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Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 2]

Description: The purpose of this study is to provide a practical English translation of Vincenzo Galilei's significant treatise on ancient and modern music (1581). In spite of the important place this work holds in the history of music, it has never before been made available in its entirety in any language other than the original Italian. This volume includes chapters 4-6, with an index and bibliography for the entire dissertation.
Date: August 1973
Creator: Herman, Robert H.
open access

A Study of Timbre Modulation Using a Digital Computer, with Applications to Composition

Description: This paper presents a means of modulating timbre in digital sound synthesis using additive processes . A major portion of the paper is a computer program, written in Pl/1, which combines this additive method of timbre modulation with several other sound manipulation ideas to form a compositional program. This program-which is named CART for Computer Aided Rotational Translation-provides input for the Music 360 digital sound synthesis program. The paper contains three major parts: (1) a discussi… more
Date: December 1977
Creator: Hamilton, Richard L.
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A Study to Determine the Effect of a Program of Rhythmic Training on the Ability to Perform Music at Sight

Description: The purpose of this study was to determine the effect of a program of rhythmic training upon the ability to perform music at sight. In addition to examining the overall sight-reading improvement, rhythm reading improvement was also investigated. The program of rhythmic training utilized the Temporal Acuity Products (TAP) system as the rhythm training aid. From these findings it was concluded that the program of rhythmic training did not affect the ability to perform music at sight. A transfer o… more
Date: May 1979
Creator: Massingale, George W.
open access

The Music of Anton Webern

Description: In this study, the Anton Webern's music is considered in two groups: that which was written before Webern adopted the twelve-tone technique, Opp 1-16, and that written in the twelve-tone technique, Opp. 17-31. This division is not intended to represent an attempt at periodization of Webern's music, for the changes of style in Op. 17 are not that significant. But the fact that Webern employed the twelve-tone technique in all the works he wrote after Op. 16 makes this a natural point of division … more
Date: May 1960
Creator: McKenzie, Wallace Chessley
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The Organ Works of Ottorino Respighi Together with Three Recitals of Selected Works of J. S. Bach, W. Bolcom, J. Guillou, J. Langlais, F. Liszt, C. Tournemire and L. Vierne

Description: This dissertation deals with Respighi's output for the organ which consists of the Three Preludes for organ solo, a Suite in G for strings and organ, two transcriptions (the Vitali Ciaccona, and a Suit by Bach), both for violin and organ, and various organ parts in the symphonic poems, operas, and orchestral works. If Respighi was not an innovator, he was at least creative in his use of the organ in his orchestral works. The organ was used primarily for color by adding depth, body, and novelty … more
Date: August 1979
Creator: Ferré, Susan
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The Bands of the Confederacy: An Examination of the Musical and Military Contributions of the Bands and Musicians of the Confederate States of America

Description: The purpose of this study was to investigate the bands of the armies of the Confederate States of America. This study features appendices of libraries and archives collections visited in ten states and Washington D.C., and covers all known Confederate bands. Some scholars have erroneously concluded that this indicated a lack of available primary source materials that few Confederate bands served the duration of the war. The study features appendices of libraries and archives collections visited… more
Date: August 1987
Creator: Ferguson, Benny Pryor
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The D Major Clarinet Concerto by Theodor von Schacht (1748-1823): A Lecture Recital, Together with Three Additional Recitals of Selected Works of Brahms, Richmond, Rossini, Crusell, Reger, and Others

Description: The dissertation consists of four recitals: repertoire consisting of solo compositions, music for clarinet alone, chamber music, and one lecture recital. The repertoire of these programs was chosen with the intention of demonstrating the capability of the performer to deal with problems arising in works of varying types and of different historical periods. The lecture recital, The D Major Clarinet Concerto by Theodor von Schacht, discusses background for the development of the clarinet in diff… more
Date: May 1986
Creator: Hill, James Walter, 1951-
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An Investigation of Extrinsic Laryngeal Muscle Responses to Auditory Stimulation

Description: The purpose of this study was to provide, through systematic investigation, empirical data to support or reject the assumption that auditory stimulation by discrete pitches evokes consistent muscle responses in the extrinsic laryngeal muscles. The study was an electromyographic investigation of specific upper and lower extrinsic laryngeal muscles as stimulated by two specific pitch stimuli. The responses were evoked by auditory stimulation, without vocalization. From these findings, it was conc… more
Date: August 1985
Creator: Wallace, Jerry D. (Jerry Don)
open access

