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The Use of the Brass Section in Prokofiev’s Alexander Nevsky
Thesis examines the life of prolific composer Sergei Prokofiev and his work for the motion picture Alexander Nevsky. Gary Langford analyzes Prokofiev's use of the brass section in his compositions for the film.
The Four Chopin Ballades: A Guide to Performance and Interpretation
This paper discusses the origin of literary and musical ballads and focuses on analysis and interpretation of the four Chopin ballades. Jill Beth Street also discusses how to perform these ballades based off of this interpretation.
Analysis of Selected Trombone Methods Developed at the Paris Conservatory of Music
This study described various Trombone methods and specifically analysed the eight methods developed at the Paris Conservatory of Music, which considered to be an outstanding methods for most of the good trombone literature of today.
Analysis of Darius Milhaud's La Creation Du Monde
Darius Milhaud was born on September 4, 1892, to a Jewish family in Aix-en-Provence in the South of France. This study provide analysis of Darius Milhaud's work, entitled La Creation Du Monde.
A Study of Seventeen German Protestant Chorales
German Chorales is a great resource of church music in use today. This study investigate the Seventeen German Protestant Chorales. The researcher hoped that the important work of reviving the invaluable source of inspiration and sacred song will continue and grow.
The Chorale Kyrie, Gott Vater in Ewigkeit and its Use in Bach's Clavierubung, Part III
This study closely explores the Chorale Kyrie, Gott Vater in Ewigkeit and its Use in Bach's Clavierubung. The effect is one of gentilness and intimacy that conceal a wealth of inner emotion.
An Experimental Investigation Into the Predictability and Controllability of Shrinkage in Polymer-Acrylic Emulsion Artists' Paints
The problem of this investigation is to determine if the shrinkage resulting from water loss, which causes cracking in polymer-acrylic emulsion artists' paints, can be controlled to produce a predictable variety of surface textures useful in painting. Preliminary information on the behavior of polymer-emulsion paints was taken from published material such as Mayer's Artist's Handbook of Materials and Techniques, Woody's Polymer Painting, and various manufacturers' technical publications. Experimental investigations were conducted to observe the media under varied methods of application and conditions of drying. The information gathered in the experiments was used to develop techniques producing a variety of predictable textural alterations, which were used in a series of experimental paintings.
Ritual, Sermon, and Prophecy for Bass and Orchestra
This composition is a symphonic setting of three original poems within the confines of an expanded sonata-allegro form and is an approximately twenty-two minutes in duration. The three poems are designed with certain cyclic implications which are related formally to the recurrence of musical ideas. The main application of this plan is found in the duality of formal roles assigned to each of the three major sectional divisions of the work. This is an expanded sonata-allegro, but each section (exposition, development, and recapitulation) is enlarged and individualized to the point of becoming a complete movement in itself. Each is intended to have the internal formal capacity to stand alone and at the same time serve as a section part of the whole. Formal unity is established without excessive dependence upon the poems, as both the music and the texts are formally evolved from the principles of sonata-allegro procedures. The poems were written specifically for this musical setting by the composer and are as an integral part of the compositional process itself; however, the poetry is didactic in purpose and is something of a jeremiad. Each poem relates principally to one of three aspects of existence: a ritual of history, a sermon for the present, and a prophecy of the future.
The Sacrilege of Alan Kent : A Monodrama in Nine Scenes for Baritone Soloist, Orchestra and Tape
The Sacrilege of Alan Kent is a monodrama in nine scenes for baritone soloist, orchestra, and tape. This composition may be presented as a dramatic or concert work. From the standpoint of a dramatic form, it may be considered an opera for one performer in nine brief scenes or vignettes. As a concert work, it resembles a song cycle.
Welcome, All Wonders in One Sight
The structure of the present work is clearly described in the foregoing definition. Consisting of fourteen movements of varying length, it is primarily a vocal work for soprano, tenor, and baritone soloists, mixed chorus and an orchestra of moderate size.
