UNT Libraries - 767 Matching Results

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Primary view of Social Discourse in the Savoy Theatre's Productions of The Nautch Girl (1891) and Utopia Limited (1893): Exoticism and Victorian Self-Reflection
Hicks, William L.
August 2003
Primary view of The Solo Compositions for Trumpet of Fisher Aubrey Tull: An Analysis of Structural, Technical, and Stylistic Elements for Performance Preparation, with Three Recitals of Selected Works by Bozza, Fasch, Haydn, Tomasi, and Others
Wenger, Alan J.
August 2002
Primary view of Solo lyra viol music of Tobias Hume (c. 1579-1645): Historical context and transcription for modern guitar.
Amelkina-Vera, Olga
August 2008
Primary view of The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985)
Simms, Beverley
August 1990
Primary view of Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others
Lewis, Michael E. (Michael Edward), 1952-
May 1989
Primary view of The Solo Vocal Collections of Gerald R. Finzi Suitable for Performance by the High Male Voice, a lecture recital together with three recitals of selected works of J.S. Bach, H. Wolf, R. Vaughan Williams, A. Jolivet, F.J. Haydn, J. Brahms, L.V. Beethoven, R. Strauss, J.P. Rameau, M. Ravel, S. Barber, G. Faure
Germany, Samuel R.
August 1993
Primary view of Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Saens and Others
Hiramoto, Stephen Anthony
August 1996
Primary view of Some Soundwalks (Denton, Tx)
Jackson, Jonathan
May 2013
Primary view of Something About Marybell
Yonemaru, Tomoko
May 2008
Primary view of Sonata for Piano (1963) by Sergei Michailovich Slonimsky: Musical Analysis and Discussion on Interpretation and Performance
Fitenko, Nikita
May 2002
Primary view of The Sonatas of Johann Gottfried Eckard (1735-1809) and the Evolution of Keyboard Instruments Between 1760 and 1785
Chiang, I-Fang
August 2013
Primary view of Song of Pi-Pa
Tseng, Yu-Chung, 1960-
August 1994
Primary view of The Songs of David Amram: A representative analysis and review of published vocal music for accompanied and unaccompanied voice
Bieritz, Gerald L.
August 2001
Primary view of The Songs of Giacomo Puccini: An Analytical Study of His Style and Self-borrowing
Kim, Soo Hong
August 1997
Primary view of The Songs of Sidney Homer, with Three Recitals of Selected Works by Verdi, Handel, Brahms, Poulenc, Ives, Loewe, Fauré, Floyd and Others
Snider, Jeffrey
December 1996
Primary view of “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S
Breckenridge, Mark A.
August 2012
Primary view of The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976
McGinney, William Lawrence
May 2009
Primary view of Source-bonding as a Variable in Electroacoustic Composition: Faktura and Acoustics in Understatements
Rostovtsev, Ilya Y.
December 2010
Primary view of A Spectral Analysis of Selected Vowels Sung by Bass and Baritone Student Singers
Tolin, Craig Edmond
August 1990
Primary view of Stabat Mater by Frank Ferko, A Mosaic of Mourning: The Universality of Mothers' Grief, Ancient Texts Made Relevant by the Addition of English Interpolations
Wilson, Barbara Sue Johnston
May 2006
Primary view of The Stabat Mater of Herbert Howells: The Agony and the Ecstasy
Childs, Kim J.
August 2006
Primary view of Stability of Secondary String Teachers' Rehearsal Behavior
Erwin, Joanne (Joanne Hall)
August 1992
Primary view of A status and vision investigation of US university piano pedagogy programs.
Fu, Hui-Ju Camille
May 2007
Primary view of Still life in black and white: An intertextual interpretation of William Grant Still's "symphonic trilogy."
Lamb, Earnest
August 2005
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