The purpose of this thesis was to determine a way by which the school could best serve all the children in the capacity of guidance. A program was needed which would enrich the lives of children of widely varying social and financial levels, chronological ages, mental ages, personalities, talents, and other inherent traits or tendencies.
The author undertook this analysis of the caricatures of the two outstanding artists, Oscar Berger and David Low, to determine the factors which have shaped the style of each artist and the factors which have determined the public appeal of each artist's work.
The present study concerns the use of native materials in craft problems which might be used profitably in public schools. The purpose of the research and experiments was fourfold: first, to make available information on the utility of certain native materials which the writer believed would be helpful to people interested in crafts; second, to acquaint interested individuals with native dye plants; third, to encourage a wide use of native materials; and fourth, to work out for use in public schools a series of craft problems utilizing native materials.
How much art is projected into the home and community as a result of art experiences in the school is difficult to determine without some criterion as a standard for judgement. Based upon this premise, the author attempted, with the cooperation of the art committee of the Dallas Junior League, to test the aesthetic judgement of selected groups of children in the Dallas Public Schools by evaluating their reactions to an exhibition of common household articles currently available on the Dallas market.
Fewer geometrical analyses have been made of paintings than of any other group of works of art. For this reason ten paintings by a typical Florentine painter, Botticelli, were chosen by the author in order to find out; first, the extent to which geometrical divisions were used in determining the enclosing rectangles and the main lines of the composition; second, whether or not the same geometrically determined relationships were used by Botticelli frequently enough to be considered an important determinant of his style.
The purpose of this study was to endeavor to find through experimentation satisfactory glazes for metals which would be available to the amateur craftsman. Attention was given to reasons for the experimental research, to the metals best suited for glazing, and to the development of satisfactory inexpensive glazes.
Texas has only recently taken an active interest in developing the fine arts as an important aspect of her culture. With the discovery of vast oil fields in Texas, an era of prosperity ensued that brought about rapid growth in population and wealth.
In this study sixteen early stone buildings at Fredericksburg, Texas, are described and evaluated as examples of indigenous architecture. Chapter II presents a brief history of the founding of Fredericksburg. Chapter III presents a description of the town site and a discussion of the native materials as used by the pioneer immigrants in the construction of residences and other buildings. Chapter IV is devoted to a detailed description of fourteen buildings as specific examples of the indigenous architecture. Representative photographs of the buildings as they now appear, as well as floor plans, illustrate the text. Two early churches of the indigenous type, accompanied by photographs and floor plans, are discussed in Chapter V. In Chapter VI a summary of the study is given and conclusions are presented.
In developing the study, the writer has attempted to devise a method whereby high-school students may gain an understanding of certain trends in modern abstract and non-objective painting.
In order to develop a program whereby people can be educated to appreciate and choose the best contemporary designs among the many textiles that are available, it is necessary to know which types of textiles, if any, among those designed in the modern manner, the public accepts, which it rejects, and the factors that influence selection. This study was made to discover those factors -- such as color, subject matter, and utility -- that determine popular choices in a representative group of well-designed modern printed textiles which were available on the Dallas market. The textiles were placed on public exhibition at the Dallas Museum of Fine Arts.
This paper is the result of a study made in Guanajuato, Mexico, in the summer of 1945. It is an attempt to set forth the development of the methods used in making pottery and tiles in this region -- to trace the methods, forms, and motifs from the pre-Conquest period through the Colonial and contemporary periods, to find what changes have come about in the art of making pottery and tiles, and to discover the causes of these changes.
Since the East Texas area has many minerals in the categories which yield semiprecious stones of commercial value--jasper, wood agate, wood opal, and silicified stone, the author undertook this study to determine: (1) the extent which these minerals could be utilized as sources for gems; (2) the equipment necessary for cutting and polishing the stones; and (3) the techniques for finishing the gems.
The purpose of this investigation is to present to teachers in the field of art education a list of words which are essential to successful mastery of the subject matter found in certain textbooks used in the art department at the North Texas State Teachers College.
This study examines the dye plants in the Texas plains region and the extent of their dye-producing qualities. It describes the interest in handicrafts, lack of information on vegetable dyes in plains region, and a variety of other dye details.
This thesis involves an investigation of the trees in McLennan County that were suitable for wood sculpture, or wood carving, giving special attention to the wood that could be used for wood sculpture projects in the junior-high-school art program.
Paintings of Raphael and Titian were chosen for study (1) to ascertain the extent to which they used geometry, and (2) to determine, if possible, the differences and likenesses in their underlying schemas, and (3) to determine how geometrical divisions, if used, affected the character of their paintings.
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