The Eumenides
The Eumenides is a single-movement composition for orchestra, chorus, and prepared electronic tape. It is based on the Orestoian trilogy, The Agamemnon, The Libation Bearers, and The Eumenides, by the classical Greek dramatist, Aeschylus. The text of the composition was formed by the extraction and amalgamation of certain ideas, key-words, and phrases from English translations of the plays made by Buckley, Hadas, Vellacott, and Lattimore, and also from the modern drama, Les Mouches, by the French writer-philospher, Jean-Paul Sartre. Three short passages of Gregorian Chant from the Liber Usualis are used in the coda section of the work.
Johnny, I Hardly Knew Ye : For Chorus and Orchestra
This composition is based off the poem of the same name by Richard Sale. No particular harmonic plan was envisioned for Parts I, II and IV, because it was necessary for the harmonic scheme to be as fluid as the poetry. If the ideas of the text were similar some attempt was made to use a similar or modified melodic line or harmonic scheme. The structure of the text became the structure of the work. The motivating factor is the text, hence the many meter changes in order to keep pace with the poetry.
Pitahaya : Stage Music in One Act
The initial intent in regard to the story line for this work was to utilize an authentic Hispanic-Southwestern folk tale. It was found, however, that the predominance of recorded folk tales was lacking in sufficient plot involvement. It was decided therefore, that a plot would be constructed by the composer using Hispanic folk material. Elements of recorded folk tales are used in the story to maintain the folk-like quality. Some of these elements are a mutual respect among family members, an acceptance of superstitious ideas, a dependence upon a person claiming supernatural powers, the embodiment of the devil in a person or animal, and the punishment of the wayward girl by the devil.
Concerto for Piano and Orchestra
Concerto for Piano and Orchestra is a three movement composition. The performance time of the entire composition is approximately nineteen and one-half minutes. Certain melodic similarities are found in the three movements of this composition because some of the pitch successions selected for motives were derived from a twelve tone row. The harmonic sonorities are based on free choice and derivations from the tone row as were the melodic materials. The rhythm in this work is not serialized or in any other way predetermined.
Piece for Orchestra and Prepared Tape
This composition is a two-movement work for orchestra and prepared electronic tape. The second movement preceeded by a solo tape prologue. The work requires approximately twenty-five minutes for performance. One of the purposes for the composition of this work was to explore the possibilities, potentialities, and limitations of combining orchestral resources and taped electronic material.
Jewish Elements in Representative Published Piano Works of Charles Valentine Morhange (Alkan)
The purpose of this study is to show interrelationships between the thematic contents of those piano works by Alkan that are considered to be representative of his general style and the more commonly used melodic phrases taken from the Jewish Synagogue, mainly prayer chants and accents. An attempt will be made to point out the reason behind consequent unacceptable of Alkan's piano works, despite the efforts of Busoni, d'Albert, and Lewenthal to bring them to public attention. The results of this investigation are presented in a systematic analysis and discussion of Jewish prayer-chants and their structure traceable within Alkan's music and in a presentation in table form of the Jewish accents found among Alkan's melodies. After consideration of the outcome of analysis, elements which are known to be European are also presented. These are mainly keyboard virtuousity and harmony and secondarily, form and rhythm. In this section, Robert Schumann's opinions of Alkan's music are quoted and discussed. Because Schumann's ideas carried into the twentieth century, this gave opportunity for a re-evaluation of the lack of musical beauty inherent in Alkan's music.
A Short History of the Trombone With Emphasis on Construction Innovations and Performance Modifications From 1945 to 1970
For all of recorded history musical instruments have been a source of fascination and curiosity for man. Through a major portion of this time one instrument, the trombone, has evolved with a unique design, character, and history. The earliest trombones, called sackbuts, originally had a sliding mechanism located near the mouthpiece. In the sixteenth century this was improved by the addition of the "U-turn" which facilitated holding and playing. This construction innovation was the last major change in trombone design; the trombone of 1600 was essentially the same as the trombone of today.
