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An Analysis and Comparison of the Critical Works of Virgil Thomson and Olin Downes

Description: A study of the critical work of Virgil Thomson, critic for the New York Herald Tribune and of Olin Downes, music critic for the New York Times, will perhaps give a better understanding of how different emphasis on purposes may influence critical work. Each man wrote brief, journalistic reviews. They attended many of the same concerts; yet, their critical judgments differed in many respects.
Date: 1947
Creator: Teasley, Elizabeth Kincaid
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A Dramatic and Musical Analysis of the Character, Isolde, Derived from Both the Legend and Richard Wagner's Opera, Tristan and Isolde

Description: This paper attempts to give a complete musical and dramatic analysis of the character of Isolde, from both the legend and Richard Wagner's opera, Tristan and Isolde, by first comparing the events as related in the two principal sources of the legend and then by an examination of Wagner's version of the story.
Date: 1949
Creator: McConnell, Patsi Jane
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Charles Ives and a Stylistic Analysis of his Three Piano Sonatas

Description: This thesis has been written with several goals in mind. The first purpose has been to inform the reader about the life of Charles Ives and the influences he experienced that gave him the impetus to experiment and write music of a nature thirty years ahead of its time, while the rest of the world was basking in the waning light of Romanticism. The second purpose has been to describe in a short space general characteristics that may be found throughout the entire musical output of Ives. The thir… more
Date: 1955
Creator: Harer, Carolyn Bertha
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John Playford and His Introduction to the Skill of Musick

Description: To provide a background for this study, an attempt has been made to correlate the facts known about Playford's life and work. The examination of the treatise has two main objectives: 1. to give an exposition of the material presented by Playford (which includes not only theory of music with examples, but also instructions on singing and on playing the viol and the violin, as well as a number of musical compositions); and 2. wherever possible, to discover the sources used by Playford in writing… more
Date: 1958
Creator: Carapetyan, Leon F.
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The Development of Modern Solo Trumpet Literature as Traced through the Morceaux de Concours at the Paris Conservatory

Description: The purpose of this thesis is to give the reader an insight into the development of solo trumpet literature as well as to present historical information concerning the development of the trumpet and the effect it had on the literature written for that instrument. Only music originally written for trumpet will be considered as the many transcriptions of older music that now appears are not characteristic of the idiomatic writing for trumpet at that time.
Date: 1957
Creator: Olson, Robert Dale
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An Analysis of the Works for Solo Trumpet by Alan Hovhaness

Description: The purpose of this study is to determine the general style characteristics of the works for solo trumpet by Alan Hovhaness, viz., Khrimian Hairig, Overture to Avak, Prayer of Saint Gregory, and Haroutiun. The musical elements of form, melody, harmony, tonality, rhythm, texture, and counterpoint are examined objectively in order to determine the essential features of the music. Further consideration is given to the idiomatic use of the solo trumpet in these compositions. Each composition is exa… more
Date: August 1957
Creator: Tull, Fisher Aubrey
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The Musical Value of Ten Band Class Methods for Junior High School Level

Description: The purpose of this thesis is to present a detailed evaluation of the musical value in ten leading class band methods suitable for use in the junior high school. Presentation of tone production, mechanics of the instruments, and placement of beginning tones are discussed only when the value of the music is directly involved.
Date: August 1950
Creator: Dorsey, Harold B.
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A Comparison of the Variation Technique Employed by Beethoven and Copland

Description: Draws a comparison between the piano variation techniques of Beethoven and Copland with reference only to the two works discussed herein, Thirty-Two Variations and Piano Variations, with the intent of gaining from these isolated examples knowledge of the changes in variation writing from Beethoven's time to the present.
Date: May 1964
Creator: Parrish, Mary Kay, 1940-
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The Serenades and Divertimenti of Mozart

Description: This study has two divisions: Part I, an historical and analytical summary of the emergence and development of the divertimento and the serenade in the eighteenth century, and Part II, the culmination of these structures in the works of W. A. Mozart. Two primary purposes are envisioned: 1) to further our knowledge of how German Gesellshafts-musik evolved toward its peak in the second half of the eighteenth century, and 2) to furnish a useful analytical handbook of Mozart's works in these genre… more
Date: June 1960
Creator: Gibson, O. Lee (Oscar Lee)
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An Experimental Study of Intonation Factors of the Cornet and Trumpet

