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The Influence of the Preludes from the Well-Tempered Clavier of J. S. Bach on the Preludes and Etudes of Chopin
Bach and Chopin were both virtuosi on their respective keyboard instruments and were considered as successful performers. This study analyzes the Influence of the Preludes from the Well-Tempered Clavier of J. S. Bach on the Preludes and Etudes of Chopin. They both exploited their keyboard instruments to the fullest. The study concluded that what Bach achieved in his preludes and fugues, Chopin imitated in the spirit of his age.
Credibility and Performance Changes in Older Persons
This paper discusses the irreversible decrement model and explores credibility and performance changes in older persons through a study conducted with 300 residents of the Dallas/Fort Worth area. Phyllis L. Jones performs a literature review before delving into the methodology, process, and results of the study.
No Apparent Reason
This paper discusses five works the author created and the thought process that went into the creation of these works. Helen Altman discusses the fascination with temporary or process pieces and the use of commonplace materials to depict a message.
Self-Disclosure and the Use of the Two-Chair Dialogue Employing Supplied Versus Personal Constructs
This paper explores the differences in self-disclosure level of 45 female undergraduates in modeling of a two-chair dialogue using personal and supplied constructs. Beth Marie Peterson discusses the results of the experiment and their implications for therapy and research.
A Discussion of Four Cadenzas Written for the Beethoven Fourth Piano Concerto Opus 58
This paper evaluates the style of four candezas written for the Beethoven Fourth Piano Concerto, Opus 58. Dennis W. Hay introduces the history of the cadenza before focusing on the works by the individual composers: Beethoven, Brahms, Medtner, and Casadesus.
Development of a Behavior Checklist to Assess Stress Tolerance in an Assessment Center
This paper discusses the development of a Stress Tolerance Scale for the purpose of use at assessment centers. Charles P. Lankford discusses the behavioral checklist used in a study of graduate students in business administration and the assessment of their stress reactions.
Sonny Rollins, His Life and His Music
This paper provides a biographical tribute and analysis of the life and music of tenor saxophonist Sonny Rollins, who is known as one of the greatest jazz musicians. John Gunnar Mossblad explores the man's past, travels, and contributions.
The Vocal-Piano Relationship in Robert Schumann’s Music
This paper highlights the relationship between the vocal and piano music created by composer Robert Schumann. Christina Finch provides an analysis of songful and literary allusion in his piano music and pianistic and instrumental allusion in his songs to draw a prominent connection.
A Structural Analysis of the Concerto for Alto Saxophone and String Orchestra in E-flat Major, Opus 109, by Alexander Glazunov, With Suggested Performance Application
This paper provides a historical overview of the creation of the Concerto in E-flat Major for alto saxophone and string orchestra, Op. 109, by Alexander Glazunov, performs a structural and melodic analysis of the piece, and makes suggestions for the application of the findings.
An Assessment of the Role of James ”Jimmy” Blanton in the Development of Jazz Bass
This paper evaluates the musical contributions of Jimmy Blanton to the history of jazz bass playing. Rex O. Bozarth investigates the development of the jazz bass throughout the twentieth century, the influences that impacted Blanton's style, and the musical innovations the performer introduced.
The Evolution of Music for the Flute and Guitar
This paper provides findings on the history of music for flute and guitar in combination. Karen Futterer explores the background of this combination in the seventeenth century and follows its development into the modern day, including prominent forms, composers, and musical trends.
The Three Leading Female Roles in Der Rosenkavalier by Richard Strauss
This paper discusses De Rosenkavalier, an opera written by Richard Strauss through collaboration with Hugo von Hofmannsthal, and its three leading female roles. Martha Hartman Whitmore divulges the historical background behind the work and compares the three soprano roles.
Les Hotteterre et les Chédeville: Three Biographical Sketches in Translation
This paper traces the genealogy of the Hotteterre and the Chédeville families through a translation of three works by Jules Carlez, Ernest Thoinan, Nicolas Mauger. Carol Padgham Albrecht annotates these translations with biographical information and highlights the contributions of the instrument makers.
Family Roles and Personality Factors in First and Last Born Children of Alcoholic Parents
This study focuses on alcoholism and intervention of alcoholism. Considering the vulnerability of children of alcoholic parents, the study examines personality development among first and last born children with an alcoholic parents.