Musical Experiences for the Educable Mentally Retarded
The purpose of the study was to indicate procedures leading to meaningful learning experiences through music for the educable mentally retarded child. Four areas of a music curriculum were considered: performing, composition, listening and dancing. Based upon known characteristics of the educable mentally retarded and professional writings of authorities in the fields of both music education and special education, objectives and specific approaches to musical experiences were determined, Twelve performing, eight composition, ten listening and ten dancing experiences are outlined with objective, previous experience, materials, room arrangement, song material, procedure and related activities included in each.
A Comparison of the Staging of the Passion Plays of Oberammergau, Germany, and Mount Oberammergau, U.S.A.
The purpose of this study is to compare the staging of the Passion Play of Oberammergau, Germany, with the staging of The Great Passion Play on Mount Oberammergau, Eureka Springs, Arkansas. Source material includes literary writings of the century concerning Passion plays, interview with the directors of both productions, and eyewitness accounts of the 1970 producation in Germany and the 1970, 1971 producations in Eureka Springs, Arkansas, U.S.A. Photographs of actors and scenes from both productions are used throughout the thesis.
The Teschen Question at the Paris Peace Conference, 1919-1920
This study is an investigation of the negotiations at the Paris Peace Conference, 1919 to make a peace in the Duchy of Teschen Silesia 1919-1920. It is concerned with the principle of self-determination as it was applied to Central Eastern Europe in the aftermath of World War I. Moreover, this investigation seeks to explain the fixing of boundary lines in the Duchy of Teschen in the light of the diplomacy of the Allied Powers on the one hand and Poland and Czechoslovakia on the other. This study is an attempt to portray the overall difficulty involved in making a peace in idealistic terms.
The Recorder in the Twentieth Century
The purpose of this paper is to acquaint the reader with the state of the recorder as a musical instrument in this century. Information has been gathered from standard texts and journal articles to gain more recent ideas. The work is divided into three sections: (1) a brief history of the instrument; (2) a biographical sketch of Arnold Dolmetsch, the man who was most responsible for the revival of the recorder in this century; and (3) a detailed examination of the use of the recorder today. This last section includes the recorder in education, music written for it, recorder performance and organizations, and construction of the recorder. An appendix lists recorders that are available to players in this country. It is this writer's conclusion that the recorder today has regained its status as a performing medium.
The Comparative Usages of the Ninth, Eleventh, and Thirteenth Intervals, in Chordal and Contrapuntal Context, as Analyzed in Richard Wagner, Die Walküre, Act I, and Götterdämmerung, Act I
The purpose of this thesis is to contrast Wagner's usages of the ninth, eleventh, and thirteenth intervals and chords, as found in Die Walküre, Act I and Götterdämmerung, Act I.
X-irradiation Effects on the Action Potentials of Frog Sciatic Nerves Inhibited by Carbon Monoxide and Ouabain
The response of frog sciatic nerve action potentials to x-irradiation and metabolic (carbon monoxide) or transport (ouabain) inhibition was determined in an attempt to further identify the nature of radiation insult to nervous tissue. Carbon monoxide, ouabain (2 X 10-5 M), and nitrogen anoxia were shown to produce a near linear decline in action potential amplitude. The carbon monoxide and nitrogen inhibitions of activity were reversible in air; the carbon monoxide inhibition was light reversible. Ouabain inhibition was partially reversible by soaking the nerve in aerated Ringer's. Application of 120 kv x-rays (75 Kr at 4.9 Kr/min) to nerves during the linear decline in spike amplitude brought about a marked enhancement (146%) of inhibition by 99% CO/l% 02, nitrogen (136%), and ouabain (265%). All bhanges were shown to be statistically significant by a regression analysis. However, x-irradiation did not appear to alter the air reversibility of carbon monoxide and nitrogen inhibitions nor the reversibility in Ringerts of the ouabain inhibition. Additionally x-irradiation completely blocked light reversal of 98% CO/2% 02 inhibition and produced a decline in activity. A possible interpretation of these results is a compensation for radiation action at this dosage requiring metabolism and ion pump activity.
A Study of the Differences in Values and Marital Readiness Between Engaged and Dating Couples
No Description Available.
