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The Chopin Etudes: a Study Guide for Teaching and Learning Opus 10 and Opus 25

Description: The etudes of Chopin are masterworks of the piano literature and are designed to go beyond mere technical exercises; moreover, each etude represents not only a technical study but also has a distinct musical character. Alarmingly, the current trend seems to be to assign the Chopin etudes at an increasingly young age to students who are not yet equipped either technically or musically to handle them. As Chopin’s pupil, Carl Mikuli, commented in the preface to his Chopin edition, the etudes were … more
Date: December 2011
Creator: Kim, Min Joung
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James (Santa Fe) Galloway’s Alabado And The Musical Traditions Of The Penitentes

Description: This dissertation explores the musical traditions of the Penitentes of New Mexico and how these traditions influenced James (Santa Fe) Galloway’s Alabado for soprano, alto flute, and piano. Due to geographical isolation and religious seclusion the music of the Penitential Brotherhood is not well known outside of these New Mexican communities. The focus of this study, as pertaining to the music of the Penitentes, is the alabado “Por el rastro de la cruz,” and the pito, a handmade wooden flute. … more
Date: December 2011
Creator: Weidman-Winter, Rebecca
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Baroque Elements In The Piano Sonata, Opus 9 By Paul Creston

Description: Paul Creston (1906-1985) was one of the most significant American composers from the middle of the twentieth century. Though Creston maintained elements of the nineteenth-century Romantic tradition and was categorized as a “Neo-Romantic” or “20th-century traditionalist,” many of Creston’s compositions contain elements of Baroque music. His Piano Sonata, Opus 9 provides significant examples of Baroque elements, while already foreshadowing his mature style. The purpose of this study is to explore… more
Date: December 2011
Creator: Watanabe, Chie
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Dynamic Measurement of Intraoral Pressure and Sound Pressure With Laryngoscopic Characterization During Oboe Performance

Description: Measurements of intraoral pressure (IOP) and sound pressure level (SPL) were taken of four oboists as they performed two sets of musical exercises: (1) crescendo-decrescendo from pp to ff and back to pp on the pitches D4, G4, C5 and A5, and (2) straight and vibrato performances of the same four pitches at mf. Video images of the vocal tract were also made using flexible fiberoptic nasoendoscopy (FFN). IOP and SPL data were captured in real time by the WinDaq®/Lite software package, with the dB … more
Date: December 2011
Creator: Adduci, Michael Douglas
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Style And Performance Aspects In The Newly Published Piano Sonata By Witold Lutos?awski

Description: Polish composer Witold Lutos?awski (1913-1994) was one of the most representative composers of the twentieth-century. Lutos?awski’s style progressed from traditional to modern avant-garde. His Piano Sonata belongs to his first compositional period, and is the only extant work from his student years. His remarkable synthesis of classical structures and impressionistic harmonic sonorities distinguishes the Sonata. Lutos?awski’s Piano Sonata is divided into three movements, and each movement is wr… more
Date: December 2011
Creator: Park, Eun Jeong
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Jean-michel Defaye’s Á La Maniére De Debussy Pour Trombone Et Piano: A Compositional Comparison To Claude Debussy’s Harmonic, Melodic, And Rhythmic Practices

Description: Jean-Michel Defaye composed Á La Maniére de Debussy in 2001 as part of a series of trombone solos written to emulate the compositional styles of significant predecessors. This study compares Á La Maniére de Debussy to the harmonic, melodic, and rhythmic practices of Claude Debussy (1862–1918), an innovative French composer and recognized figure of musical Impressionism. At present, there is limited scholarship on Defaye’s Á La Maniére de Debussy and its compositionally imitative nature. The … more
Date: December 2011
Creator: Rader, Aaron Christian
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The Role Of The Piccolo In Beethoven's Orchestration

Description: This dissertation discusses the role of the piccolo in Beethoven’s orchestration in his symphonic works. These include the Fifth Symphony, the Sixth Symphony, the Egmont Overture and the Ninth Symphony. The document includes the history of piccolo’s development since the ninth century B.C. until the modern Boehm piccolo. The author provides comparative observation through Beethoven’s orchestration techniques such as the range covered, instrumental pairing, balance, and melodic organization of e… more
Date: December 2011
Creator: Teng, Kuo-Jen
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The Klezmer Influence in Paul Schoenfield’s Klezmer Rondos