Effects of Counselor Religious Values on the Client's Perception of the Counselor
This study made five hypotheses predictions to investigate the effects of counselor religious values on the client's perceptions of the counselor. The appendices included various information including the 5 counselors who were asked to evaluate another counselor on several different measures (playing as a possible client of the particular counselor).
An Examination of My Perceptions of the Myth of Femininity
This paper examines the myth of femininity and the author's own perception towards it through an analysis of seven pieces of art work and related literature. R. Renee Sherrer explores the representation of concepts and the use of image to impart a message.
Analysis of the Salt-Bisque Technique, Its Effects Under Regulated Conditions and Its Evolution Through the Introduction of Seven Sodium-Based Chemicals
This paper examines the surface effects of the salt-bisque technique on clay forms and its evolution through the introduction of seven-sodium based chemicals. Genevieve Espinosa walks the reader through a series of tests and procedures in three stages: the formative, decorative, and conclusive (firing) stages.
Fusible Engobe Formulated for Large Ceramic Sculpture
This paper involves the research and testing of surface treatment using fusible engobe for the purpose of decorating large ceramic sculptures. Anthony M. Holman includes formulation and color testing charts and explains the process.
Samuel Barber’s Song Cycle, Despite and Still
This paper discusses the song cycle Despite and Still by Samuel Barber, created with three poems by Robert Graves, one poem by Theodore Roethke, and part of Jame Joyce's novel Ulysses. Phyllis Bush Thomas describes the feeling created by the song cycle and the compositional style of Samuel Barber.
The Influence of Schoenberg’s Tonal Language on Berg’s Four Pieces for Clarinet, Op. 5
This paper explores the influence of composer Arnold Schoenberg's tonal language on the work of his pupil, Alban Berg, illustrated in Berg's Four Pieces for Clarinet, Op. 5. Beverly Ann Lavocat introduces the concept of atonality and provides a musical analysis of Berg's piece.
A Case Study of the Character Carmen
This paper discusses the portrayal of the character of Carmen in the novel written by Prosper Mérimée and in the opera written by Georges Bizet. Sharon Grahnquist provides historical background to the character and her creation, and offers and interpretation of the intended performance.
A Contrast of the Use of the Double Bass in the Chamber Works of G. Rossini and F. Schubert
This paper discusses the handling of Double Bass in the chamber music written by Gioacchino Rossini and Franz Schubert. Russell Clark White provides historical background to the importance of these contributions before delving into musical analysis of the individual bass parts of these pieces.
Murger’s Scenes de la Vie de Boheme--Model for Puccini’s La Boheme
This paper investigates Henri Murger's novel, Scenes de la Vie de Bohème, as a model for the opera composed by Giacomo Puccini La Bohème. Colleen Hughes Mallette discusses the historical background of the works and examines the music and story.
The Evolution of Violetta Valéry, La Traviata’s Heroine
Thesis studies the music and content of the opera La Traviata, focuses on the evolution of its heroine, Violetta Valéry. Carolyn Sue Finley traces the history behind the story and its reflection in the music.
Oboe Virtuosi of Eighteenth-Century England
This paper explores the development of the hautboy, or early oboe, and highlights the prominent oboe virtuosi of eighteenth-century England. Jennifer Bauer Morgan explains the lives and abilities of the performers and the evolution of the oboe.
An Analysis of Melodic Development in the Flue Concerto by Carl Nielsen
This paper analyzes Carl Nielsen's Concerto for Flute and Orchestra. Marilyn Seale Depp identifies the significance of the piece and explores its melodic development, also providing background on Carl Nielsen's philosophy and composition style.
The Treatment of the Alto Flute in Orchestral Literature
This paper presents a brief history of the alto flute and discusses its use in the orchestral literature of European, Russian and American composers. Analysis of selected passage from various works determine its use as either a solo instrument, doubling or reinforcing voice, or as part of an accompanying line.
Connections
In my problem-in-lieu-of-thesis, I investigated the connections formed between images which refer to disorder and those which connote imposed order; therefore, I pursued the following questions: 1. What connotations did each of the images have for me? 2. How was each image affected by taking it out of one context and placing it in a new one? 3. What relationships formed between images thus juxtaposed?
The Search for Meaning Through the Visually Analogous
In my Problem in Lieu of Thesis I explored the use of analogy in my work. I searched for ways to heighten the difference or distance between the imagery within an analogous relationship and yet maintain meaningful similarities or relationships. An analogy, for the purpose of this paper is defined as the following: "a similarity or likeness between things in some circumstances or effects, when the things are otherwise entirely different."