A Study of Four-Mallet Grips Used in Playing Keyboard Percussion Instruments
The purpose of this study was to evaluate the efficiency of three common grips used in four-mallet playing. The three grips were referred to as (a) the Musser grip, (b) the cross stick grip No. 1, and (c) the cross stick grip No. 2. A thorough description (including illustrations) was given for each grip. The evaluation of efficiency was made through research testing, which was conducted by the author. Forty individuals participated in the research testing. Four tests were conducted, and each test had ten participants. The individuals who participated in Tests I, II and III had no previous four-mallet experience. The individuals who participated in Test IV had previous four-mallet experience. The evaluation of the efficiency covered by the four tests was limited to (a) horizontal movement of the outside mallet(s), (b) horizontal movement of the inside mallet(s), and (c) horizontal movement of the hand (s). According to Tests I, II and III, the majority of beginning four-mallet players will find the cross stick grip No. 2 the easiest and most efficient (as far as the three movements which were tested are concerned) of the three grips. However, some individuals (a much smaller percentage) will prefer either the Musser grip or the cross stick grip No. 1. Many beginners will find the Musser grip extremely difficult. A very small percentage of beginning four-mallet students will have poor efficiency using cross stick grip No. 2. According to the results of Test IV, the efficiency of the Musser grip and the cross stick grip No. 2 improve at a faster rate than does the efficiency of the cross stick grip No. 1. The movements tested in this study are extremely important when playing with four mallets. However, this study was limited to the testing of three types of horizontal movements and, …
Temperament Traits and Self-Concept in Individuals of Varying Creativity from a Normal University Population
"This study investigates the differences in temperament and self-concept between a group of university students scoring in the upper one-third of a distribution of creativity test scores and a group of university students scoring in the lower one-third of that distribution."--[1].
Leadership and Mexican-American Politics: A Study of Two Texas Cities
"In an attempt to determine the effectiveness of the political leadership provided by members of an ethnic group, this thesis investigates the Mexican-American electorate in San Antonio and Laredo, Texas. Three variables were studied: the leaders, the followers, and the circumstances under which both operate...Data for this investigation were gathered through personal interviews and from voting records complied by the county clerks of Bexar and Webb Counties. "--leaf 1.
Racial Turmoil in Texas, 1865-1874
"The primary concern of this work is to present a clearer picture of the Reconstruction period in Texas, particularly as it relates to the black. Little consideration is given to those blacks elected to public office; rather concern is placed on those outside the then 'Establishment.' To view the black in terms of those elected to public office only presents a distorted picture and negates the influence blacks had on electoral politics. In the main, evidence presented by most historians writing on this period has tended to ignore a major factor which has influenced Texas politics, namely violence. Those who acknowledge the presence of this violence tended to 'understand' the southern white and thus justify the use of this violence. The influence of violence is massive and some attempt must be made to understand the actual way in which it was directed. Here it is only established that violence was racial with some political overtones. There is no doubt that further research will prove very valuable in understanding this period."-- leaf 1.
A History of the Itasca Cotton Manufacturing Company
"This study concerns the examination of the historical importance and achievements of a small cotton mill located in the agrarian Texas community of Itasca, Texas. Newspaper clippings and numerous interviews with former mill employees and Itasca citizens supplied factual material pertaining to the Itasca mill; however, company records provided the basic research material for this paper... The company offices have since been destroyed, and most of the records are now in the Southwest Collection at Texas Tech University, Lubbock, Texas...In the final chapter, the author concludes that this mill, like numerous other southern mills, fell under the influence of northern companies because of undercapitalization which severely limited available operating capital. Even though the mill eventually prospered, it never managed to free itself from the influence of northern commission companies. In the final analysis, the Itasca company proved to be different from other cotton duck mills in the South in its development of a line of unique decorative fabrics sold by mail as well as through thirteen company-owned stores."-- leaf 1.