Description: Many musicians have theorized that intonation would be improved if all players in a band or orchestral section used instruments of identical dimensions and material. This study consists of a test taken under experimental conditions comparing the Conn 38A cornets used in the North Texas State University Concert Band with a random selection of trumpets, using the same performers for both sets of instruments.
Date: August 1971
Creator: McMahon, Ann E. (Ann Elizabeth)
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Italian Influences in the Corellisirende Sonaten of Telemann

Description: George Philipp Telemann is often thought of an experimenter with many nationalistic styles during the course of his career. His Corellian Sonatas demonstrate this facet of his work in their employment of Corelli's manner, and the cultivation of the Italian style. Telemann's Corellian sonatas are stylistically close to those of Corelli, and they do not appear to vary widely from the church and chamber sonatas of Corelli; Telemann fused the two sonata types in that dance elements are found in the… more
Date: May 1995
Creator: Chang, Young-Shim
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The Influence of Jazz on French Solo Trombone Repertory

Description: This lecture-recital investigated the lineage of French composers who were influenced by jazz during the first half of the twentieth century, with a focus on compositions from the solo trombone repertory. Historically, French composers, more than those of other European countries, showed an early affinity for the artistic merits of America's jazz. This predilection for the elements of jazz could be seen in the selected orchestral works of Les Six and the solo compositions of the Paris Conservat… more
Date: May 1987
Creator: Samball, Michael L. (Michael Loran)
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Compositional Devices of Willem Pijper (1894-1947) and Henk Badings (b. 1907) in Two Selected Works, Pijper's "Sonata per Flauto e Pianoforte" (1925) and Badings' "Concerto for Flute and Wind Symphony Orchestra" (1963), a Lecture Recital, Together with Three Recitals of Selected Works of Bach, Vivaldi, Dahl, Françaix, and Others

Description: Substantial contributions to flute literature of the twentieth century were made by the Dutch composers Willem Pijper (1894-1947) and Henk Badings (b. 1907) in the Sonata per Flauto e Pianoforte (1925) and the Concerto for Flute and Wind Symphony Orchestra (1963), respectively. This paper is an examination of the compositional devices employed by Pijper and Badings in these two selected works, with a discussion of the elements of form, tonal language, rhythm, motivic usage, orchestration, and i… more
Date: December 1980
Creator: Clardy, Mary Karen
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A Performance Edition of Joseph Fiala's Concertante in B-Flat for Clarinet, Taille (English Horn) and Orchestra, a Lecture Recital, Together with Three Recitals of Selected Works of W.A. Mozart, C. Debussy, D. Milhaud, J. Brahms, P. Hindemith, and Others

Description: Joseph Fiala (1754-1816) was a composer and performer of the classical period. His many compositions include manuscripts of a concerto for clarinet, taille, and orchestra in the Fürstlich Thurn und Taxis Hofbibliothek in Regensburg, West Germany and the Library of Congress in Washington, D.C. , U.S.A. This paper identifies the instrument called "taille" as the English horn and discusses the work in areas of form, harmony, rhythm, orchestration, and use of solo instruments. Comparison with conte… more
Date: August 1983
Creator: Widder, David R.
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The Moravian Church and Its Trombone Choir in America, a Lecture Recital, Together with Three Recitals of Selected Works by W. Presser, R. Monaco, L. Bassett, P. Bonneau, E. Bozza, R. Dillon and Others

Description: The purpose of the lecture was to investigate the historical and musical heritage of the Moravian Church, with a particular interest in the works and players of the American Moravian Trombone Choir. The historical overview of people, customs, and practices is traced from its beginnings with the Unitas Fratrum in Bohemia through the Northern Germany settlement of Herrenhut and the establishment of the American Moravian colony at Bethlehem, Pennsylvania. The musical life of the church is represen… more
Date: August 1984
Creator: Branstine, Wesley R.
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Robert Schumann: Novelletten, Opus 21, a Lecture Recital, Together with Three Recitals of Selected Works of L.v. Beethoven, R. Schumann, J. Brahms, and E. Granados

Description: The Novelletten of Robert Schumann stand out as unusual among his works for solo piano. It is the largest cycle of character pieces in his output and has other distinguishing features. One unusual aspect of the work is its abundance of literary references which Schumann revealed at various points when it was being composed. This is an aspect unique to this cycle since Schumann's other cycles refer to a single literary source. One of the purposes of this paper is to discuss these numerous litera… more
Date: May 1981
Creator: Blaine, William
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