Translation of Personal Perceptions into Physical Space and Abstract Form
In this investigation I use the term perception as Arthur Comb and Donald Snygg do when they state that perception is any differentiation the individual is capable of making in his personal field. Perception has to do with the organization one gives to his world. Behavior and learning are products of perceiving. Immanuel Kant said: "We see things not as they are but as we are." During this effort to organize my world I realized that I was concerned with myself as an experiencing individual. I felt that one is built out of his experiences and that the best vantage point for understanding behavior is from the internal frame of reference of the individual himself. I was taking a somewhat phenomenological approach to my problem.
An Investigation of the Use of a Torch with Ceramic Materials
This report documents the changes in my work as a ceramic artist over a two-year period, imposed upon, and inspired by, the use of a propane torch on the surface of the clay vessel. The purpose of this study is two-fold: (1) to provide information about this particular tool for methods of survace decoration; (2) to provide information about a subjective thought process directed by properties in this particular tool.
Repeated Elements: Formal Possibilities for Abstract Expression of Rhythmic Life Patterns
As my creative project, I decided to explore the possibilities for expression of rhythmic life-growth patterns in a variety of abstracted multiple forms. The work was planned to investigate the following questions: 1. What forms can be used to communicate the idea of repetitive, rhythmic or seasonal life or growth patterns? 2. What size/scale is effective in communicating the universal, infinite character of these patterns? 3. What formats or types of presentation are the most effective? 4. How is the overall impact of the work affected by changes in size and form? 5. How do changes in the work affect my responses to it, and what subsequent directions result in the work?
An Investigation of the Halo Effect Achieved Through Alterations of Standard Raku Formula and Procedures
My research explored the possibilities of achieving the raku halo through variations of the standard engobe (pronounced on-gobe) and oxide formulas, using ceramic vessels as media. This included alterations of the ingredients, consistencies, and methods of application. Throughout the research, a journal was kept including individual information about research pieces, a statement of results, and my reaction to those effects. From this information, an analysis of the completed vessels was compiled.
An Investigation of Some Intaglio Processes Through Bookmaking
In pursuit of the project, I sought to address the following concerns: 1. Which intaglio processes, or their combination, proved to be the most useful in production of the book? 2. In establishing a concept for the book, what problems were encountered? 3. What is the visual relationship between the printed images, the book, and its container?
Contemplation Series
My work dealt with the life within inanimate objects and what occurred when one placed apparently unrelated objects together in an arrangement. The arrangements had three interrelated elements: the objects, spacial relationships, and materials.
The Investigation of the Symbolism of the Feline Image in my Work
Feline images have been an element in much of my work since 1981. These cat images were usually included in self-portraits. As my work progressed, the feline images increased in importance until 1985, when I abandoned the self-portraits almost entirely and began working predominantly with the cats. Although the feline image has been an important aspect of my work for several years, I never attempted to discover what these images symbolized or meant. I rarely thought consciously about the content of my work, as i arrived at my images primarily in an intuitive manner.
The Artist's Book as an Alternative to the Gallery Installation
I examined and evaluated three sets of gallery installations and related handmade books. The following questions were considered foremost: 1) Visually, how different from and how similar to the gallery installations are the books? 2) What verbal elements are adapted from the installations to the books? 3) How does the difference in format (that is, the books) alter or affect the content and meaning of the installations?
Non-Traditional Painting Techniques: The Effect of Their Use on the Imagery of My Work
The purpose of this project was to investigate the use of non-traditional painting techniques on the images of my work. The following questions were specifically considered. 1. When and why in the process do decisions occur concerning the following: A. Subject or idea or motivation? B. Materials? C. Shaping? D. Color? E. Texture or embellishment? 2. Does the motivation change at any point in the process? 3. With the emergence of the final form is there an awareness of content (or intrinsic meaning) which was absent or completely nebulous at the inception?
The Investigation of Molded Units for Assembled Sculptures
The problem being dealt with concerns the investigation of the conceptual and expressive potential of mold-formed units in combination with other media and processes. The questions under consideration are as follows: 1. Do the concepts of pieces vary with the materials and process being used? How? 2. What alterations occur in the visual image as a result of the change in media and processes? 3. What mechanical and technical problems are involved in the mold-formed process?