A History of the Speech and Drama Department at North Texas State University as it Relates to General Trends in Speech Education, 1890-1971
"The purpose of this study is to record an accurate account of this development at North Texas State University and to correlate it to general trends in speech education in the United States. The hypothesis for such a study is that historical comparisons may be beneficial to scholars as indicative of those methods that have met with the greatest success."--2.
Representative Nineteenth-Century Choral Symphonies
This study is concerned with the examination of choral symphonies by major nineteenth-century composers. Its purpose is to delineate the common characteristics which these works have. Emphasis is given to the investigation of the choral elements in the symphonies. Detailed musicological studies of nineteenth-century music are minimal; there has. been a particular lack of interest in nineteenth-century works for chorus. Therefore, the principal sources of data for this study were the full scores of the following nine symphonies: Beethoven's Symphony No. 9, Berlioz' Romeo and Juliet and the Funeral and Triumphal Symphony, Mendelssohn's Lobgesang, Liszt's Faust Symphony and Dante Syrmphony, and Mahler's Symphonies Nos. 2., 3, and 8. Other important sources included major biographies of the composers of the symphonies listed. chapter is devoted to each of these composers, subdivided as follows: a general survey of the composer's other works for chorus and/or orchestra; the historical facts connected with the composition and first performance of the individual symphonies; analysis; and conclusions.
Dogmatism, Anxiety, and Attitudes Toward the Vietnam War
The purpose of this study was to determine if there is a relationship between dogmatism, anxiety, and attitudes toward the Vietnam War, and, in the process of doing so, to test Rokeach's hypothesis of independence of belief structure and content in the contextual atmosphere of recent attitudes toward the Vietnam War. The Vietnam War Scale, Form E of the Dogmatism Scale, and a five-situation version of the S-R Inventory of Anxiousness were administered to 104 male students who were enrolled in introductory psychology classes at North Texas State University. It was hypothesized I. That there would be a significant positive relationship between dogmatism (as measured by the Dogmatism Scale) and anxiety (as measured by a five-situation version of the S-R Inventory of Anxiousness). II. That there would be a significant positive relationship between closed-mindedness (as measured by the Dogmatism Scale) and attitudes toward the Vietnam War (as measured by the Vietnam War Scale). III. That the Hawks would show a significantly higher level of dogmatism than the Doves. IV. That the Hawks would show a significantly higher level of anxiety than the Doves. Hypotheses one, two, and three were supported. Hypothesis number four was in the predicted direction, but was not statistically significant. The conclusion of the study was that a relationship exists between dogmatism, anxiety, and attitudes toward the Vietnam War. It was also concluded that Rokeach's hypothesis of independence of belief structure and content does not apply to the contextual atmosphere of recent attitudes toward the Vietnam War.
A Comparison of the Use of Music in the Holy Eucharist of the Roman Catholic Church and the Sabbath Morning Service of the Jewish Synagogue in the Middle Ages
The problem with which this investigation is concerned is that of comparing the medieval musical traditions of two of the world's most influential religions. The similarities are discussed in two major categories: the comparison of liturgical texts and ritual, and the comparison of the music appearing in each ritual. This study has one main purpose. That purpose is to demonstrate how, through musical traditions, each religion has developed through the influence of the other. Samples of the liturgies from the musical portions of the services were obtained from prayer books and references dealing with those religions. Investigations of English translations from the Latin and Hebrew revealed a close identity between the two, not only in scriptural uses, but also in prayers and responses. Musical examples demonstrating similar elements in Hebrew and Christian worship were found in the extensive research of A. Z. Idelsohn and Eric Werner. Due to the dispersal of world Jewry, the best examples of Hebrew medieval music were obtained from the most isolated Jewish communities, such as those of Yemen, Musical similarities included modes, melodic formulas, and hymns and songs. This report concludes that the musical portions of the services of Christianity and Judaism in the Middle Ages were strikingly similar, and their subsequent musical development was strongly influenced by their coexistence.
The Emergence of Schoenberg's Twelve-Tone System through Opus 11, Opus 19, and Opus 23
No Description Available.