The Keyboard Ricercare in the Baroque Era: Volume 1

Description: This study seeks to examine the history of the ricercare, specifically in the baroque era. In this work, all types of keyboard compositions that utilize imitative counterpoint have been examined. Late baroque fugues have been examined to determine which characteristics of the earlier ricercare remained in general use and which specific compositions contain elements causing them to resemble strongly the parent form.
Date: August 1963
Creator: Douglass, Robert S. (Robert Satterfield), 1919-
open access

The British Museum Manuscript Additional 35087: A Transcription of the French, Italian, and Latin Compositions with Concordance and Commentary

Description: The London British Museum Manuscript Additional 35087, hereafter referred to as London Add. 35087, is an important parchment manuscript in large octavo choirbook arrangement from the beginning of the sixteenth century. Its measurements are 19.4 x 29.3 centimeters. The manuscript contains ninety-five folios and one stub where a leaf has been torn out (f. 4).1 The last composition in the manuscript is incomplete, which indicates that one leaf is lacking at the end (f. 96). Two sets of foliation … more
Date: August 1967
Creator: McMurtry, William M.
open access

Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Basevi 2439: Critical Edition and Commentary

Description: The subject of the present study, Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, MS Basevi 2439, abbreviated Florence 2439,1 contains secular and sacred vocal music of the late fifteenth and early sixteenth centuries, with texts in French, Dutch, Italian, and Latin.
Date: June 1968
Creator: Newton, Paul George, 1930-
open access

Messiaen's Influence on Post-War Serialism

Description: The objective of this paper is to show how Olivier Messiaen's Mode de valeurs et d'intensites influenced the development of postwar serialism. Written at Darmstadt in 1949, Mode de valeurs is considered the first European work to organize systematically all the major musical parameters: pitch, duration, dynamics, articulation, and register. This work was a natural step in Messiaen's growth toward complete or nearly complete systemization of musical parameters, which he had begun working towards… more
Date: August 1984
Creator: Muncy, Thomas R.
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The Poetic Ideal in the Piano Music of Franz Liszt: A Lecture Recital, Together with Three Recitals of Music by Mozart, Beethoven, Schubert, Chopin, Brahms, and Contemporary European and North American Composers

Description: The dissertation consists of four recitals: one chamber music recital, two solo recitals, and one lecture recital. The chamber music program included a trio with the violin and cello performing with the piano. The repertoire of all of the programs was intended to demonstrate a variety of types and styles of piano music from several different historical periods. The lecture recital, "The Poetic Ideal in the Piano Music of Franz Liszt," was an attempt to enter a seldomexplored area of Liszt's mus… more
Date: December 1972
Creator: Lawhon, Gladys Louise, 1911-
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Music and its Relation to Futurism, Cubism, Dadaism, and Surrealism, 1905 to 1950

Description: Inasmuch as this investigator can determine, no major study has been done concerning music's relation to the "isms" selected for this discussion. The contemporary interest in the movements themselves has been so widespread that the documentation of them, in scattered accounts, is enormous. It is disappointing that these records provide little or no information about the musical aspects of the movements; the graphic and literary accounts, on the other hand, have been accorded generous treatments… more
Date: January 1969
Creator: Greer, Thomas H. (Thomas Henry), 1916-
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Ludwig van Beethoven: 33 Variations on a Waltz by Diabelli, Op, 120, A Lecture Recital, Together with Three Recitals of Selected Works of J. S. Bach, L. van Beethoven, R. Schumann, F. Chopin, F. Liszt, S. Prokofiev, and E. Granados

Description: The lecture recital was given December 5, 1971. A discussion of Beethoven's 33 Variations on a Waltz by Diabelli, Op. 120 included the circumstances under which the work was composed, analysis of the composition, and controversial opinions on the Variations. The piece was then performed by memory. In addition to the lecture recital three other public recitals were performed. These consisted entirely of solo literature for the piano. The first solo recital was on April 12, 1970, and included wo… more
Date: December 1972
Creator: Da Roza, Natalia, 1940-
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Martin Agricola's 'Musica Instrumentalis Deudsch': A Translation

Description: The problem with which this investigation is concerned is that of presenting a concise English translation of the book which Martin Agricola wrote in 1528 in German on the musical instruments and practices of his time. In addition to the translation itself, there is a major section devoted to a comparison of the material of Musica instrumentalis deudsch with other books and treatises on the same and related subjects which were written at approximately the same time or within the next hundred ye… more
Date: May 1972
Creator: Hollaway, William W.
open access

The Lute Books of Giulio Cesare Barbetta: A Polyphonic Transcription of the Composer's Complete Works and an Analysis of the Fourteen Fantasias Volume I

