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The Development of a Personal Aesthetic Through the Melding of Functional and Sculptural Philosophies

Description: In this body of work I have attempted to unify those aspects of utilitarian pottery and sculptural ceramics which I value most. I intended to join the inherent interactive nature of pottery with the capacity of sculptural ceramics to convey content through a personal aesthetic. Through this exploration I have developed a stronger personal expression in clay.
Date: May 1995
Creator: Mahle, Jerry B.
open access

Concepts on Attraction and Repulsion for a Greater Visual and Psychological Dynamic

Description: The duality of repulsion and attraction is present in all aspects of life, neither existing exclusive of the other. This awareness has manifested itself in the need for creating work addressing the complexity of this duality and finding a balance that relates to human experience. The purpose of his problem in lieu of thesis was to combine my concept of the attractive, present in my early graduate work, with explorations on the concept of repulsion, to heighten the visual and psychological dynam… more
Date: August 1996
Creator: Rentzel, Craig A.
open access

Nature Constrained: A Sculptural Study in Contrasts

Description: The focus of my work was a study of contrasts which entailed taking a found natural object out of its original context and combining it with certain constructed man-made elements and allowing an interplay between the components to occur. The contrasts and interplay between these organic materials and their physical incorporation into objects of art/jewelry have been enhanced by further exploring the differing natures of the various materials used and the tension created by the placement of thes… more
Date: December 1998
Creator: Sitzes, Susan K.
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The Fusion of Predominantly Linear Marks and Solidly Rendered Forms as an Expressive Agent in Painting

Description: I plan to investigate the fusion of predominantly linear marks with solidly rendered forms to create a sense of space, depth, and texture within a series of paintings. The investigation will seek to answer a four part problem related to the creation of a series of paintings. The four part problem will explore whether or not the combined use of line, textural surface information, and buried images will have the potential to operate as an expressive agent in painting. This investigation will also… more
Date: December 1996
Creator: La Rosa, Angela
open access

Sources and Vestiges

Description: I have suggested that the ornamental element employed in my painting functions as historical, cultural and social text, and also as a carrier of ideas and ideals about beauty and art which have been invalidated by the Modernist view. I will explore how the elements of painting: material, paint application, palette, figure/ground relationship, scale and other formal and technical factors, combine and interact to transform, contradict, subvert or negate the ornamental element in the painting; and… more
Date: May 1999
Creator: Millar, Melanie D.
open access

Visions and Revisions

Description: My problem was to develop a personal symbolism within my paintings that expresses my identity. Who am I? Who have I been? Who will I be? Since these paintings are a way of telling my story. One aspect of the problem was communicating my ideas, making the paintings readable. Representational and recognizable images are culturally traceable symbols. The intended reading of the symbols may be generally understood; however, some degree of ambiguity was anticipated since ambiguity is an inherent asp… more
Date: May 1998
Creator: Kotzer, Ann Kringe
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The Investigation of Content Inherent in Small Format Mixed Media Paintings

Description: Prior to 1990 I worked exclusively with large scale formats, using traditional oil painting media on canvas. During that year I became interested in the effect produced by more intimate passages within larger works. Discovery of a scroll of Chinese ink drawings in 1992 increased my interest in small scale composition.
Date: December 1992
Creator: Lewis, Richard Wayne
open access

Altered Interiors and Reality: The Subtle Changes of Perception

Description: It was my intent to find objects that were both historically symbolic and symbolic of the times we live in, and that could be melded into a nineteenth century interior where their presence would be secondary to the overall atmosphere. I wanted to incorporate objects that would function as metaphors or personal symbols as well as historical icons.
Date: May 1993
Creator: Fairlie, Carol Hunter
open access

Metamorphosis of Forms

Description: The esthetic issue of the metamorphosis of forms is the basis for my work. In parallel configurations natural form, abstract form, and the extrasensory world of light energy forms move together to form a field of force. The unfolding of the destiny of forms against such an energy field makes a resolution of forms bounded by rhythm and organic shape. The energy field that is the product of forms captures the relationship among natural form, abstract form and light forms of the spirit. The radiat… more
Date: December 1996
Creator: Marcus, Judy
open access