A History of the Texas Industrial Arts Association from 1955 to 1971
"The purpose of this study was to record a history of the Texas Industrial Arts Association from 1955 to 1971. Information was sought concerning the following problems: (1) What circumstances prompted the founding of the Texas Industrial Arts Association? (2) Who were those instrumental in founding the Texas Industrial Arts Association? (3) What were the purposes for which the Texas Industrial Arts Association was founded and (4) What have been the major contributions of the association?...the data used in this study were obtained from personal interviews, letters of correspondence, bulletins, brochures, minutes of the association meetings, unpublished manuscripts, theses, programs, and books." --p. 1
Differential Perception of Poverty and Upper Income Areas Within the City Limits of Dallas, Texas, by Students in Areas Identified as Poverty and Upper Income
"The purpose of this study is to describe the differential perception of poverty and upper income areas in Dallas. Groups of students with contrasting socioeconomic backgrounds were included in the study. Their perceptions were analyzed as a function of their socieconomic backgrounds...A map of the city using postal zone divisions and some census tract divisions was constructed. Definitions of poverty and upper income areas were established on the basis of U.S. Census data and statistics from the State Welfare Department in Dallas. Students from a North Dallas prepatory school and a poverty area high school were asked to mark maps to show locations of areas of poverty and wealth...The study concludes that prep school students show both local and cosmopolitan orientations to the city of Dallas, while poverty area students are most aware of their own neighborhood."-- leaf [1].
The Solo Piano Sonata in the United States Since 1945: A Survey
It would seem that the thematic structure of the sonata is at least as important as the tonal scheme, if not more so. With this possibility in mind and with the recognition that composers continue to employ "sonata" as a title, a study of the contemporary sonata seems both useful and valid.
Determining the Predictive Value of Selected Measures for First Grade Reading Success
This study was undertaken to investigate the predictive value of certain tests in relationship to first grade reading success. The following predictor tests were administered to seventy first grade students during the first two weeks of school: Metropolitan Readiness Test, Naming Letters Test, Light Response Test and Matching Symbol Test. The Teacher's Reading Readiness Rating Scale was filled out by each of the seven teachers at the end of the sixth week. The Wechsler Intelignce Scale for Children was administered to each child during the fall. The seventh predictor test was computed by finding the difference in individual scores of the Light Response Test and the Matching Symbol Test.
Béla Bartók, Out of Doors: A Lecture Recital, Together with Three Recitals of Selected Works of L.V. Beethoven, F. Chopin, J. Brahms, R. Schumann, G. Rochberg, S. Prokofieff, M. Ravel and Others
The lecture recital was given January 31, 1971. A discussion of Bartok's Out of Doors, a suite consisting of five movements entitled "With Drums and Pipes," "Barcarolla," "Musettes," "The Night's Music," and "The Chase" included biographical material, general analysis of Bartok's musical style, and specific analysis of the suite itself. The suite was then performed by memory. In addition to the lecture recital three other public recitals were performed. Two of these consisted entirely of solo literature for the piano, and the other was a vocal chamber music recital. The first solo recital was on June 7, 1970, and included works of Alfredo Casella, Beethoven, Chopin, Brahms, and Bartok. Part of the preparation included the writing of program notes of a historical and analytical nature.The other solo program, on July 5, 1971, consisted entirely of twentieth-century works by George Rochberg, Sergei Prokofieff, and Maurice Ravel. The chamber music recital was performed with a visiting soprano, Jane Paul, on February 28, 1971. Emphasis was given to German Lieder by Schumann, Joseph Marx, and Alban Berg, but Spanish songs of the Renaissance, by Juan del Encina and Fuenllana, as well as a modern English song cycle by Peter Warlock were also programmed.
