You limited your search to:

  Access Rights: Public
  Partner: UNT Libraries
 Department: Department of English
 Collection: UNT Theses and Dissertations
Ours is the Kingdom of Heaven: Racial Construction of Early American Christian Identities

Ours is the Kingdom of Heaven: Racial Construction of Early American Christian Identities

Date: May 2016
Creator: Robinson, Heather L
Description: This project interrogates how religious performance, either authentic or contrived, aids in the quest for freedom for oppressed peoples; how the rhetoric of the Enlightenment era pervades literatures delivered or written by Native Americans and African Americans; and how religious modes, such as evoking scripture, performing sacrifices, or relying upon providence, assist oppressed populations in their roles as early American authors and speakers. Even though the African American and Native American populations of early America before the eighteenth century were denied access to rights and freedom, they learned to manipulate these imposed constraints--renouncing the expectation that they should be subordinate and silent--to assert their independent bodies, voices, and spiritual identities through the use of literary expression. These performative strategies, such as self-fashioning, commanding language, destabilizing republican rhetoric, or revising narrative forms, become the tools used to present three significant strands of identity: the individual person, the racialized person, and the spiritual person. As each author resists the imposed restrictions of early American ideology and the resulting expectation of inferior behavior, he/she displays abilities within literature (oral and written forms) denied him/her by the political systems of the early republican and early national eras. Specifically, they each represent themselves in three ...
Contributing Partner: UNT Libraries
Monsters Like Us: Reexamining “Invasion of the Body Snatchers” Through the Decades

Monsters Like Us: Reexamining “Invasion of the Body Snatchers” Through the Decades

Date: May 2016
Creator: Norton, Elizabeth Harmon
Description: The purpose of this paper is to examine the multiple versions of "Invasion of the Body Snatchers" in concert and determine the reason for their continued presence in the American cultural landscape. To do so I will look at the novel and four films and examine the context in which they were created. In reexamining the novel and films, a central theme begins to emerge: interiority. Fear in "Invasion of the Body Snatchers" moves from an external to an internal threat. The bodily locus of the monstrous other has been re-purposed and re-projected outward. The internal nature of the monstrous threat is displayed in the narrative’s use of production and distribution, mental health professionals, pseudo-families, and the vilification of sleep. Finally, this paper will examine the studio influence on the various films and their impact on the relative endings.
Contributing Partner: UNT Libraries
“No Paper Cowboys”: Stories

“No Paper Cowboys”: Stories

Date: December 2015
Creator: Agnew, Bryn
Description: Equilibrium is paramount in the crafting of a story, and for every writer this sense of balance is different. The writer must manage a balance of showing and telling, of denotation and connotation, and forever strive to find the perfect word in both the denotative and connotative sense, so that the reader and writer can meeting in a living story—both in the ink on the page and the remaining white space.
Contributing Partner: UNT Libraries
The Laureates’ Lens: Exposing the Development of Literary History and Literary Criticism From Beneath the Dunce Cap

The Laureates’ Lens: Exposing the Development of Literary History and Literary Criticism From Beneath the Dunce Cap

Date: December 2015
Creator: Moore, Lindsay Emory
Description: In this project, I examine the impact of early literary criticism, early literary history, and the history of knowledge on the perception of the laureateship as it was formulated at specific moments in the eighteenth century. Instead of accepting the assessments of Pope and Johnson, I reconstruct the contemporary impact of laureate writings and the writing that fashioned the view of the laureates we have inherited. I use an array of primary documents (from letters and journal entries to poems and non-fiction prose) to analyze the way the laureateship as a literary identity was constructed in several key moments: the debate over hack literature in the pamphlet wars surrounding Elkanah Settle’s The Empress of Morocco (1673), the defense of Colley Cibber and his subsequent attempt to use his expertise of theater in An Apology for the Life of Colley Cibber (1740), the consolidation of hack literature and state-sponsored poetry with the crowning of Colley Cibber as the King of the Dunces in Pope’s The Dunciad in Four Books (1742), the fashioning of Thomas Gray and William Mason as laureate rejecters in Mason’s Memoirs of the Life and Writings of William Whitehead (1788), Southey’s progressive work to abolish laureate task writing ...
Contributing Partner: UNT Libraries
Searching for a Savior