Development of a Personal Style

Description: With this project I explored pottery forms of Bernard Leach and his apprentices. By exploring this work, it was my intention to expand my forms and address the following questions: 1. What Leach pottery forms were most compatible with my work methods and decoration? 2. What significant changes could I make to these Leach forms to adapt them to my own style of working character? 3. Would producing these adapted forms in two different clay bodies and using different methods to reflect landscape i… more
Date: December 1996
Creator: McKee, Joe Frank S.
open access

Art and Self-Awareness: A Personal Investigation

Description: This paper describes the artist's conception of their scientific knowledge and spiritual beliefs, and the juxtaposition of the two in a single awareness. Michael Muller discusses the use of printmaking, drawing, and photo mechanical processes to represent this awareness through visual imagery, and includes photographs of the works.
Date: May 1994
Creator: Muller, Michael
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Metamorphosis and Transformations with Modular Forms

Description: The metamorphosis and transformation of forms as metaphors continued to be the focus of my work. The use of modular forms with lightweight materials increased mass and volume in my work. The reconstructing and reassembling of sculptures formed with modules was an excellent vehicle for the content of metamorphosis and transformation. The focus of this problem was to create a series of multi-media art pieces that were each composed of a number of modules.
Date: August 1999
Creator: Yu, Hui-Ling
open access

Methods and Meditations upon Portraiture: Inside Out

Description: In this proposed study, I had hoped to discover new strategies to develop imagery. I also wanted to know if using strategies in my work that expressed the psyche of myself, would work to express the psyche of other people. By using new and old strategies, I wanted to see not only if the outside face of people in photographs could be misread but if the inside face of people could be expressed.
Date: December 1994
Creator: Lee-Miller, Peggy
open access

I Quit Believing

Description: I has been almost four years since this change of perception from "belief" to "disbelief." Looking back I can say this shift can be characterized as "belief" standing for an idea of art which requires it to represent a singular closed reading, while "disbelief" stands for a realization of an art which corresponds more with the complexities of social interaction and produces work with an array of possible readings. Or more simply stated, "belief" requires the desire to destabilize meaning. Or ev… more
Date: August 1994
Creator: Young, Kevin
open access

Barriers and Connections, A Dichotomy

Description: I planned to explore the concept of the dichotomy of barriers and connections further. The works I planned to produce would incorporate a variety of printing techniques, drawing, and conceptual development. Each technique and method allowed for my perception to speak in a slightly different voice. The use of these multiple techniques would allow me to explore fully the complexity of barriers and connections in a manner more comprehensive than the one technique alone.
Date: August 1998
Creator: Wilson, Nichelle L.
open access

Principle of Uncertainty

Description: I wanted to see if I could affect the "unknown" by attempting to steer the subconscious. I kept a journal of events going on in my life, dreams, therapy sessions, or ideas for songs or short stories. In my studio, I kept a running list of ideas for titles of songs, stories, or paintings. In addition to this, I recorded narrative or metaphoric ideas that the paintings presented on the search for the final painting.
Date: May 1996
Creator: Walker, Marty
open access

Assessing the Feasibility of Developing a DBAE Curriculum in Qatar Utilizing Multimedia Technology

Description: The purpose of this study was to demonstrate the feasibility of developing an art curriculum in Qatar, using the principles of the DBAE curriculum in conjunction with technology. Many of the challenges facing art educators and the art curriculum in Qatar can be approached through the multimedia applications of DBAE, which will provide instructors and students with an opportunity to more readily interact with visual art and to discover its educational relevance. Additionally, this study attempte… more
Date: May 1998
Creator: Al-Hamad, Wafaa
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Constructions: An Investigation into Childhood From a Perspective of Loss

