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Primary view of The 1896 Vienna Tonkünstler-verein Competition: the Three Award-winning Works and Seven Anonymous Submissions with Clarinet
Harrell, Andrea
August 2014
Primary view of Addressing Technical and Musical Demands of Contemporary Music for Horn through Newly-Composed Etudes
Hessel, Eric
August 2019
Primary view of Alfredo Casella's Serenata, op. 46, A Performance Guide for the Ensemble and Trumpet Part
Walker, Brian Matthew
May 2011
Primary view of An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut
Suen, Ming-Jen
May 2011
Primary view of An Analysis and Performance Guide of Selected Works for Saxophone by Cuban Composers Jorge Luis Sosa and Andrés Alén-Rodriguez
Friel, Stephan
August 2019
Primary view of An Analysis of Dave Holland's Free Improvisation in "Waterfall" and Its Pedagogical Applications for Bassists in Avant-Garde Performance
Heffner, Steven (Bassist)
December 2019
Primary view of An Analysis of Emma Diruf Seiler's Teaching Philosophy and Contribution to Voice Pedagogy
Sullivan, Kristen (Kristen Janell)
May 2019
Primary view of An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?
Kleinmann, Denika Lam
May 2014
Primary view of An Analysis of Pitch Organization in Villa-lobos's Rudepoêma
Kruger, Esthea
May 2013
Primary view of Analysis of Roger-ducasse’s Pastorale Pour Orgue
Kim, Jung-Won
May 2012
Primary view of An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Lipton, Jamie
August 2010
Primary view of An Analytical Perspective of the Developing Aesthetic Concepts in Sergey Prokofiev's Choses en soi, Op. 45
Liu, Tzu-Yi
December 2017
Primary view of Ancient Musical Ideas Through a Twenty-First Century Lens: An Examination of Tarik O’Regan’s Scattered Rhymes and Its Relationship to Guillaume de Machaut’s Messe de Notre Dame
LaBarr, Cameron Frederick
August 2011
Primary view of An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano
Bradfield, Ann
May 2010
Primary view of Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
Tang, Wen-Chien
August 2010
Primary view of Aphorismen, Capriccio, and Heptameron for Piano Solo By Jürg Baur: a Performer's Guide
Park, Esther
December 2012
Primary view of The Application of Common-practice Elements in Modern Music: Examining Examples of Musical Continuity in Selected Piano Works of James R Wintle
Kim, Sung-Yun
December 2014
Primary view of An Argument in Favor of the Saxhorn Basse (French Tuba) in the Modern Symphony Orchestra
Kleinsteuber, Carl
May 2017
Primary view of The Art of Borrowing: Quotations and Allusions in Western Music
Lee, Myung-Ji
May 2016
Primary view of The Art of Marimba Articulation: A Guide for Composers, Conductors, and Performers on the Expressive Capabilities of the Marimba
Davis, Adam Benjamin
August 2018
Primary view of Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre
O’Neal, John Micheal
December 2015
Primary view of Assessing Perception and Attitude of Pianists toward Ergonomically Scaled Piano Keyboards (ESPK): Raising Awareness about ESPK and Evaluating Changes of Attitude through an Educational Survey
Son, Youjoo
August 2018
Primary view of An Assessment of Extant Euphonium Methodologies for Developing and Performing in the Upper Register
Chou, Wei Chien
December 2017
Primary view of The Automatic Compensating Euphonium As the Ideal Choice for Performing Music Composed Originally for Ophicleide
Demy, Richard R.
August 2014
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