Searching for a Savior

Date: December 2015
Creator: Batch, Julia
Description: This collection of essays includes a preference that investigates the role and importance of setting and character in a nonfiction narrative. The preface assesses the writings of four great authors, examining how each author use setting and characterization to further the purpose of their story. This collection focuses on four different issues that the author has wrestled with for two decades. While “Desperado” is an investigation into the problems within her own family, “Being Black Me” highlights the authors struggle against the racial inequality her hometown. “Voices In The Dark”, the author analyze how the abuse she suffered as a child has influenced her life and contributed to a drinking problem that is explored in a later essay “Alors On Danse”.
Contributing Partner: UNT Libraries
“Wolf Man”

“Wolf Man”

Date: August 2015
Creator: Flanagan, Ryan
Description: This creative nonfiction dissertation is a memoir that probes the complex life and death of the author’s father, who became addicted in his late forties to crack cocaine. While the primary concerns are the reasons and ways in which the father changed from a family man into a drug addict, the memoir is also concerned with themes of family life, childhood, and grief. After his father’s death, the author moves to Las Vegas and experiences similar addiction issues, which he then explores to help shed light on his father’s problems. To enrich the investigation, the author draws from eclectic sources, including news articles, literature, mythology, sociology, religion, music, TV, interviews, and inherited objects from his father. In dissecting the life of his father, the author simultaneously examines broader issues surrounding modern fatherhood, such as cultural expectations, as well as the problems of emptiness, isolation, and spiritual deficiency.
Contributing Partner: UNT Libraries
Laws of Inheritance

Laws of Inheritance

Date: August 2015
Creator: Kilpatrick, Steven
Description: This thesis is a collection of poems that meditates on the legacies we inherit and the legacies we leave behind.
Contributing Partner: UNT Libraries
Vanishing Act

Vanishing Act

Date: May 2015
Creator: Pryor, Caitlin
Description: This dissertation is comprised of a collection of poems preceded by a critical preface. The preface reconsiders the value of discontinuous poetic forms and advocates a return to lyric as an antidote to the toxic aspects of what Tony Hoagland terms “the skittery poem of our moment.” I consider poems by Wendy Xu, Kevin Prufer, Sharon Olds, and Stephen Dunn in depth to facilitate a discussion about the value of a more centrist position between the poles of supreme discontinuity and totalizing continuity. Though poets working in discontinuous forms are rightly skeptical of the hierarchies that govern narrative and linear forms, as Czesław Miłosz notes in The Witness of Poetry, “a poet discovers a secret, namely that he can be faithful to real things only by arranging them hierarchically.” In my own poems, I make use of the hierarchies of ordered perception in lyric and narrative forms to faithfully illuminate the collapsed structures of my own family history in the shadow of Detroit. I practice the principles I advocate in the preface, using a continuous form to address fractured realities in a busy, disordered age when poets often seek forms as fragmented as their perceptions. These poems are distinctly American, ...
Contributing Partner: UNT Libraries
Marvels of the Invisible

Marvels of the Invisible

Date: May 2015
Creator: Molberg, Jenny
Description: This dissertation is comprised of a collection of poems preceded by a critical preface. The preface considers the consumed animal body as a metaphor in contemporary American poetry, specifically in the works of Galway Kinnell, Li Young Lee, and Brigit Pegeen Kelly. The consumption of the mute creature allows the poet to identify the human self in the animal other, and serves as a metaphor for our continuity with the natural world. I revise Owen Barfield’s notion of “original participation,” positing that through imaginative participation, the poet and the reader can identify the animal within the self, and thus approach a fuller understanding of both the self and the outside world. We identify the animal other within the human self, and in of this act of relating, we are able to temporarily transgress the boundaries of the individual self to create art that expresses continuity with the outside world. This argument brings about a discussion of text as an act of consumption, and the way and which this can symbolize the ways in which the self is altered through the act of reading. The book-length collection of poems, entitled Marvels of the Invisible, won Tupelo Press’s 2014 Berkshire prize for ...
Contributing Partner: UNT Libraries
The Palestinian Archipelago and the Construction of Palestinian Identity After Sixty-five Years of Diaspora: the Rebirth of the Nation