The Changing Role of Planning in Commercial Banks: The Computer and Management Science
This dissertation examines the relationship between computer technology and management science and changes in the role of profit planning within the commercial banking system of the U.S.A. The objective of the study is to develop a generalized profit-planning model which employs the existing decision processes to create pro-forma financial statements for a commercial bank. The study concentrated on the 300 largest commercial banks (ranked by deposits as of December 31, 1969) of the Federal Reserve System. These particular banks held the greatest potential for having a Planning Department, the computing capability necessary for problem solving, and a Management Science Department actively employing management science techniques to profit-planning problems. The research for the dissertation included an in-depth study of secondary sources, an interrogation of commercial bank executives and a detailed questionnaire which was submitted to each of the 300 largest banks. Sponsorship for the Financial Planning Questionnaire was obtained from the Southwestern Graduate School of Banking at Southern Methodist University, Dallas, Texas. The sponsorship helped obtain a large sample return (in excess of 50.0 percent) and thereby increased the statistical reliability of the results of the study.
Changes That Occur with Mild Mental Defectives Following Two Approaches to Group Counseling: Directive and Group-Centered
The problem with which this research study is concerned is that of appraising and evaluating the therapeutic effectiveness of two different group counseling approaches, group-centered and directive, with institutionalized mental defectives. More specifically, this investigation is designed to assess the changes, if any, in self concept, behavior, and anxiety level of mental defectives that result from two different group counseling approaches. The hypothetical assumption is made that there will be a significant positive change in self concept, anxiety, and overt behavior of students participating in group-centered group counseling compared to students in both the directive and control groups.
Thema med Variationer, Opus 40, by Carl Nielsen: A Lecture Recital Two Solo Recitals Including Compositions of W. A. Mozart, F. Schubert, F. Chopin, A. Casella, and R. Muczynski A Chamber Music Recital Featuring Compositions for Clarinet, Viola and Piano, by W. A. Mozart, J. Brahms F. Busoni and A. Uhl
The lecture recital, "Thema med Variationer, Opus 40, By Carl Nielsen" presented a discussion of the composer's general background and the characteristics of his style. Specific points made were related to the Thema med Variationer; the discussion was followed by a performance of the work in its entirety. In addition to the lecture recital, three other recital programs were organized and public concerts presented to provide the platform for the works studied. Two of these programs were of solo piano music and one was of chamber music with the clarinet and viola in partnership with the piano. All programs were recorded on magnetic recording tape. The spoken portion of the lecture recital in written form is filed with the recordings as a part of this dissertation.
The Earliest Trumpet Method Book Extant: A Lecture Recital; Together with Three Other Recitals
This dissertation consists of four programs: one lecture recital, two recitals for solo trumpet, and one in combination with other instruments and voices. The lecture was an exploration of the contents of Modo per Imparare a Sonare di Tromba, by Girolamo Fantini, published in 16358. Fantini, who was also a trumpet player, included in his volume a wide variety of music for the natural trumpet. In addition to military signals and fanfares, the book contains exercises for developing technical ability on the trumpet, a large number of dance pieces with and without accompaniment, duets for two trumpets, and sonatas for trumpet and keyboard.
The Development of Woodwind Fingering Systems: A Lecture Recital, Together with Three Recitals of Selected Solo and Ensemble Works for Bassoon
The lecture-recital, The Development of Woodwind Fingering Systems, traces the evolution of devices for controlling the pitch produced by woodwind instruments from prehistoric times to the present. The addition of keys, and the evolution of collections of individual keys into coordinated systems is particularly stressed, as are the various physical, physiological, and cultural forces which determined the directions of development of these systems. The similarities between the fingerings of various woodwind instruments are explained, a system of numbers is introduced in order to clarify these similarities, and a projection of some possibilities for future development of woodwind fingering systems is offered.
Authoritarianism and Selected Trait Patterns of School Administrators: Seventeen Case Studies
This study was concerned with analyzing selected Texas school administrators in an attempt to locate intrapersonal patterns of (1) values, (2) leadership traits, (3) personality traits, (4) critical thinking ability, (5) perception, and authoritarianism. A second aspect was correlating these profiles with each other. The study had a threefold purpose. The first was to perform a detailed analysis of school administrators to determine selected intrapersonal patterns. The second was to determine possible relationships between these selected profiles. The third was to generate plausible hypotheses for testing the intrapersonal patterns found and for determining the magnitude of any existing relationships. The case studies revealed the uniqueness of each participant in this study. With the possible exception of one individual, certain weaknesses were evident in each of the participants. Canonical correlation and the Pearson correlation of D matrices determined that a relationship existed between many of the profiles. Eight hypotheses were presented at the close of the study as guides for additional research. The results of this study indicated that further research was justified in these particular areas. The results of this study indicated that intrapersonal patterns existed within school administrators and that these patterns or profiles are related. However, the determination of the magnitude of these relationships was left to additional research.