Description: The great number of musical sources preserved in manuscript and printed form clearly reflects the prominent position held by the lute as a musical instrument during the sixteenth and early seventeenth centuries. Only a relatively small portion of this vast literature is presently available to scholars and interested laymen in the form of modern transcriptions. Referred to as "l'instrument noble par excellence," the lute's popular and fashionable appeal is evidenced by the large number of compos… more
Date: August 1973
Creator: Thomas, Benjamin W., 1937-
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Late Seventeenth-Century Italian Trumpet Concertos of the Bologna School: a Lecture Recital; Together with Three Other Recitals

Description: The lecture was given on March 3, 1974. The discussion of the Bolognese trumpet works consisted of an exploration of the local agencies that nurtured the compositional activity centered around San Petronio, biographical details of the principal composers, and stylistic and formal analyses of the works that were performed. Selections were performed from the early, middle, and late segments of the period, represented by the composers Maurizio Cazzati, Petronio Franceschini, and Giuseppe Torelli. … more
Date: August 1974
Creator: Jackson, David L., 1944-
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Béla Bartók, Out of Doors: A Lecture Recital, Together with Three Recitals of Selected Works of L.V. Beethoven, F. Chopin, J. Brahms, R. Schumann, G. Rochberg, S. Prokofieff, M. Ravel and Others

Description: The lecture recital was given January 31, 1971. A discussion of Bartok's Out of Doors, a suite consisting of five movements entitled "With Drums and Pipes," "Barcarolla," "Musettes," "The Night's Music," and "The Chase" included biographical material, general analysis of Bartok's musical style, and specific analysis of the suite itself. The suite was then performed by memory. In addition to the lecture recital three other public recitals were performed. Two of these consisted entirely of solo l… more
Date: August 1971
Creator: Kincaid, Desmond, 1931-
open access

Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 1]

Description: The purpose of this study is to provide a practical English translation of Vincenzo Galilei's significant treatise on ancient and modern music (1581). In spite of the important place this work holds in the history of music, it has never before been made available in its entirety in any language other than the original Italian. This volume includes the front matter and chapters 1-3.
Date: August 1973
Creator: Herman, Robert H., 1934-
open access

MCABC 0475 an Original Composition

Description: MCABC 0475 is the first composition generated by MCABC (Music Composition Aided by Computer), a computer program written in PL/1. Its duration is approximately 14 minutes. Using a North Texas State University computer library program, the full score and parts were drawn by the CALCOMP plotter. The text, which discusses processes and procedures in developing MCABC 0475, as well as indeterminacy, aesthetics of computer composition, and pro gr am user information, was printed by the IBM 1403 line … more
Date: August 1975
Creator: Wilson, Don, 1942-
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The Virtuoso Clarinet: Arrangements from Nineteenth-Century Italian Opera, A Lecture Recital, Together with Three Recitals of Selected Works of B. Bartók, J. Brahms, E. Carter, B. Crusell, M. Clyne, C. Debussy, P. Hindemith, R. Schumann, G. Tartini, R. Vaughan Williams, and C. Whittenberg

Description: The lecture recital was given on July 25, 1977. Transcriptions and arrangements for clarinet and piano of nineteenth-century Italian opera were popular during the virtuoso wind era and are representative of an important phase in the history of clarinet playing. Arias of Rossini and Verdi and a fantasia based on Rigoletto were performed during the lecture recital. In addition to the lecture recital, three other public recitals were performed, including solo compositions for clarinet and chamber … more
Date: December 1977
Creator: Petersen, John William
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A Comparative Study of the Effects of Two Experimental Methods of Guidance on Vocal Solo Memorization

Description: The purpose of this study was to compare the effects of guided musical analysis and guided attention to textual understanding on the speed of solo memorization by selected university vocal students. The guided musical analysis consisted of instruction to a subject regarding the melodic elements, rhythmic elements, phraseology, form, and key relationships of the experimental songs. The guided attention to textual understanding consisted of instruction to a subject regarding the meaning and phras… more
Date: May 1975
Creator: Reynolds, Martha Helen
open access

The Life and Music of Jacques-Christophe Naudot

Description: Favorable judgment of a work of art, or of a man, usually means that the work of art, or a record of the man, will be preserved for future generations to judge for themselves. An unfavorable judgment may result in a richly deserved obscurity or an irreplaceable loss, unless favorable circumstances combine to preserve the evidence for a more perspicacious generation. One can be forgiven if he distrusts history's judgment; mistakes which have been corrected are legion (the case of J. S. Bach come… more
Date: June 1970
Creator: Underwood, T. Jervis (Troy Jervis), 1932-
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