The Palestinian Archipelago and the Construction of Palestinian Identity After Sixty-five Years of Diaspora: the Rebirth of the Nation

Date: May 2015
Creator: Shaheen, Basima
Description: This dissertation conceptualizes a Palestinian archipelago based on Mikhail Bakhtin’s theory of the chronotope, and uses the archipelago model to illustrate the situation and development of Palestinian consciousness in diaspora. To gain insight into the personal lives of Palestinians in diaspora, This project highlights several islands of Palestinian identities as represented in the novels: Dancing Arabs, A Compass for the Sunflower, and The Inheritance. The identities of the characters in these works are organized according to the archipelago model, which illustrates how the characters rediscover, repress, or change their identities in order to accommodate life in diaspora. Analysis reveals that a major goal of Palestinian existence in diaspora is the maintenance of an authentic Palestinian identity. Therefore, my description of the characters’ identities and locations in the archipelago model are informed by various scholars and theories of nationalism. Moreover, this dissertation illustrates how different Palestinian identities coalesce into a single national consciousness that has been created and sustained by a collective experience of suffering and thirst for sense of belonging and community among Palestinians. Foremost in the memories of all Palestinians is the memory of the land of Palestine and the dream of national restoration; these are the main uniting ...
Contributing Partner: UNT Libraries
Networks of Social Debt in Early Modern Literature and Culture

Networks of Social Debt in Early Modern Literature and Culture

Date: August 2014
Creator: Criswell, Christopher C.
Description: This thesis argues that social debt profoundly transformed the environment in which literature was produced and experienced in the early modern period. In each chapter, I examine the various ways in which social debt affected Renaissance writers and the literature they produced. While considering the cultural changes regarding patronage, love, friendship, and debt, I will analyze the poetry and drama of Ben Jonson, Lady Mary Wroth, William Shakespeare, and Thomas Middleton. Each of these writers experiences social debt in a unique and revealing way. Ben Jonson's participation in networks of social debt via poetry allowed him to secure both a livelihood and a place in the Jacobean court through exchanges of poetry and patronage. The issue of social debt pervades both Wroth's life and her writing. Love and debt are intertwined in the actions of her father, the death of her husband, and the themes of her sonnets and pastoral tragicomedy. In Shakespeare’s The Merchant of Venice (c. 1596), Antonio and Bassanio’s friendship is tested by a burdensome interpersonal debt, which can only be alleviated by an outsider. This indicated the transition from honor-based credit system to an impersonal system of commercial exchange. Middleton’s A Trick to Catch the Old ...
Contributing Partner: UNT Libraries
Penumbra

Penumbra

Date: August 2014
Creator: Brizendine, Elizabeth Katherine
Description: This thesis consists of a collection of poems. The poems entail a discussion of the weight of human decisions with regards to gender, sexuality, music, religion, and environment. A great deal of these pieces are in conversation with a type of death or an eclipsed ending in order to examine the outcome of each varied individual response to mortality.
Contributing Partner: UNT Libraries
Through an Open Window

Through an Open Window

Date: May 2015
Creator: Bingham, Christie
Description: The poems in this collection are elegiac; celebrations of losses and failures, tributes to the daily doldrums that are at the center of human experience. They threaten to expose the uncertainty that exists and refuses to exist in our everyday lives. They explore the otherness associated with the individual and often turn to the universal formulas of music and physics to make order of the world around them. Often times the Speaker finds that the seeming chaos manifests within her already orderly life, the daily routines of work and family. Poetic magic, so to speak, weds this ordered chaos to the laws of nature and its routines, especially birds, which makes a recurrent appearance throughout the manuscript.
Contributing Partner: UNT Libraries
Room of Windows