Description: Paul Schoenfield’s Klezmer Rondos is a work for flute, male vocalist, and orchestra revised in 1994 according to the score given to me by the composer. A review of current research in klezmer heritage music is the starting point to place Klezmer Rondos in the context of art music infused with klezmer flavor. Klezmer music can be defined as the instrumental folk music of Eastern European Jews, however because of its adaptability and quality of assimilating other cultures within it, this heritag… more
Date: December 2011
Creator: Trimble, Mark
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Erwin Schulhoff (1894-1942): An Analytical Study and Discussion of Concertino for Flute, Viola, Double Bass, WV 75, and Sonata for Flute and Pianoforte, WV 86

Description: Erwin Schulhoff (1894–1942) was a Czechoslovakian musician born in Prague, to a German-Jewish family, and whose life came to a premature end in 1942 at the Wülzburg concentration camp, near Weißenburg, Bavaria. Schulhoff’s life, compositional style, and two of his flute works are addressed in this dissertation: Sonata for flute and pianoforte, WV 86, and Concertino for Flute, Viola, and Double Bass, WV 75. Each work is considered as a discrete entity, and insight provided into the structure of … more
Date: December 2011
Creator: Harman, Maria D Alene
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The Compositional Transformation and Musical Rebirth of Leo Ornstein

Description: This study focuses on the transformation of Leo Ornstein’s (1893-2002) musical language of his early years into the strikingly different approach found in his later years. Ornstein’s initial radical compositions from the mid-1910s were no doubt representative of the direction in which modern music was moving. Despite the intense fame and notoriety of his early works, Ornstein did not feel connected to the trends of modern music development, and by the end of the 1930s he withdrew from the pub… more
Date: December 2011
Creator: Bonney, Michael
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The Concept Of “Unity” In Isang Yun’s Königliches Thema Fr Violine Solo

Description: A Korean-German composer Isang Yun.s life was evenly distributed between two different countries, and his music contains both elements of performance practices of Eastern Asian and Western music. This dissertation presents his ethnic and aesthetic musical roots by an analytic examination of his solo violin piece, K♠nigliches Thema (1976). The dissertation is divided into four chapters. The first chapter contains Isang Yuns biography and his works of the four periods. The second chapter studies … more
Date: December 2011
Creator: Kim, Songyoung
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"The Rainy Fragrance Musical”: Wintter Watts’ Song Cycle Vignettes Of Italy With Poetry By Sara Teasdale

Description: Wintter Watts (1884-1962) was one of the most admired composers of American art song in the early twentieth century. The history of great singers who performed his songs at that time attests to the reputation of Watts as a song composer. Unfortunately the songs of Watts have become largely neglected by singers from later generations. The song cycle Vignettes of Italy (1919) for high voice is regarded by many as Watts♠ best-known composition. Vignettes of Italy was frequently performed by many f… more
Date: December 2011
Creator: Kwon, Hye-Ryung
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Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach

Description: Numerous scholars have studied the Clavierübung III, but their studies mainly focused on the relationship between the chorale text and Bach♠s response in music. Analysis without explaining J.S. Bachs word painting in other chorale preludes can be found easily, but most analyses treat rhetoric, especially those dealing with Clavierübung III. There have been numerous studies linking Bach's organ works to Lutheran doctrine. However, to give a better understanding of the work's structure and its i… more
Date: December 2011
Creator: Kwon, Wonjung
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Minimalism, Exoticism, and Alternatim in Tarik O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above

Description: Abstract British composer Tarik Hamilton O’Regan is a significant choral composer of the early twenty-first century. O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above exhibit two notable compositional techniques: minimalism influenced by Steve Reich and exoticism representing Balinese gamelan and Andalusian music. Additionally, Reich joins the technique of minimalism with the Renaissance practice of alternatim. The examination of these works will demonstrate the application of th… more
Date: December 2011
Creator: Choi, Sangyun
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Mikrokosmos and 32 Piano Games: Introducing Contemporary Musical Language and Developing Piano Technique for the Beginning Student

Description: As new musical styles have emerged in the twentieth century with characteristic sounds, chords, forms, meters, and intervals, teachers need to broaden and re-define the way they introduce musical concepts to beginning piano students. The purpose of this study is to offer different instructional possibilities aside from conventional methods of teaching beginning pianists. This is accomplished through a comparison of the two different approaches of the Hungarian composer Béla Bartók and the Ameri… more
Date: August 2011
Creator: Song, Hyun-Joo
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A Pedagogical and Analytical Study of Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar

Description: Polymeter has been a relatively unexplored compositional technique of music of the Common Practice Period. Dušan Bogdanović’s Polyrhythmic and Polymetric Studies for Guitar is recognized in the guitar world as not only an important theoretical treatise, but also a benchmark for more advanced levels of improvisation. Currently, his treatise remains the best source for learning polymetric improvisation on the guitar. My personal contribution stems from the idea that multiple interpretations of th… more
Date: May 2011
Creator: Morey, Michael J.
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Ancient Musical Ideas Through a Twenty-First Century Lens: An Examination of Tarik O’Regan’s Scattered Rhymes and Its Relationship to Guillaume de Machaut’s Messe de Notre Dame