Low-Temperature Sodium Vapor Firing: A Study of Alternative Sources for Sodium
As much as I like the effects of low-fire salting, I hesitate to use salt. The hydrochloric acid released into the environment during the salting process creates a dense fog that is not only toxic, but visually offensive as well. Therefore, the purpose of this study was to find a source of sodium that would achieve aesthetic results as equally exciting as the effects of salt.
Analysis of Imagery Concerning Body and Landscape
The primary purpose of this study was to investigate how imagery evolved in my work, in dealing with the relationship between body and landscape and the relationship between image and abstraction. Five paintings were created for the investigation of the evolution in my imagery. A journal of notes was kept concerning each piece while in progress and immediately following its completion. The analyzing method was a visual analysis of the structure and content, as well as the process through which the imagery evolved.
Exploring Visual Metaphors for Loss
My concerns relate to the process of imagery development and the process of utilizing suitable materials to execute my work. These concerns are dictated by the themes in a particular piece and revolve around an acute sense of loss. These themes are frequently presented with humor.
Examination of Personal Aesthetics as Reflected in My Work
In order to arrive at a more consistent and clear personal understanding of the nature of art, I examined the ideas about art and aesthetics which were reflected in my works of the past several months. Some of the specific questions i asked in my investigation of the works were: 1. What are my thoughts on the role of content and form in my visual art? 2. What are my thoughts on the role of the viewer in visual art? 3. What are my thoughts on the role of permanence in visual art? 4. What are my thoughts on the role of appropriated imagery in visual art? 5. What are my thoughts on the role of expression in visual art?
My Lazy Mind Needs a Dumb Structure to Lean On
The purpose of this study was to examine the difference between language and the use of visual imagery to represent experiences and ideas. It focused on the following questions: 1. Can the meaning of a painting be ascertained by analyzing the referents of the images and their relationships to one another? 2. How does the purely formal part of the painting function in the creation of meaning? 3. What is the difference in the meaning created by language and visual imagery when they were used to represent the same idea or experience? 4. Where do my ideas come from?
Exploring the Distinction Between a Two-Dimensional and a Three-Dimensional Reality
Two ways of apprehending reality were intimated; reality as a function of purely visual stimuli and reality as a substantial object. The problem was, therefore, an exploration of reality as a purely visual sense and reality as concrete form. In pursuing the project, I explored how each reality distinguished itself by separating each in the prior conception of the work and in the subsequent discussion.
Combining Warp Ikat and Crowfoot Satin Weave with Supplementary Weft Techniques to Produce Architecturally Scaled Textiles
My problem was to combine warp ikat woven in crowfoot satin weave with supplementary weft techniques, in order to increase visual depth and maintain visual unity.
A Personal Aesthetic Evolved From Nineteenth Century American Pottery
In the history of ceramics my interest centers around times in particular cultures when ceramic containers were an essential part of life. I am most interested in functional pottery produced in nineteenth century North America between the years 1800-1870. This was a period in which some of the finest pots used for containing things were produced.
Preconception: Bringing the Concept to Fruition
The purpose of this project was to manipulate imagery present within the Tarot in a symbolic and visual space working through my own process of preconception. Each of the finished pieces was to be derived through an initial traditional process and then altered by use of monoprint methods and the incorporation of found object directly upon the print surface to give the illusion of a three-dimensional character, or actually contain the print in a three-dimensional format.
An Investigation of the Relationship Between Scale, Form, and Technique in Welded Steel Sculpture
The problem of this investigation was to determine if there was a relationship between scale, forma and technique in the making of welded steel sculpture, and to determine the best method(s) of working on three size categories and in two basic categories of form. The size categories were two to four feet, four to eight feet and over eight feet in any dimension with the other dimensions such that the sculpture enclosed a volume of space. The two categories of form were geometric or inorganic (forms based on geometry or mathematics) and organic (forms found in, or resembling those in nature). The effects of scale, form, and technique(s) in the production of these sculptures were observed and a determination was made concerning which technique presented the most advantageous approach to the creation of welded steel sculpture in each category.
Exploring the Feminine Through Archetypal Symbols
The purpose of this project was to create and present groups of stelae which contain personal imagery derived from archetypal feminine symbols used as hieroglyphs. The groupings of the stelae, by nature of the problem, took on a ritual appearance. Two groups of twelve stelae each were constructed with materials and techniques used in a fiber tradition. Each individual stele was designed to function alone as well as in a group.
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