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Primary view of An Analytical Perspective of the Developing Aesthetic Concepts in Sergey Prokofiev's Choses en soi, Op. 45
Liu, Tzu-Yi
December 2017
Primary view of The Art of Borrowing: Quotations and Allusions in Western Music
Lee, Myung-Ji
May 2016
Primary view of Assessing Perception and Attitude of Pianists toward Ergonomically Scaled Piano Keyboards (ESPK): Raising Awareness about ESPK and Evaluating Changes of Attitude through an Educational Survey
Son, Youjoo
August 2018
Primary view of Building an Effective Piano Technique while Avoiding Injury: A Comparison of the Exercises in Alfred Cortot's "Rational Principles of Pianoforte Technique" and Carl Tausig's "Daily Studies for the Pianoforte"
Woo, Laehyung
May 2017
Primary view of A Comparative Study of Piano Etudes by György Sandor Ligeti and Unsuk Chin: A Technical and Stylistic Guide to Mastering the Difficulties of Their Etudes
Jang, Miyoun
December 2018
Primary view of A Comparative Study of Polyphonic Techniques in Chang-Lei Zhu's Ballade for Solo Piano
Rong, Xing
August 2019
Primary view of Composer/Performer Collaboration as Seen in the Solo Piano Part of Percy Grainger's Edition of the Edvard Grieg Piano Concerto in A Minor Opus 16
Lee, Sungyo
May 2017
Primary view of Conducting from the Piano? A Tradition Worth Reviving?
Marshall, Eldred
May 2018
Primary view of First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions
Wang, Xiao (Pianist)
May 2018
Primary view of Functional Orchestral Collaboration Skills for Wind Band Pianists: A Study Guide
Kim, Grace Jisoo
August 2016
Primary view of A Guide to Franz Liszt's Piano Transcriptions of Franz Schubert's Songs
Kim, Ah Young
May 2017
Primary view of A Holy Night: 10 Arrangements of Timeless Carols: Preparing Early Advanced Piano Students for Standard Repertoire
Nahkur, Hando
December 2019
Primary view of An Instructional Guide to Teaching Dan Beaty's Woodsprite and Waterbug Collection for Intermediate Piano Students and Instructors
Hung, Sophie (Shuo-Hui)
December 2018
Primary view of An Introduction to Contemporary Characteristics in Twentieth-Century Piano Music for the Late-Intermediate Student: A Pedagogical Analysis of the Bagatelles, Opus 5 by Alexander Tcherepnin
Ai, Meilin
May 2019
Primary view of John Ireland's Piano Sonata (1918-1920) and the Influence of Johannes Brahms
Su, I-Shan
May 2018
Primary view of Kaikhosru Sorabji's Rapsodie Espagnole de Maurice Ravel, Transcription de Concert pour piano: A Comparison of the Two Versions from 1923 and 1945
Chu, Fang-Yi
December 2018
Primary view of The Keyboard Toccatas of Michelangelo Rossi (ca. 1602-1656): Performance Perspectives for Organists
Van Rooyen, Hentus
December 2019
Primary view of Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices
Lee, Hyun Kyung (Organist)
May 2016
Primary view of Marc-André Hamelin's "Variations on a Theme of Paganini": The Effect of Polystylism through Pastiche and Musical Borrowing in Variations
Kim, Warren
December 2019
Primary view of "Mich dürstet" (I Thirst) by Younghi Pagh-Paan and the Jeju 4.3 Incident: Images and Piano Textures
Kim, Seongkyul
August 2019
Primary view of Musical Time and Memory: A Bergsonian Interpretation of Sergei Rachmaninoff's Prelude Op. 32 No. 10 in B Minor
Buxton, Robert S.
August 2018
Primary view of The Orchestral Mentality of Johannes Brahms' Piano Sonata No. 3
Hsu, Yu-Ching
August 2017
Primary view of A Pedagogical Analysis of Articulation, Balancing, Voicing, and Interpretation in Giuseppe Concone's Vingt Études Chantantes, Op. 30, for Upper Intermediate Piano Students
Cao, Chenyi
December 2017
Primary view of A Performance-and-Analysis Approach to a Cadential Ambiguity: Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, First Movement
Kim, Yereum
December 2019
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