Room of Windows

Date: August 2014
Creator: Lynch, Erin
Description: This thesis consists of a collection of poems and a critical preface. The preface examines the collaborative process as integral to art-making. Using a range of poems and prosody essays as support, I argue that reciprocal relationships are intrinsic to poetry, providing a model for actual collaboration. I also examine my own collaboration with a visual artist, which resulted in many of the poems in this collection.
Contributing Partner: UNT Libraries
Down and Out: A Novel

Down and Out: A Novel

Date: May 2015
Creator: Briseño, J. Andrew
Description: A creative dissertation consisting of two parts: a novel and a critical preface. The critical preface, titled “Novel without Falsehood” deals directly with David Shields’s Reality Hunger, touching on issues of reality as it pertains to truth, writing, fiction, and contemporary culture. The novel is entitled Down and Out and follows the fortunes of a small town in Arkansas before, during, and after its sole source of employment ceases to exist.
Contributing Partner: UNT Libraries
Somebody Else’s Second Chance

Somebody Else’s Second Chance

Date: August 2014
Creator: Heiden, Elishia
Description: Charles Baxter, in his essay “Dysfunctional Narratives: or: ‘Mistakes Were Made,’” implies that all trauma narrative is synonymous with “dysfunctional narrative,” or narrative that leaves all characters unaccountable. He writes: “In such fiction, people and events are often accused of turning the protagonist into the kind of person the protagonist is, usually an unhappy person. That’s the whole story. When blame has been assigned, the story is over.” For Baxter, trauma narrative lets everyone “off the hook,” so to speak. He would say that we write about our bitter lemonade to make excuses for our poor choices, and “audiences of fellow victims” read our tales, because their lemonade and their choices carry equal bitterness, and they require equal excuses. While trauma narrative can soothe us, as can other narrative genres, we should not dismiss trauma fiction because of a sweeping generalization. Trauma fiction also allows us to explore the missing parts of our autobiographical narratives and to explore the effects of trauma—two endeavors not fully possible without fiction. As explained in more detail later, the human mind requires narrative to formulate an identity. Trauma disrupts this process, because “trauma does not lie in the possession of the individual, to be ...
Contributing Partner: UNT Libraries
The Necessity of Movement

The Necessity of Movement

Date: August 2014
Creator: Allen, Emily
Description: This dissertation is a collection of poems preceded by a critical preface. The preface considers emotional immediacy—or the idea of enacting in readers an emotional drama that appears genuine and simultaneous with the speaker's experience—and furthermore argues against the common criticism that accessibility means simplicity, ultimately reifying the importance of accessibility in contemporary poetry. The preface is divided into an introduction and three sections, each of which explores a different technique for creating immediacy, exemplified by Robert Lowell’s "Waking in the Blue,” Sylvia Plath's "Lady Lazarus,” and Louise Gluck's "Eros." The first section examines "Waking in the Blue,” and the poem's systematic inflation and deflation of persona as a means of revealing complexity a ambiguity. The second section engages in a close reading of "Lady Lazarus,” arguing that the poem's initially deliberately false erodes into sincerity, creating immediacy. The third section considers the continued importance of persona beyond confessionalism, and argues that in "Eros," it is the apparent lack of drama, and the focus on the cognitive process, that facilitates emotional immediacy.
Contributing Partner: UNT Libraries
Satire on American Life as Portrayed in the Novels of Sinclair Lewis

