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  Partner: UNT Libraries
 Resource Type: Thesis or Dissertation
 Language: Spanish
La sátira social de Mesonero Romanos y Larra

La sátira social de Mesonero Romanos y Larra

Date: December 1973
Creator: Rosello, Carlos G.
Description: None
Contributing Partner: UNT Libraries
La Temática Poética de Julián del Casal

La Temática Poética de Julián del Casal

Date: August 1976
Creator: Pijuan, Roberto B.
Description: None
Contributing Partner: UNT Libraries
Los medios de comunicación y transporte en la novela picaresca del Siglo de Oro

Los medios de comunicación y transporte en la novela picaresca del Siglo de Oro

Date: May 1975
Creator: Menchaca, Juan
Description: None
Contributing Partner: UNT Libraries
Los "Pasos" de Lope de Rueda

Los "Pasos" de Lope de Rueda

Date: May 1976
Creator: Garza, Nellie
Description: None
Contributing Partner: UNT Libraries
Motivos Estructurales y Temporales en la Obra de Alejo Carpentier

Motivos Estructurales y Temporales en la Obra de Alejo Carpentier

Date: August 1976
Creator: Flores, Ayda Milian
Description: None
Contributing Partner: UNT Libraries
La Novela Española Bizantina

La Novela Española Bizantina

Date: December 1974
Creator: Rodríguez, María Elda DeLeón
Description: None
Contributing Partner: UNT Libraries
La violencia en el Teatro de Guillén de Castro

La violencia en el Teatro de Guillén de Castro

Date: August 1979
Creator: Gibson, Sue L.
Description: This analysis, written in Spanish, compares the use of violence in four of Castro's dramas with its use in their sources and in the works of other Golden Age authors. Chapter II investigates the manner in which the plays based on Greek myths compare with the original stories and with the ancient Classical theater. Each of the four following chapters compares one of Castro's plays to contemporary works with the same plot. The conclusion indicates that Castro's plays do not show an extraordinary use of violence. In some instances Castro demonstrates more restraint than the other dramatists. Thus, Castro, as a typical author of his epoch, does not deserve his reputation for writing excessively violent works.
Contributing Partner: UNT Libraries
El amor como fuerza motivadora en la vida y obra poética y dramática de Gertrudis Gómez de Avellaneda

El amor como fuerza motivadora en la vida y obra poética y dramática de Gertrudis Gómez de Avellaneda

Date: May 1977
Creator: Milián, Marta Lucrecia
Description: This thesis presents a study of events in the life of Gertrudis Gómez de Avellaneda, a lyric poetess and dramatist during the Romantic period, as motivating forces in her literary career. As might be expected in the case of a true representative of the Romantic period, Avellaneda's passions and personal life are reflected in all of her works. She uses human and divine love as the main themes throughout all of her literary production, especially in her lyric poetry and the four tragedies chosen for this study: Munio Alfonso (1844), El Príncipe de Viana (1844), Saúl (1849), and Baltasar (1858).
Contributing Partner: UNT Libraries
El Cine De Terror Español Como Espejo De La Cultura Española

El Cine De Terror Español Como Espejo De La Cultura Española

Access: Use of this item is restricted to the UNT Community.
Date: May 2014
Creator: Donahue, Tyler
Description: This study traces the history and culture of Spain as seen through the lens of the nation´s production of horror cinema. Starting from the boom of Spanish horror film in the early 1960s, the thesis compares and contrasts the political and social aspects of Spanish society throughout three distinct eras of the 20th century: 1962 – 1975 (the boom of Spanish horror film through the Franco dictatorship), 1975 – 1999 (the transition to democracy through the end of the 20th century) and 2000 – present (the 21st century). Movies as diverse as Gritos en la noche (1962, Jesús Franco), ¿Quién puede matar a un niño? (1976, Narciso Ibáñez Serrador) and Angustia (1987, Bigas Luna) are framed by culturally-related anectodes as well as correlations to their respective social environments. Special attention has been paid to the production and release of each film, especially in regards to censorship during the Franco dictatorship. The results show that Spanish horror cinema has acted as a true mirror to culture, society and politics in its native country throughout the 20th century and that this trend will likely extend in to the future.
Contributing Partner: UNT Libraries
Obra Dramatica de Manuel Ortiz de Pinedo

Obra Dramatica de Manuel Ortiz de Pinedo

Date: August 1965
Creator: Rojas, Guillermo
Description: This work studies the arguments of eleven of Manuel Ortiz de Pinedo's works, which the author considers as a matter of research and worthy of criticism and analysis on everything related to their themes, characters and resources used by the playwright.
Contributing Partner: UNT Libraries
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