Description: British composer Tarik Hamilton O’Regan (b. 1978, London) is earning a reputation as an important composer of today. The innovative works of O’Regan are entering the spectrum of professional, educational, and community performing organizations across the United States and Europe. Scattered Rhymes’ intricate melodic, harmonic, and rhythmic relationships with Messe de Notre Dame by Guillaume de Machaut (c.1300-1377) make an examination and comparison of the two works significant. Analyzing Scatte… more
Date: August 2011
Creator: LaBarr, Cameron Frederick
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Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works

Description: The early baroque songs, or cantatas, of Luigi Rossi (1597-1653) are largely absent from the canon of standard Italian vocal repertory utilized by young singers and voice teachers today. In this document Rossi’s composition style is considered, along with modern edition trends, within the emerging genre of Italian early baroque song. Several of Luigi Rossi’s vocal works — chosen for their simplicity, brevity, dramatic content, and suitability for a young singer — are presented in modern transcr… more
Date: August 2011
Creator: Griffiths, Sarah Abigail
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Orchestral Etudes: Repertoire-Specific Exercises for Double Bass

Description: In this project, frequently required double bass orchestral audition excerpts as well as their individual technical difficulties are identified. A survey of professional double bass players and teachers currently and formerly employed by major orchestras, universities, and conservatories have participated to validate the importance of four of the most frequently required orchestral excerpts: Ludwig van Beethoven’s Symphony No. 9, Mvt. 4, and Symphony No. 5, Mvt. 3; Richard Strauss’ Ein Heldenle… more
Date: August 2011
Creator: Unzicker, Jack Andrew
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A Performance Guide to the Trumpet Repertoire of Jacques Castérède Focusing on Brêves Rencontres and Concertino for Trumpet and Trombone

Description: Jacques Castérède's works for brass are monumental and demand extreme agility from the performers. Many brass players are familiar with the Sonata for Trombone, but Castérède's trumpet repertoire has not been as thoroughly considered. Due to the lack of scholarly works and recordings of Jacques Castérède trumpet repertoire, a study is necessary to aid its performance. The study is based on performance analysis and interviews with the composer. The first chapter provides information on the compo… more
Date: May 2011
Creator: Stoupy, Etienne Denis
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An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut

Description: Four Rotations Pour Marimba (1996) by Eric Sammut has become one of the most important marimba compositions in serious concert solo marimba literature. Four Rotations Pour Marimba is a suite of four short pieces; each of them demonstrates a different musical character while incorporating similar compositional components and techniques. The goal of this thesis project is to create a stylistic analysis for providing the concert marimbist with insight into the interpretation of these four pieces … more
Date: May 2011
Creator: Suen, Ming-Jen
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Twelve Jazz Standards and Improvisations Transcribed and Adapted for Horn

Description: The purpose of this manuscript is to provide a representative collection of jazz standards with improvised solos fashioned after the types of resources available for traditional jazz instruments, yet transcribed and adapted specifically for horn, hence, expressly designed to assist horn players in achieving greater success in jazz performance. By providing transcriptions and adaptations of significant performances from jazz history, horn players will have a resource with which they can better … more
Date: May 2011
Creator: Salisbury, Linda J.
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A Practical Approach to Donald Martino's Twelve-Tone Song Cycles: Three Songs and Two Rilke Songs, for Performance

Description: The performance of vocal works using the twelve-tone technique requires thorough study of complex rhythms, non-tonal melodies, non-traditional notations, and specific musical terms. They generally also require advanced and varied vocal techniques. Twelve-tone vocal works often contain unusual features vital to the composer's intention. One of the premiere twelve-tone composers in the United States, Donald Martino (1931-2005) composed only two solo vocal works using the twelve-tone technique: Th… more
Date: May 2011
Creator: Yang, Yoon Joo.
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Alfredo Casella's Serenata, op. 46, A Performance Guide for the Ensemble and Trumpet Part

Description: Alfredo Casella's Serenata, op. 46 for clarinet, bassoon, trumpet, violin and cello is a composition that received great acclaim at the time of its conception, it is all but unknown to modern audiences and performers. The Serenata has several historical influences from the French and Italian Baroque and Classical periods. At present, there is limited scholarship regarding the Serenata op. 46. The first section of this study presents a survey of historical information, current literature and met… more
Date: May 2011
Creator: Walker, Brian Matthew
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