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Process, Form, and Function

Description: Process and form have always been important to my work. I emphasize the soft qualities of clay while working with traditional forms that are altered for visual interest. Usability is very important, the forms have to function well according to their intended use. The relationship between form and manipulation relied on usability of the form. Functionality was paramount within this body of work. I consciously searched for balance between form and manipulation, form and glaze, form and function,… more
Date: August 2001
Creator: Platt, Allyson

Gestural Expressions in Clay

Description: The nature of clay's physical attributes and the application of these characteristics to an expression of gestural movement in utilitarian ceramics.
Date: August 2001
Creator: Neergaard, Nancy Dart

Mis Raices, Mi Hogar: My Roots, My Home

Description: The lack of ancestral record instilled in me this desire to hold on to memories, and to leave my children with permanent records or memories of our family. My desire to work with metals was inspired by the need to encapsulate a record of memories through a more permanent means. The durability of steel, I feel, can be used as a diary, in the form of an artistic and lasting object, rather than written words. The need to leave behind a legacy inspired me to explore the use of lockets and container… more
Date: May 2001
Creator: Ramirez, Diana C.

Round

Description: My approach to the art making process is a kind of poetic reverie on forms and spaces. Webster’s Encyclopedic Unabridged Dictionary defines reverie as “a state of dreamy meditation or fanciful musing; a daydream, a fantastic, visionary or unpractical idea.” It is a romantic notion that has less to do with the big questions of existence than it does the incidental parts of daily existence. Reverie is a state of mind that comes from being receptive and finding simple pleasure in the affects of im… more
Date: May 2001
Creator: Pepper, Jennifer Whayne

Prototypes: Hand Masters Machine

Description: I investigated several problems I have found concerning contemporary jewelry design. These problems are linked to the industrialization of jewelry making. The industrialization of jewelry making led to the preference of using less precious metal, of using Prong, Crown, and Channel stone-settings, and of using high polished mirror finish for surface treatment. My work addressed the prominence of metal in jewelry design and alternate forms and techniques of stone-setting and surface treatment.
Date: May 2001
Creator: Milton, Robert L.

Exploration of Sculpture

Description: The images that I sculpt deal with reflections of human traits. Wood lends itself to this endeavor, offering minimal resistance to manipulation. Keeping the origin and qualities of the material while manipulating it into another object is a statement within itself. Letting the wood do what it does naturally keeps the viewer in touch with the fact it is still just an object of nature. Wood does not make itself any less real because of the relationship of the sculpture to it as wood.
Date: December 1999
Creator: Coldewey, Charles

Texas Cowboy as Myth: Visual Representations from the Late Twentieth Century

Description: The working cowboy remains part of the contemporary culture of Texas. A visual record of him appeared early in the state's history, in daguerreotypes, followed by representations in contemporary black and white as well as color photographs, film and video. Although the way of life for the Texas cowboy has changed, it remains a thriving part of the Texas economy, society, and culture. Moreover, the image of the cowboy has permeated popular culture and fine art. This paper explores what late twen… more
Date: August 2006
Creator: Seaton, Melynda

Art Criticism and the Gendering of Lee Bontecou's Art, ca. 1959 - 1964

Description: This thesis identifies and analyzes gendering in the art writing devoted to Lee Bontecou's metal and canvas sculptures made from the 1959 - 1964. Through a careful reading of reviews and articles written about Bontecou's constructions, this thesis reconstructs the context of the art world in the United States at mid-century and investigates how cultural expectations regarding gender directed the reception of Bontecou's art, beginning in 1959 and continuing through mid-1960s. Incorporating a des… more
Date: December 2005
Creator: Estrada-Berg, Victoria

Style and the Art of Chaim Soutine: Ethnicity, Nationalism and Geography in the Critical Reception and Historiography

Description: This thesis argues that art criticism published during Soutine's lifetime emphasizes ethnicity, nationalism and geography in discussions of the artist's style. These critical discussions have influenced the historiography of Soutine published after his death, resulting in a continued emphasis on style that includes references to ethnicity. Ethnicity, nationalism and geography are identified in the critical reception and historiography by noting references, both specific and implied, to Jewishne… more
Date: August 2006
Creator: Grance, Heather Anne

Images of women shopping in the art of Kenneth Hayes Miller and Reginald Marsh, ca 1920-1930.

