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Primary view of The Stabat Mater of Herbert Howells: The Agony and the Ecstasy
Childs, Kim J.
August 2006
Primary view of Extemporizing Reawakened: Saxophonist Branford Marsalis's Approach to the Cadenza for  Concertino da Camera for Alto Saxophone and Eleven Instruments by Jacques Ibert
James, Matthew T.
December 2006
Primary view of A Critical Study of Arnold Schoenberg's Chamber Transcription of Gustav Mahler's Das Lied von der Erde
Sun, Ai-Kuang
August 2006
Primary view of An Overview and Performance Guide to Manuel Ponce's Sonata III for Solo Guitar
Smith, Jay
August 2006
Primary view of An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance.
Adduci, Kathryn James
August 2006
Primary view of Stabat Mater by Frank Ferko, A Mosaic of Mourning: The Universality of Mothers' Grief, Ancient Texts Made Relevant by the Addition of English Interpolations
Wilson, Barbara Sue Johnston
May 2006
Primary view of Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy."
Lamb, Earnest
August 2005
Primary view of A Study of Breath Management as Treated by Four Major American Vocal Pedagogues: Appelman, Reid, Vennard, and Miller
Kim, Jisuk
August 2005
Primary view of Reading Handel: A Textual and Musical Analysis of Handel's Acis and Galatea (1708, 1718)
Chang, Young-Shim
August 2005
Primary view of Piano Concerto No. 4 in D Minor, Op. 70 by Anton Rubinstein: An analytical and historical study.
Peevey, Pui-King Cecilia
May 2005
Primary view of Voci Lontani for flute, trumpet, percussion, piano, and string quartet: Critical essay and score.
Goto, Yo
August 2004
Primary view of Richard Strauss's Duett-Concertino: A Study of the Programmatic Elements for the Performer
Turley, Sarah Leigh
May 2004
Primary view of Supplemental Studies for Mastering Extended Techniques in Three Late Twentieth-Century Works for Solo Trombone: Luciano Berio's  Sequenza V, Folke Rabe's  Basta and Mark Phillips'  T. Rex, Together with Three Recitals of Selected Works by Wagenseil, Grøndahl, Gotkovsky, and Others
Scott, Deb
May 2004
Primary view of Pedagogical style and influence of Nadia Boulanger on music for wind symphony, an analysis of three works by her students: Copland, Bassett, and Grantham.
McCallum, Wendy M.
May 2004
Primary view of Plays of Tennessee Williams as opera: An analysis of the elements of Williams's dramatic style in Lee Hoiby's  Summer and Smoke and André Previn's  A Streetcar Named Desire.
Lee, Kenneth Oneal
December 2003
Primary view of Roger Reynolds'  Variation (1988): New Concepts of Form and Sound
Lee, JooHee
December 2003
Primary view of Register Unification in Light of Twentieth-Century Vocal Pedagogy
Tan, Haidee Lynn C.
August 2003
Primary view of Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony
Rober, Russell Todd
August 2003
Primary view of The Piano Variations of Aaron Copland: An Analysis and Study for the Performer.
Saun, Rinna M.
August 2003
Primary view of William Bolcom's Sonata for Violoncello and Piano (1989)
Janssen, Tido
August 2003
Primary view of The Tone Clock: Peter Schat's System and an Application to His  Etudes for Piano and Orchestra, Opus 39
Petrella, Diane Helfers
December 2002
Primary view of East Meets West: Nationalistic Elements in Selected Piano Solo Works of Chen Yi
Li, Songwen
August 2001
Primary view of Chen Yi and Her Choral Music: A Study of the Composer's Ideal of Fusing Chinese Music and Modern Western Choral Traditions
Yeung, Hin-Kei
December 2006
Primary view of Construction Applications, Practices, and Techniques of Natural Trumpets: A Comparative Analysis of Baroque and Modern Era Natural Trumpet Construction Methods
Wells, Lawrence E.
December 2006
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