Description: The interaction of the construction and the images was the focus of my proposed exploration. Previously, I viewed the images as the vehicle for content with little thought to the construction. I thought of the construction as a painter might think of his or her canvas, a place for the images to reside. The relationship between constructions as part of my content is essential. Exploration of form and image will push the limits of how the images and constructions may interact. Now that I was cons… more
Date: May 1999
Creator: Moss, Christopher H.
open access

The Sublime and the Beautiful in the Works of Claude-Joseph Vernet

Description: This thesis examines the roles of the sublime and the beautiful in the works of eighteenth-century French landscape painter Claude-Joseph Vernet. An introduction to the study, a history of the sublime and beautiful, and an overview of the way these ideas are portrayed in Vernet's calm and storm pendants are provided. How commissions for these pendants relate to theoretical developments of the sublime and beautiful and how Vernet became aware of the these ideas are addressed. The thesis shows Ve… more
Date: May 1994
Creator: Howard, Jane
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Mark Di Suvero's Sculpture: From the Found-Object Sculpture of the Nineteen Sixties to the Monumental Sculpture of the Nineteen Eighties, A Study in Continuity

Description: This thesis analyzes technical and stylistic aspects of Mark di Suvero's nineteen sixties found-object works, and his monumental I-beam sculptures of the nineteen seventies and eighties to demonstrate their consistency despite the apparent contrasts in form, materials, and process. Primary data, sculpture of Mark di Suvero. Secondary data obtained from major art periodicals, newspapers, and exhibition catalogs. The artist was interviewed by author at the retrospective exhibition in Nice, France… more
Date: December 1992
Creator: Pinkney, Valerie J.
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A Delphi Study to Determine if SCANS Workplace Know-How Can Be Developed through the Achievement of National Standards for [Visual] Arts Education

Description: The purpose of this study was to provide a basis for understanding among Tech Prep and School-to-Work change agents, and educational leaders, of the role that Discipline-Based Art Education (DBAE) can perform as a part of the core curriculum, within the framework of these reform movements. The literature indicated that the federally supported Tech Prep and School-to-Work reform movements were not acquainted with DBAE reform initiative which were supported by the Getty Education Institute for th… more
Date: August 1997
Creator: Crews, Jan, 1959-
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The Tent and its Contents: a Study of the Traditional Arts of Weaving by the Otaibah Tribe in Saudi Arabia

Description: This was an ethnographic study of the woven tent objects produced by the Bedouin Otaibah tribe in Najd, central Saudi Arabia; the study examines origin, techniques, character and significance of their weavings. A major objective of the researcher was to discern the relationship between the weavers' development of traditions and the factors of technique, medium and perceived meaning. The method used was investigative fieldwork that included techniques of face to face interviews and participant o… more
Date: December 1998
Creator: Alruwais, Bader A.
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Adélaide Labille-Guiard and Elisabeth Vigée-Lebrun: Portraitists in the Age of the French Revolution

Description: This thesis examines the portraiture of Elisabeth Vigée-Lebrun and Adélaide Labille-Guiard within the context of their time. Analysis of specific portraits in American collections is provided, along with an examination of their careers: early education, Academic Royale membership, Salon exhibitions, and the French Revolution. Discussion includes the artists' opposing stylistic heritages, as well as the influences of their patronage, the French art academy and art criticism. This study finds tha… more
Date: August 1996
Creator: Carlisle, Tara McDermott
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Benjamin West's St. Paul Shaking the Viper from his Hand After the Shipwreck: Altarpiece of 1789 and Designs for Other Decorative Works in the Chapel of St. Peter and St. Paul, The Royal Naval College, London

Description: This thesis analyzes Benjamin West's altarpiece St. Paul Shaking the Viper from His Hand After the Shipwreck and his designs for thirty-three related artworks in the Royal Naval College Chapel, Greenwich, England, as a synthesis of the major influences in his life and as an example of both traditional and innovative themes in his artistic style of the late eighteenth century. This study examines West's life, the Greenwich Chapel history, altarpiece and decorative scheme, and concludes that the … more
Date: December 1995
Creator: Hanna, Margaret A. (Margaret Ann)
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