Description: This thesis examines images of women shopping in the art of Kenneth Hayes Miller and Reginald Marsh during the 1920s and 1930s. New York City's Fourteenth Street served Kenneth Hayes Miller and Reginald Marsh, respectively, as a location generating the inspiration to study and visually represent its contemporaneity. Of particular interest to this thesis are relationships between developments in shopping and the images of women shopping in and around Fourteenth Street that populate the paintings… more
Date: August 2006
Creator: Blake, Amanda Beth

The Flora and Fauna in Eighteenth-Century Colonial Mexican Casta Paintings

Description: The primary objective of this thesis is to identify patterns of appearance among the flora and fauna of selected eighteenth-century New Spanish casta paintings. The objectives of the thesis are to determine what types of flora and fauna are present within selected casta paintings, whether the flora and fauna's provenance is Spanish or Mexican and whether there are any potential associations of particular flora and fauna with the races being depicted in the same composition. I focus my flora an… more
Date: May 2006
Creator: Torres, Anita Jacinta

Theory in Practice: Constructivism and the Technology of Instruction in an Authentic Project-based Computer Class

Description: While literature in areas of constructivism learning theory, use of computer technology in education, and the implementation of project-based learning in the classroom have received widespread attention, there is no reported research that specifically examines the effectiveness of using a project-based learning model for computer technology instruction for pre-service teachers' programs in general, and in art education in particular. Thus, the research problem was to examine through pre- and p… more
Date: May 2006
Creator: Esmaiel, Yousef Esmaiel

Transplants

Description: The body of work originating from this Problem in Lieu of Thesis consists of paintings on canvas that incorporate representations of plant material. The impetus for the paintings was black and white photocopies created from mounds of plant material placed on a copy machine. The resulting copies contained forms that were organic in appearance, but unrecognizable as known objects. Parts of the most interesting and ambiguous copies were used to develop the imagery of the paintings. The new forms s… more
Date: December 2004
Creator: Holden, Susan Morrow

Key Components of a Comprehensive Visual Information System for College-Level Design Education Curriculum Analysis

Description: Electronic and computer technology have advanced and transformed graphic design. New technologies are forcing design educators to constantly monitor and update their programs, creating a need for a system to be adopted by college-level institutions to better investigate, evaluate and plan art and design curriculum. The author identifies metaphorical approaches to designing a two-part solution, which includes a Comprehensive Visual Information System (CVIS) and Three-Dimensional Virtual Database… more
Date: May 2004
Creator: Short, Scott Allen

Instigating a Necessary Epiphany in Visual Message-Making for Design Educators and Future Communication Designers

Description: Man has used graphic signs and symbols to express a variety of thoughts and feelings since before the invention of writing; they have helped him to preserve the ideologies that have enabled him to articulate his conception of the world. Every culture in every historical era has invested the objects, animals and plants around it with a multitude of different psychological meanings to communicate its essential belief systems and social aspirations. In my document, I chose to shed light on the res… more
Date: May 2004
Creator: Sarkaria, Gagandeep

Polymorphous

Description: The first section explores how far I could stretch dichotomy in formal terms, while maintaining a visually resonant image. I wanted to manipulate a superficial surface filtered through "natural forms" as seen in scientific imagery. By this I wanted to create access to a place where forms could play and imagination could wander. I was seeking to find a confluence in seemingly opposing forces that would coexist in the same work. The second section answers questions I had established for myself. T… more
Date: May 2004
Creator: Maxwell, Sarah

