: May 1986
Creator: Daley, Paul B. (Paul Byron)
Item Type: Refine your search to only Thesis or Dissertation
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A Structural Analysis of the Concerto for Alto Saxophone and String Orchestra in E-flat Major, Opus 109, by Alexander Glazunov, With Suggested Performance Application

Description: This paper provides a historical overview of the creation of the Concerto in E-flat Major for alto saxophone and string orchestra, Op. 109, by Alexander Glazunov, performs a structural and melodic analysis of the piece, and makes suggestions for the application of the findings.
Date: December 1981
Creator: Duke, Stephen R.
Item Type: Refine your search to only Thesis or Dissertation
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A Case Study of the Character Carmen

Description: This paper discusses the portrayal of the character of Carmen in the novel written by Prosper Mérimée and in the opera written by Georges Bizet. Sharon Grahnquist provides historical background to the character and her creation, and offers and interpretation of the intended performance.
Date: May 1983
Creator: Grahnquist, Sharon
Item Type: Refine your search to only Thesis or Dissertation
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The Piano Sonatas of Rodolfo Halffter: Transformation or New Techniques?

Description: The Piano Sonatas of Rodolfo Halffter (b. 1900, Madrid, Spain) represent an important body of literature not widely known nor understood for their historical importance and Spanish heritage. The entire development of Halffter's compositional style, which embraces three periods of composition, may be traced through these sonatas. The modes of composition may be seen not to be separate and distinct but as having inter—relationships which therefore affect the outcome of Halffter's final dodecaphon… more
Date: August 1985
Creator: Harper, Nancy Lee
Item Type: Refine your search to only Thesis or Dissertation
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A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others

Description: This study is an examination of Earl Hatch and Clair Musser's transcriptions for marimba of Chopin's Waltz, Opus 64 No. 1, Musser's arrangement of Chopin's Mazurka, Opus 17 No. 4, Hatch's setting of Brahms' Hungarian Dance No. 5, and Frank Mac Callum's treatment of Franck's "Chorale" from the Prelude, Chorale and Fugue. Additionally, the role of the transcription during the Romantic Period, the historical development of the marimba transcription, and performance considerations of the specific w… more
Date: December 1980
Creator: Houston, Robert E.
Item Type: Refine your search to only Thesis or Dissertation
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The Treatment of the Alto Flute in Orchestral Literature

Description: This paper presents a brief history of the alto flute and discusses its use in the orchestral literature of European, Russian and American composers. Analysis of selected passage from various works determine its use as either a solo instrument, doubling or reinforcing voice, or as part of an accompanying line.
Date: May 1980
Creator: Kirkpatrick, Linda M.
Item Type: Refine your search to only Thesis or Dissertation
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Celestial Dreams

Description: Celestial Dreams is a three-movement work for chamber ensemble. This piece employs algorithmic processes (coded in BASIC and Pascal) that generate poetic text and convert it to musical pitches. The three movements contain coherent structures that allow for the complete integration of all ensemble members into the texture and for the flexibility to have one ensemble member emerge as the musical foreground. The chamber ensemble includes strings, tape, slides, and a narrator, who recites the poeti… more
Date: August 1987
Creator: Knudson, Gary
Item Type: Refine your search to only Thesis or Dissertation
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The Influence of Schoenberg’s Tonal Language on Berg’s Four Pieces for Clarinet, Op. 5

Description: This paper explores the influence of composer Arnold Schoenberg's tonal language on the work of his pupil, Alban Berg, illustrated in Berg's Four Pieces for Clarinet, Op. 5. Beverly Ann Lavocat introduces the concept of atonality and provides a musical analysis of Berg's piece.
Date: December 1984
Creator: Lavocat, Beverly Ann
Item Type: Refine your search to only Thesis or Dissertation
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The Development and Evaluation of a Guide to Teach Selected Elements of Commercial Singing

Description: The purpose of this study was to develop a commercial singing guide that could be used as an aid in teaching selected elements of commercial singing. It addressed itself specifically to the following problems: determining how the selected elements of the commercial vocal style are produced, developing a guide for teaching the production of this vocal style to trained and untrained singers and evaluating the effectiveness of the guide.
Date: August 1980
Creator: Lebon, Rachel L., 1951-
Item Type: Refine your search to only Thesis or Dissertation
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Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others

Description: This study investigates and documents tenor/bass trombone solo performances at the Gewandhaus, Leipzig, East Germany, between 1821 and 1876. Included is the discussion of a newly discovered composition, the Concertino fur Bassposaune und Orchester, by Carl Heinrlch Meyer, which is the earliest concerto for the tenor/bass trombone. Its performance at the Gewandhaus in 1821 marked the beginning of the solo tradition for the tenor/bass trombone, and the Leipzig Gewandhaus became one of the leading… more
Date: May 1989
Creator: Lewis, Michael E. (Michael Edward), 1952-
Item Type: Refine your search to only Thesis or Dissertation
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The Lieder of Beethoven: A Stylistic Analysis

Description: Beethoven is generally acknowledged to be the most important composer of the 19th century. However, many critics and musicologists dismiss Beethoven's Lieder as being of less musical value and sophistication than his more instrumentally conceived late vocal writings. The true musical sophistication of Beethoven's Lieder can be discovered by a careful study of the harmonic structure and the relationship between the vocal and the piano part in Beethoven's Lieder. In discussing Beethoven's Lieder … more
Date: August 1987
Creator: Lin, Shen-An
Item Type: Refine your search to only Thesis or Dissertation
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