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  Partner: UNT Libraries
 Decade: 2000-2009
 Year: 2001
 Degree Discipline: Ceramics
 Collection: UNT Theses and Dissertations
Ceramics Without Clay: An Exploration into Potential

Ceramics Without Clay: An Exploration into Potential

Date: May 2001
Creator: Hart, Christopher David
Description: Investigating the behavior, function and appearance of ceramic materials has proven an enduring point of interest throughout my education. In learning about the vast range of the earth-yielded materials and their physical manifestations in states ranging from wet to dry to fired, I have found myself excited and challenged to seek out ways to expand their presentation. My attention has been repeatedly drawn to the class of ceramic materials that frequently get classified as “glaze ingredients.” Understanding the structural and visual qualities of these minerals and compounds was an interest whether I was making tableware, tiles, or sculpture. For the purposes of this paper, I propose to deal expressly with the physical art-making considerations of material and process as they relate to my work in ceramics. By directing my focus as such, I hope to center my work on a concern that became evident to the art world upon the display of Marcel Duchamp’s Fountain: material equals content.
Contributing Partner: UNT Libraries
Gestural Expressions in Clay

Gestural Expressions in Clay

Access: Use of this item is restricted to the UNT Community.
Date: August 2001
Creator: Neergaard, Nancy Dart
Description: The nature of clay's physical attributes and the application of these characteristics to an expression of gestural movement in utilitarian ceramics.
Contributing Partner: UNT Libraries
Searching for the Exceptional

Searching for the Exceptional

Date: May 2001
Creator: Sydnor, James R.
Description: During my career producing functional ceramics, I have followed a very traditional working methodology. As with many functional potters, I have always maintained a high level of productivity. Making many similar pieces allows me to develop an idea and to refine it through the working process. My method for developing a new piece is to first design the form, then to decide upon the desired manipulation of the surface planes and surface, and finally to consider the glazing and decoration to refine this new piece of pottery. I work with the new form systematically attempting to isolate and change specific elements, attempting to make each piece in the series more successful. Finally, changes are made to alter the form and decoration in order to achieve an integration of the new design into the present whole of my work. I make every piece intending that quality and craftsmanship will define each piece as an exceptional piece of pottery. Although my intention is that every piece be exceptional, the percentage of exceptional pots is not that high. In each kiln load, a minority of pieces meets my specific criteria of exceptionality. Although the other pots in each kiln load are of high ...
Contributing Partner: UNT Libraries