Space Vessels

Description: The submarine and the spaceship fit in perfectly with the ideas of permanence and protection on which my work has been focusing. It is not coincidental that I have long been fascinated with the shapes and mechanisms of these vehicles. They are complex machines designed for a complex function; I find the precision of this to be appealing. I have used their shapes and mechanisms as design aspect in my thesis work. Also, in the studio, I have developed a type of Damascus steel bowl by modifying a … more
Date: May 2004
Creator: Herndon, Mark

When Reality Was Surreal: Lee Miller's World War II War Correspondence for Vogue

Description: During World War II, Lee Miller was an accredited war correspondent for Vogue magazine. Miller was trained as a surrealist photographer by Man Ray, and her wartime work, both photographic and written, is indicative of a combination of journalism and surrealism. This thesis examines Lee Miller's war correspondence within the context of Vogue magazine, establishing parallels between the photographs and writing to determine how surrealism informs it stylistically and ideologically. Using surreal… more
Date: December 2003
Creator: Rose, Josh

Painting with Clay

Description: The body of work created during this exploration indicates that painting approach can actively integrate with the clay element. The main point is the surface manipulation during this process. There are four factors relate to this manipulation: timing, action, style, and size. Overall, the painting approach can be modified to create a truly active relationship with clay element. The final touch by the fire and glazing techniques reflect paintings approach may be used in a variety way to decorate… more
Date: December 2003
Creator: Pan, Yi-Tze

Theoretical Study Using the Sense of Touch in Interior Design for Senior Living Environments

Description: Through my work, I explored the application of texture and materials as a means to identify specific functions. I show how texture and material selections that specifically engage the sense of touch can aid in effective environments for the elderly. By means of this study, I demonstrated how the sensory perception of the elderly is utilized in designing productive environments for the senior population in regards to the sense of touch. The interior design of senior living environments can great… more
Date: August 2003
Creator: Kile, Mia

Organic Revelations

Description: Recently my creative process has led to a new area of investigation and exploration. I have discovered that I enjoy the unexpected occurrences that happen while painting. I have an appreciation for the parts of my works that do not follow the preliminary sketch and are produced more subconsciously. While usually this aspect has been restricted by the adherence to a preliminary sketch and narrative, the new works explore these occurrences more fully. In the new works, I worked in a more spontane… more
Date: May 2003
Creator: Jones, Paul David

Nature By Design

Description: Organic forms representing nature, but not particular species, are combined with elements signifying attitudes toward the natural world with an emphasis on North American culture. The viewer is encouraged to consider human effects on the environment. Aquarium Night Light and Trophy both refer to the human tendency for commercial exploitation coupled with the creation of nature images we sometimes seem to prefer over the reality of the natural world. Reliquary metaphorically connects traditional… more
Date: December 2002
Creator: Lingle, Linda A.

Discovering the Parameters of a Successful Piece: While Developing a Body of Work that Represents My Passion for Clay and My Enthusiasm for Life

Description: Chapter I describes the purpose of the project, which was to develop a body of work that exhibits all that I am at this point in time. The questions I presented to myself were the following: 1. A successful piece is defined by what parameters? 2. What visual qualities indicate my passion for clay and my enthusiasm for life? Chapter II lists and explains the five parameters of a successful piece, which are composition, firing, mark making, color contrast, and movement. Furthermore there is an ex… more
Date: December 2002
Creator: Lichman, Brenda C.

Eye of the beholder: Children respond to beauty in art.

Description: The purpose of this study was to determine if beauty was important to elementary age children when exploring and making aesthetic judgements about works of art and to determine the criteria elementary students used in judging beauty in works of art. This study also explored beauty as a concept that could be used as an organizing idea for designing a thematic unit with the purpose of introducing elementary students to postmodern art and issues. One hundred and sixty first grade and fourth grade … more
Date: May 2002
Creator: Meli, Alisa A.
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