The Effect of Intensive Remotivation Techniques on Institutionalized Geriatric Mental Patients in a State Mental Hospital
The problem with which this study is concerned is that of ascertaining the effects of intensive Remotivation Techniques on institutionalized geriatric mental patients in terms of their ward behavior, self-concept, and visual-motor perceptions and to compare these with the effects of a similar group experience that does not emphasize patient-staff or patient-patient interactions, and a third group which acts a a control. The investigation is designed to answer or obtain information concerning the following questions: (1) Do institutionalized geriatric mental patients in a state mental hospital manifest measurable changes in terms of their (A) ward behavior as defined as raw scores on the Hospital tment Scale (including interpersonal communication and interpersonal relations; self care and social responsibility; level of participation in ward activities, recreation and work therapy; total score), (B) self-concept as defined as Goodenough raw scores on the Draw-a-Person Test, and (C) awareness of environment as defined as Pascal and Suttell raw scores on the Bender Visual-Motor Gestalt Test, as a result of experiencing the social and verbal interactions of intensive Remotivation Techniques? (2) Is the Remotivation Technique more effective in producing these changes than a similar group experience that does not emphasize social and verbal interactions?
Aaron Copland's Concerto for Clarinet: A Lecture Recital, Together with Three Recitals of Music by Mozart, Rossini, Schumann, Brahms, and Contemporary European and American Composers
The dissertation consists of four recitals: one chamber music recital, two solo recitals, and one lecture recital. The repertoire of these programs was chosen with the intention of demonstrating the capability of the performer to deal with problems arising in works of varying types and of different historical periods. The lecture recital, Aaron Copland's Concerto for Clarinet, begins with biographical information, followed by a discussion of various other works of the composer and of important stylistic traits that are contained therein. After thus setting the Concerto in perspective to other major works, an investigation is made into various aspects of form and style which make the Concerto atypical in some respects to the composer t total body of works. Particular emphasis is given to rhythmic and melodic characteristics of the piece which are related to jazz and Latin-American popular music. The formal and stylistic analysis is followed by a discussion of problems involved in performing the Concerto with a piano reduction of the orchestral part, and the lecture concludes with a survey of interpretative problems posed by the work. At the conclusion of the lecture portion of the presentation, the Concerto was performed.
An Investigation of Determinants for Career Development and Advancement
In response to the challenge of helping clientele function in a productive and personally satisfying fashion, the counseling profession assumed the responsibility for assimilating vocational information. The need. was expressed for integrating fragmented vocational information into more meaningful, psychological and sociological theory. More research pertaining to adults is needed to continue the work on this task. This exploratory and descriptive study's primary objective was to analyze vocational stability, achievement, and job satisfaction variables and their relationships to assessed and inferred personality variables for male college graduates with post college work experience who sought career counseling. Holland's assumption which states that congruency between personality and environment produces stability, achievement, and satisfaction was investigated.
The Relationship of Fifth-Grade Students' Self-Concepts and Attitudes toward Mathematics to Academic Achievement in Arithmetical Computation, Concepts, and Application
The purpose of this study was to determine the interrelationship of self-concept and attitude toward mathematics to academic achievement in the areas of arithmetical computation, concepts, and application.
The Effects of Two Types of Group Counseling Procedures with Junior College Students
The problem with which this investigation was concerned was to measure personal adjustment, emotional adjustment, home adjustment, and self-concept changes that took place in junior college students as a result of one-counselor group counseling and male-and-female co-counselor group counseling. The rationale for male-and-female co-counselor group counseling relied on the formation of a simulated family in which individuals could socialize their feelings.
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