Satire on American Life as Portrayed in the Novels of Sinclair Lewis

Date: August 1940
Creator: Norman, Helen Marjorie
Description: Since 1920, Lewis has written only novels in which he has ridiculed the leading phases of American life. He has given an exact picture; he has left no faults uncovered. He loves America and he hates to see her in a state of degeneration. He has tried to appeal to the human side of his public in order to open the eyes of America to her own defects. He has been cynical, satirical, and humorous in his attempt to picture America as she really is. I have chosen the novels that Lewis has written since the year 1920 to show that he has satirized America in her various phases of life. I have not explored the fields of poetry and drama nor the earlier novels; for beginning with Main Street in 1920 and ending with the Prodigal Parents in 1938, Lewis has depicted the faults of a nation struggling for peace and security in a world of materialistic ideals.
Contributing Partner: UNT Libraries
The Gothic Elements in Shelley's Writings

The Gothic Elements in Shelley's Writings

Date: January 1948
Creator: Boaz, Olna Oatis
Description: The purpose of this thesis is to give a basic understanding of Percy Shelley's introduction to Gothicism and to explore the Gothic elements found within his writings.
Contributing Partner: UNT Libraries
Contemporary Women Poets of Texas

Contemporary Women Poets of Texas

Date: August 1942
Creator: Heatly, Katherine Stafford
Description: As a teacher of American literature in high school, I have become conscious of the importance of teaching students of that age level the lore and poetry of their native state. Poems of nature or local color in their own country will hold their interest when material from more distant points seems dull and uninteresting. Through my teaching I have become interested in the poetry of the Southwest and have enjoyed reading the poetry and knowing the poets through personal interview or correspondence.
Contributing Partner: UNT Libraries
Repetitions in the Most Popular Works of Mark Twain

Repetitions in the Most Popular Works of Mark Twain

Date: August 1949
Creator: Chambers, Nettie Jackson
Description: This paper is a study of the repetitions in the works of Mark Twain.The author has chosen repetitions which are most nearly alike and most representative of Mark Twain. The study was limited to repetitions of his own experiences repeated in his works, to repetitions of descriptions of the beautiful and the horrible, and to repetitions which are a result of his humor and a desire to save man from himself.
Contributing Partner: UNT Libraries
Persons and Places in Mark Twain's Fiction

Persons and Places in Mark Twain's Fiction

Date: May 1947
Creator: Sherman, Elizabeth P.
Description: This paper focuses on Mark Twain's writing style and characterization in his fiction. The settings and characters of his fiction are in particular focus, specifically how Mark Twain draws on personal experiences and memories to make his characters and settings more relatable and realistic. A brief biography of Twain's life is given before the author goes into the specifics of characterization and settings.
Contributing Partner: UNT Libraries
Structural and Thematic Development in the Novels of F. Scott Fitzgerald

Structural and Thematic Development in the Novels of F. Scott Fitzgerald

Date: August 1948
Creator: Burks, Sidney L.
Description: In dealing with the individual works, I have attempted to analyze the structural element first, and then to deduce the novel's meaning, or theme, making use, wherever it is possible, of the results of the analysis of structure. In addition, I have attempted to reveal the development of certain themes from one novel to another, and certain developments in characterization and general design. I have attempted to reveal the relationship of the structure and thematic aspects of the individual works to Fizgerald's work as a whole. Finally, I have attempted to demonstrate Fitzgerald's relationship with certain of this peers and forebears in the American novel.
Contributing Partner: UNT Libraries
Plots from Greek Tragedy in Twentieth Century Drama

Plots from Greek Tragedy in Twentieth Century Drama

Date: August 1937
Creator: Talley, Eva Joy
Description: In so far as I have been able to determine, nothing by way of general criticism or comment has previously been written on the subject of Greek plots in twentieth century tragedy, although individual writers have themselves admitted a certain indebtedness to their sources, and comments regarding the specific plays which I have cited, of course, mention a Greek origin. As regards the whole field of contemporary drama, however, I believe that no treaties earlier than this one has discussed the prevalence of Greek plots among twentieth century dramas.
Contributing Partner: UNT Libraries
FIRST PREV 1 2 3 4 5 NEXT LAST