UNT Libraries - 87 Matching Results

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Primary view of Syntactic Structures in Functional Tonality
Phelps, James, 1954-
August 1985
Primary view of Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica
Amato, Alexander G.
May 2014
Primary view of Gualterio Armando's 34 Canciones Hispanoamericanas Para Canto Y Piano: a Comprehensive Edition and an Analytical Study of the Work’s Thematic Unity, Chromaticism, and Use of Musical Quotations
Pérez Torres, René
May 2014
Primary view of Redeeming the Betrayer: Elgar’s Portrayal of Judas in the Apostles
Taycher, Ryan
December 2013
Primary view of The Musica Practica of Bartolomeo Ramos de Pareia: A Critical Translation and Commentary
Fose, Luanne Eris
May 1992
Primary view of A Study of the Relationship Between Motive and Structure in Brahms's op. 51 String Quartets
Yang, Benjamin H. (Benjamin Hoh)
August 1989
Primary view of Transposition and the Transposed Modes in Late-Baroque France
Parker, Mark M. (Mark Mason)
December 1988
Primary view of The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality
Woodruff, Lawrence Theodore
August 1986
Primary view of Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors
Flores, Carlos A. (Carlos Arturo)
August 1986
Primary view of Harmony in the Songs of Hugo Wolf
McKinney, Timothy R. (Timothy Richmond)
August 1989
Primary view of J. F. Daube's "General-Bass in drey Accorden" (1756): A Translation and Commentary
Wallace, Barbara Kees
May 1983
Primary view of Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Kramer, Ernest J. (Ernest Joachim)
December 1989
Primary view of The Traité d'harmonie of Charles-Simon Catel
George, David Neal
December 1982
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of The Aural Perception of Pitch-Class Set Relations: A Computer-Assisted Investigation
Millar, Jana Kubitza
May 1984
Primary view of A Study of Root Motion in Passages Leading to Final Cadences in Selected Masses of the Late Sixteenth Century
Lindsey, David R.
August 1979
Primary view of The Harmonic Interval of the Seventh in the Works of Representative Composers of Italian Madrigals, 1542-1614
Dowden, Ralph D.
December 1976
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck
Cranford, Dennis R. (Dennis Ray)
May 1992
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study
Lee, Tze Fung Alfred
August 1994
Primary view of A Phenomenology of Music Analysis
Anderson, Andrew E. (Andrew Edwin)
December 1995
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1
Schnitzius, Michael P.
August 2012
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